"oclc_from_filename:worldcat_2022_09_titles_1_backup_2022_10_12/v6/1065/1065293620" - 搜索

ia/fangjianlidexiao0000mccl.pdf

房間裡的小奇蹟 Fang jian li de xiao qi ji Geleisi Maikelin zhu; Yan Xiangru yi = The land of decoration / Grace McCleen 寂寞出版股份有限公司 Ji mo chu ban gu fen you xian gong si, Soul -- 13, Soul -- 13., Chu ban, Taibei Shi, China (Republic : 1949- ), 2012

"10歲的小茱蒂絲和爸爸相依為命, 她從未見過母親, 只能從家中的舊物來想像媽媽的輪廓. 爸爸信仰虔誠, 卻拙於表達愛, 他總是訴說著聖經故事, 牽起茱蒂絲的小手, 挨家挨戶地傳教. 那是父女倆唯一親密的時刻, 卻令茱蒂絲在學校飽受嘲弄, 霸凌. 她只有躲進自己的小房間, 才能得到安慰. 她在房間裡創造了一個「應許之地」, 用毛氈變出綠色田野, 保鮮膜鋪成蜿蜒小河, 把廢物全化作一個超脫現實的空間. 夜晚, 茱蒂絲記起學校裡殘酷的種種, 忍不住想像:要是真實世界像房間裡的世界一樣下起大雪, 或許就會停課吧!於是她用爸爸的刮鬍泡在應許之地造出一場美妙的雪, 不久便沉沉睡去 ... 天亮了, 打開窗, 只見一片雪白. 茱蒂絲揉揉眼睛, 赫然發現房裡的雪花和外頭的銀白大地連成一片. 難道她的一雙小手, 竟能創造奇蹟? "--Back cover

中文 [zh] · PDF · 14.3MB · 2012 · 📗 未知类型的图书 · 🚀/ia · Save

duxiu/initial_release/14105484.zip

民航发展改革文稿 Min hang fa zhan gai ge wen gao 李军著, 李军著, 李军, Jun Li 北京:中国民航出版社, 2016, 2016

3 (p1): 第一部分 3 (p1-1): 深刻领会习近平总书记对民航工作重要指示的六大要义 9 (p1-2): 加强航空安全保障体系建设的行动纲领——学习贯彻习近平总书记对民航安全工作重要指示的体会 14 (p1-3): 从五年规划谈规划“五性”——对民航规划工作的回顾和体会 30 (p1-4): 民航财务工作的宏观视野和管控重点 35 (p1-5): 以军民融合推进空管改革 41 (p1-6): 大力推进传统航空货运向现代物流的根本转变 50 (p1-7): 着力提高民航国际航线运输竞争能力 56 (p1-8): 继续推进西藏民航的跨越式发展 63 (p1-9): 更好地实施首都机场的扩容与分流——对当前京津冀民航协同发展的一点建议 67 (p1-10): 对做好民航党建工作的几点体会 71 (p1-11): 坚持党的群众路线的理论思考与行动聚焦 77 (p1-12): 创建劳动关系和谐企业要做到“六个坚持” 84 (p1-13): 以市场自治促进有序流动——《航空公司飞行员有序流动公约》签订和实施情况 94 (p1-14): 以“三严三实”统领航协建设 101 (p2): 第二部分 101 (p2-1): 大鹏展翅乘风起——新中国民航事业发展回顾 110 (p2-2): 朝阳苍翠沐春晖——党和国家领导人关心支持民航发展实录 119 (p2-3): 五岳磐石作根基——中国民航安全发展综述 129 (p2-4): 内激外引发巨力——中国民航改革开放略记 139 (p2-5): 龙飞凤舞呈祥瑞——民航干部职工队伍建设概叙 150 (p2-6): 兴业强国竞此时——新时期民航强国建设展望 161 (p3): 第三部分 161 (p3-1): 畅行蓝天不是梦——写在“十二五”开局之时 169 (p3-2): 稳中求进再攻坚——解读民航“两会”精神 178 (p3-3): 承前启后开新局——2013年民航工作要点述评 185 (p3-4): 关键之年抓关键——解读2014年民航工作要点 194 (p3-5): 新常态下新跨越——解读2015年民航工作要点 201 (p4): 第四部分 201 (p4-1): 小中见大话今昔——从海南出差见证民航发展 207 (p4-2): 从统计看民航 212 (p4-3): 我所经历的几个改革片段 217 (p4-4): 第一责任大家担——我所参与的一些安全工作 228 (p4-5): 核心资源看短长——我对民航飞行员培养的了解和分析 234 (p4-6): 通用航空功不可没 239 (p4-7): 绵薄之力——我所经历的西藏民航几件事 245 (p4-8): 建国50周年的一次穿梭庆典——从三个重大项目看民航机场建设 251 (p4-9): 从公文审批到经营许可——设立航空公司管理的回顾与思考 258 (p4-10): 昆仑山下寄深情——追记南疆扶贫之行 262 (p4-11): 一路旌鼓一路歌——读《实践民航发展良性循环》 269 (p4-12): “9·11”引发航空保险危机的应对与启示 277 (p4-13): 彩虹飞舞架金桥——写在迎世博虹桥机场扩建工程竣工之时 289 (p5): 第五部分 289 (p5-1): 万里长空开新宇——对解决航班时刻和流量控制问题进一言 292 (p5-2): 盈利基石何所铸 295 (p5-3): 国际航线再加鞭 298 (p5-4): 货运发展待破冰 300 (p5-5): 通用航空当振翼 303 (p5-6): 景气之时看隐忧 306 (p5-7): 改革创新是根本 309 (p5-8): 人才强业最关键 312 (p5-9): 加强党建带队伍 315 (p5-10): 打造文化软实力 318 (p6): 后记 “爬格子”的苦与乐

中文 [zh] · PDF · 210.4MB · 2016 · 📗 未知类型的图书 · 🚀/duxiu/zlibzh · Save

duxiu/initial_release/14184548.zip

新编妇幼专科用药速查手册 Xin bian fu you zhuan ke yong yao su cha shou ce 虎亚光[等]主编; 虎亚光兰州:甘肃科学技术出版社, Di 1 ban, 兰州 Lan zhou, 2016

本书从实用角度出发,对妇幼保健一、二级学科专科用药按照疾病谱进行分类整理,结合最新诊疗指南对适应证、用量用法、作用特点、禁忌症、不良反应等临床用药中需要注意的事项进行了简明扼要、重点突出的介绍。同时,本书也兼顾医改政策,对基层医疗机构常用专科用药进行梳理收录

中文 [zh] · PDF · 210.5MB · 2016 · 📗 未知类型的图书 · 🚀/duxiu · Save

duxiu/initial_release/12701041.zip

说服力让人说YES的7个关键罗素·葛兰?著麦格罗希尔, 溝通勵志叢書, CS040, 初版, 臺北市, 2008[民97

中文 [zh] · PDF · 67.4MB · 2008 · 📗 未知类型的图书 · 🚀/duxiu · Save

duxiu/initial_release/14632181.zip

隐形的南方 = Yinxing de nanfang Yin xing de nan fang = Yinxing de nanfang 郭汉闵, 郭漢閔, 文字作者, 郭汉闵著北京:团结出版社, 2019, 2019

1 (p1): 第一部分从东非出发2 (p1-1): 第一章隐藏的“胎记”11 (p1-2): 第二章亚当的语言20 (p1-3): 第三章一路向北29 (p2): 第二部分云雨巫山30 (p2-1): 第四章白色精灵40 (p2-2): 第五章太阳颂50 (p2-3): 第六章在水一方61 (p2-4): 第七章涅槃之门71 (p2-5): 第八章女神创世纪82 (p2-6): 第九章龙抬头91 (p2-7): 第十章走出三峡丛林101 (p3): 第三部分江汉奔流102 (p3-1): 第十一章南方有嘉禾112 (p3-2): 第十二章远去的大象122 (p3-3): 第十三章为玉痴狂132 (p3-4): 第十四章母亲记忆144 (p3-5): 第十五章熊出没的女人河159 (p3-6): 第十六章伏羲伏羲170 (p3-7): 第十七章大禹治水的江汉底色180 (p3-8): 第十八章王者之城191 (p3-9): 第十九章天之骄子199 (p4): 第四部分出江汉记200 (p4-1): 第二十章红与黑210 (p4-2): 第二十一章火与冰220 (p4-3): 第二十二章乘舟远行231 (p4-4): 第二十三章日出东方241 (p5): 第五部分浓雾中的古蜀人242 (p5-1): 第二十四章金堆玉积252 (p5-2): 第二十五章生死轮回262 (p5-3): 第二十六章青铜之光271 (p6): 第六部分粟作与蒹葭272 (p6-1): 第二十七章北方的河282 (p6-2): 第二十八章死亡焦虑292 (p6-3): 第二十九章龟背上的殷商王朝(一)302 (p6-4): 第三十章龟背上的殷商王朝(二)315 (p6-5): 第三十一章秦岭之北328 (p6-6): 第三十二章汉语方言的底层(一)337 (p6-7): 第三十三章汉语方言的底层(二)345 (p6-8): 第三十四章南方!南方! Ben shu yi da liang de kao gu xue, Yu yan xue deng yan jiu cheng guo wei yi ju, Yi ji deng wen xian de ji zai, Dui chuan shuo zhong de"san huang wu di"hua xia zhu shen, Da yu zhi shui, Jing wei tian hai deng jing dian shen hua, Jin xing le quan xin jie du, Yu zhu si ma ji zhi zhong jie mi zhong yuan deng di shi qian wen ming yu nan fang shi qian wen ming de nei zai guan lian, Zai xian le hua xia wen ming zai san xia di qu, Liang hu ping yuan yun yu, Xing cheng, Bing chuan bo de cang sang gui ji

中文 [zh] · PDF · 65.7MB · 2019 · 📗 未知类型的图书 · 🚀/duxiu/zlibzh · Save

duxiu/initial_release/青年演讲能力训练教程_11186982.zip

青年演讲能力训练教程 Qing nian yan jiang neng li xun lian jiao cheng 李平收主编; 李平收北京:知识出版社, Xin shi ji qing nian cheng gong su zhi xun lian jiao cheng xi lie cong shu, Xin shi ji qing nian cheng gong su zhi xun lian jiao cheng xi lie cong shu, Di 1 ban, Beijing, China, 2002

编者认为, 成功演讲的关键在于学会站着思考, 也就是说, 在面对观众这种心理紧张状况下, 大脑还能进行高效运转.本书围绕学会站着思考这个核心, 提出一系列新颖实用的理论和方法, 帮助你消除不必要的紧张, 进行成功的演讲

中文 [zh] · PDF · 11.2MB · 2002 · 📗 未知类型的图书 · 🚀/duxiu · Save

zlib/no-category/李平收, Li, Pingshou/Qing nian yan jiang neng li xun lian jiao cheng, 青年演讲能力训练教程_119334082.pdf

Qing nian yan jiang neng li xun lian jiao cheng, 青年演讲能力训练教程李平收, Li, Pingshou Beijing : Zhi shi chu ban she, Xin shi ji qing nian cheng gong su zhi xun lian jiao cheng xi lie cong shu, Xin shi ji qing nian cheng gong su zhi xun lian jiao cheng xi lie cong shu, Di 1 ban, Beijing, China, 2002

3, 297 pages ; 21 cm, Can kao wen xian (page 297)

中文 [zh] · PDF · 26.9MB · 2002 · 📗 未知类型的图书 · 🚀/duxiu/ia/zlib · Save

lgli/Norman Ridley - The Role of Intelligence in the Battle of Britain (2021, Pen and Sword).epub

The Role of Intelligence in the Battle of Britain Norman Ridley Pen and Sword, 1, 2021

The Battle of Britain was fought between two airborne military elites and was a classic example of pure attack against pure defence. Though it was essentially a ‘war of attrition’, it was an engagement in which the gathering, assessment and reaction to intelligence played a significant role on both sides. In some respects, both the RAF and the Luftwaffe were hamstrung in their endeavours during the Battle of Britain by poor intelligence. The most egregious Luftwaffe blunder was its failure to appreciate the true nature of Fighter Command’s operational systems and consequently it made fundamental strategic errors when evaluating its plans to degrade them. This was compounded by the Luftwaffe’s Intelligence chief, Major Josef ‘Beppo’ Schmid, whose consistent underestimation of Fighter Command’s capabilities had a huge negative impact upon Reichsmarschall Göring’s decision-making at all stages of the conflict. Both the Luftwaffe and the RAF lacked detailed information about each other’s war production capacity. While the Luftwaffe did have the benefit of pre-war aerial surveillance data it had been unable to update it significantly since the declaration of war in September 1939. Fighter Command did have an distinct advantage through its radar surveillance systems, but this was, in the early stages of the conflict at least, less than totally reliable and it was often difficult to interpret the data coming through due to the inexperience of many of its operators. Another promising source of intelligence was the interception of Luftwaffe communications. It is clear that the Luftwaffe was unable to use intelligence as a ‘force multiplier’, by concentrating resources effectively, and actually fell into a negative spiral where poor intelligence acted as a ‘force diluter’, thus wasting resources in strategically questionable areas. The British, despite being essentially unable to predict enemy intentions, did have the means, however imperfect, to respond quickly and effectively to each new strategic initiative rolled out by the Luftwaffe. The result of three years intensive research, in this book the author analyses the way in which both the British and German Intelligence services played a part in the Battle of Britain, thereby attempting to throw light on an aspect of the battle that has been hitherto underexposed to scrutiny.

英语 [en] · EPUB · 13.0MB · 2021 · 📘 非小说类图书 · 🚀/lgli/zlib · Save

lgli/Monelle, Raymond, - The Sense of Music (2000, Princeton University Press).fb2

The Sense of Music : Semiotic Essays Raymond Monelle; with a foreword by Robert Hatten Princeton University Press, November 15, 2000

Annotation. The fictional Dr. Strabismus sets out to write a new comprehensive theory of music. But music's tendency to deconstruct itself combined with the complexities of postmodernism doom him to failure. This is the parable that frames The Sense of Music, a novel treatment of music theory that reinterprets the modern history of Western music in the terms of semiotics. Based on the assumption that music cannot be described without reference to its meaning, Raymond Monelle proposes that works of the Western classical tradition be analyzed in terms of temporality, subjectivity, and topic theory. Critical of the abstract analysis of musical scores, Monelle argues that the score does not reveal music's sense. That sense--what a piece of music says and signifies--can be understood only with reference to history, culture, and the other arts. Thus, music is meaningful in that it signifies cultural temporalities and themes, from the traditional manly heroism of the hunt to military power to postmodern "polyvocality." This theoretical innovation allows Monelle to describe how the Classical style of the eighteenth century--which he reads as a balance of lyric and progressive time--gave way to the Romantic need for emotional realism. He argues that irony and ambiguity subsequently eroded the domination of personal emotion in Western music as well as literature, killing the composer's subjectivity with that of the author. This leaves Dr. Strabismus suffering from the postmodern condition, and Raymond Monelle with an exciting, controversial new approach to understanding music and its history

英语 [en] · FB2 · 0.9MB · 2000 · 📘 非小说类图书 · 🚀/lgli/zlib · Save

lgli/Monelle, Raymond, - The Sense of Music (2000, Princeton University Press).azw3

The Sense of Music : Semiotic Essays Raymond Monelle; with a foreword by Robert Hatten Princeton University Press, Princeton University Press, Princeton, N.J., 2000

Annotation. The fictional Dr. Strabismus sets out to write a new comprehensive theory of music. But music's tendency to deconstruct itself combined with the complexities of postmodernism doom him to failure. This is the parable that frames The Sense of Music, a novel treatment of music theory that reinterprets the modern history of Western music in the terms of semiotics. Based on the assumption that music cannot be described without reference to its meaning, Raymond Monelle proposes that works of the Western classical tradition be analyzed in terms of temporality, subjectivity, and topic theory. Critical of the abstract analysis of musical scores, Monelle argues that the score does not reveal music's sense. That sense--what a piece of music says and signifies--can be understood only with reference to history, culture, and the other arts. Thus, music is meaningful in that it signifies cultural temporalities and themes, from the traditional manly heroism of the hunt to military power to postmodern "polyvocality." This theoretical innovation allows Monelle to describe how the Classical style of the eighteenth century--which he reads as a balance of lyric and progressive time--gave way to the Romantic need for emotional realism. He argues that irony and ambiguity subsequently eroded the domination of personal emotion in Western music as well as literature, killing the composer's subjectivity with that of the author. This leaves Dr. Strabismus suffering from the postmodern condition, and Raymond Monelle with an exciting, controversial new approach to understanding music and its history

英语 [en] · AZW3 · 0.7MB · 2000 · 📘 非小说类图书 · 🚀/lgli/zlib · Save

lgli/Monelle, Raymond, - The Sense of Music (2000, Princeton University Press).mobi

The Sense of Music : Semiotic Essays Raymond Monelle; with a foreword by Robert Hatten Princeton University Press, Princeton University Press, Princeton, N.J., 2000

Annotation. The fictional Dr. Strabismus sets out to write a new comprehensive theory of music. But music's tendency to deconstruct itself combined with the complexities of postmodernism doom him to failure. This is the parable that frames The Sense of Music, a novel treatment of music theory that reinterprets the modern history of Western music in the terms of semiotics. Based on the assumption that music cannot be described without reference to its meaning, Raymond Monelle proposes that works of the Western classical tradition be analyzed in terms of temporality, subjectivity, and topic theory. Critical of the abstract analysis of musical scores, Monelle argues that the score does not reveal music's sense. That sense--what a piece of music says and signifies--can be understood only with reference to history, culture, and the other arts. Thus, music is meaningful in that it signifies cultural temporalities and themes, from the traditional manly heroism of the hunt to military power to postmodern "polyvocality." This theoretical innovation allows Monelle to describe how the Classical style of the eighteenth century--which he reads as a balance of lyric and progressive time--gave way to the Romantic need for emotional realism. He argues that irony and ambiguity subsequently eroded the domination of personal emotion in Western music as well as literature, killing the composer's subjectivity with that of the author. This leaves Dr. Strabismus suffering from the postmodern condition, and Raymond Monelle with an exciting, controversial new approach to understanding music and its history

英语 [en] · MOBI · 0.7MB · 2000 · 📘 非小说类图书 · 🚀/lgli/zlib · Save

nexusstc/Architect of Evangelicalism: Essential Essays of Carl F. H. Henry/782ae6fc878162d718ecd521dc913d4c.epub

Architect of Evangelicalism: The Essential Essays of Carl F. H. Henry (Best of Christianity Today) Carl F. H. Henry, David S. Dockery Lexham Press, Best of Christianity Today, Bellingham, WA, 2019

Discover the ongoing relevance of the essential evangelical. In recent years, the label "evangelical" has been distorted and its usefulness questioned. No one is better equipped to provide a clear understanding of evangelicalism than the late Carl F. H. Henry, the founding editor of Christianity Today and the most influential theologian of American evangelicalism in the twentieth century. While Billy Graham was preaching the gospel to stadiums full of people, Henry was working tirelessly to help Christians adopt a worldview that encompasses all of life. Architect of Evangelicalism helps us gain a better sense of the roots of American evangelicalism by giving us the best of Henry's Christianity Today essays on subjects such as what defines evangelicalism, what separates it from theological liberalism, what evangelical Christian education should look like, and how evangelicals should engage with society.

英语 [en] · EPUB · 2.5MB · 2019 · 📘 非小说类图书 · 🚀/lgli/lgrs/nexusstc/zlib · Save

ia/senseofmusicsemi0000mone.pdf

The Sense of Music : Semiotic Essays Raymond Monelle; with a foreword by Robert Hatten Princeton, N.J.: Princeton University Press, Princeton University Press, Princeton, N.J., 2000

Annotation. The fictional Dr. Strabismus sets out to write a new comprehensive theory of music. But music's tendency to deconstruct itself combined with the complexities of postmodernism doom him to failure. This is the parable that frames The Sense of Music, a novel treatment of music theory that reinterprets the modern history of Western music in the terms of semiotics. Based on the assumption that music cannot be described without reference to its meaning, Raymond Monelle proposes that works of the Western classical tradition be analyzed in terms of temporality, subjectivity, and topic theory. Critical of the abstract analysis of musical scores, Monelle argues that the score does not reveal music's sense. That sense--what a piece of music says and signifies--can be understood only with reference to history, culture, and the other arts. Thus, music is meaningful in that it signifies cultural temporalities and themes, from the traditional manly heroism of the hunt to military power to postmodern "polyvocality." This theoretical innovation allows Monelle to describe how the Classical style of the eighteenth century--which he reads as a balance of lyric and progressive time--gave way to the Romantic need for emotional realism. He argues that irony and ambiguity subsequently eroded the domination of personal emotion in Western music as well as literature, killing the composer's subjectivity with that of the author. This leaves Dr. Strabismus suffering from the postmodern condition, and Raymond Monelle with an exciting, controversial new approach to understanding music and its history

英语 [en] · PDF · 15.5MB · 2000 · 📗 未知类型的图书 · 🚀/ia · Save

ia/fromserftorussia00wirt.pdf

From Serf to Russian Soldier (Princeton Legacy Library, 1076) Elise Kimerling Wirtschafter Princeton, N.J.: Princeton University Press, Princeton University Press, [N.p.], 2014

Here is the first social history devoted to the common soldier in the Russian army during the first half of the 19th-century--an examination of soldiers as a social class and the army as a social institution. By providing a comprehensive view of one of the most important groups in Russian society on the eve of the great reforms of the mid-1800s, Elise Wirtschafter contributes greatly to our understanding of Russia's complex social structure. Based on extensive research in previously unused Soviet archives, this work covers a wide array of topics relating to daily life in the army, including conscription, promotion and social mobility, family status, training, the regimental economy, military justice, and relations between soldiers and officers. The author emphasizes social relations and norms of behavior in the army, but she also addresses the larger issue of society's relationship to the autocracy, including the persistent tension between the tsarist state's need for military efficiency and its countervailing need to uphold the traditional norms of unlimited paternalistic authority. By examining military life in terms of its impact on soldiers, she analyzes two major concerns of tsarist social policy: how to mobilize society's resources to meet state needs and how to promote modernization (in this case military efficiency) without disturbing social arrangements founded on serfdom.Originally published in 1990.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

英语 [en] · PDF · 13.2MB · 2014 · 📗 未知类型的图书 · 🚀/ia · Save

ia/derouilleetdosno0000davi.pdf

De Rouille Et D'os (english And French Edition) Craig Davidson; traduit de l'anglais (Canada) par Anne Wicke Contemporary French Fiction, Points -- P1996, Points (Paris) -- P1996., Paris, France, 2013

Un goût de rouille et d'os, c'est l'amère saveur du sang dans la bouche. Quand Eddie se fracture les os des mains, sa carrière de boxeur semble finie. Hanté par un dramatique accident dont il se sent responsable, il se lance dans les combats clandestins pour racheter sa faute... Deux des nouvelles de ce recueil ont été réunies et adaptées au cinéma par Jacques Audiard

法语 [fr] · PDF · 8.9MB · 2013 · 📗 未知类型的图书 · 🚀/ia · Save

nexusstc/The Artful Baker: Extraordinary Desserts From an Obsessive Home Baker/5a7c8c5aad0f9afc3886c6901de149bd.epub

The Artful Baker : Extraordinary Desserts From an Obsessive Home Baker Cenk Sönmezsoy Abrams, Inc.; Harry N. Abrams; Abrams, Open Road Integrated Media, Inc., New York, 2017

**A collection of more than 100 extraordinary desserts—all with photos and meticulous instructions—by Cenk Sönmezsoy, creator of the internationally acclaimed blog Cafe Fernando.** Written, styled, photographed, and designed by Cenk Sönmezsoy, __The Artful Baker__ shares the inspiring story of a passionate home baker, beginning with his years after graduate school in San Francisco and showcasing the fruits of a baking obsession he cultivated after returning home to Istanbul. Sönmezsoy’s stories and uniquely styled images, together with his original creations and fresh take on traditional recipes, offer a thoughtful and emotional window into the life of this luminary artist. __The Artful Baker__ is comprised of almost entirely new content, with a few updated versions of readers’ favorites from his blog, such as Brownie Wears Lace, his signature brownies topped with blond chocolate ganache and bittersweet chocolate lace (originally commissioned by Dolce & Gabbana and awarded “Best Original Baking and Desserts Recipe” by Saveur magazine); Raspberry Jewel Pluot Galette, a recipe inspired by Chez Panisse’s 40th year anniversary celebrations; and Devil Wears Chocolate, his magnificent devil’s food cake that graces the cover of the book. Each chapter highlights a variety of indulgences, from cookies to cakes and tarts to ice creams, including recipes like Pistachio and Matcha Sablés; Tahini and Leblebi (double-roasted chickpeas) Swirl Brownies; Sakura Madeleines; Sourdough Simit, the beloved ring-shaped Turkish bread beaded with sesame seeds; Isabella Grape and Kefir Ice Cream; Pomegranate Jam; and Blanche, a berry tart named after the Golden Girl Blanche Devereaux. Every recipe in __The Artful Baker__ has gone through a meticulous development phase, tested by an army of home bakers having varying levels of skill, equipment, and access to ingredients, and revised to ensure that they will work flawlessly in any kitchen. Measurements of ingredients are provided in both volume and weight (grams). Where a volume measurement isn’t useful, weight measurements are provided in both ounces and grams.

英语 [en] · EPUB · 236.8MB · 2017 · 📘 非小说类图书 · 🚀/lgli/lgrs/nexusstc/zlib · Save

ia/lhumouramericain0000royo_j1g0.pdf

L'humour américain : des puritains aux yankees Royot, Daniel. Lyon: Presses universitaires de Lyon, Lyon, France, 1980

Daniel Royot. Includes Bibliographical References And Index.

法语 [fr] · PDF · 24.0MB · 1980 · 📗 未知类型的图书 · 🚀/ia · Save

nexusstc/Our Others/4a32d525a20871e668ffad05e7a3a9ce.epub

Our Others : Stories of Ukrainian Diversity Olesya Yaremchuk; Marta Barnych; Zenia Tompkins; Hanna Leliv; Anton Semyzhenko; Ostap Slyvynsky Jessica Haunschild u. Christian Schön GbR. ibidem-Verlag, Ukrainian voices (Stuttgart, Germany), vol. 8, Stuttgart, 2020

Our Others: Stories of Ukrainian Diversity is an award-winning exploration of both the histories and personal stories of fourteen ethnic minority groups living within the boundaries of present-day Ukraine: Czechs and Slovaks, Meskhetian Turks, Swedes, Romanians, Hungarians, Roma, Jews, 'Liptaks', Gagauzes, Germans, Vlachs, Poles, Crimean Tatars, and Armenians. Based on a combination of academic research, fieldwork, and interviews, Olesya Yaremchuk's literary reportages paint realistic, thoughtful, and historically informed depictions of how these various groups arrived in Ukraine and how they have fared within the country's borders. Accompanied by vivid photographs that bring the reportages to life, Our Others is in some respects a chronicle of the myriad voluntary and forced migrations that have rolled through Ukraine for centuries. Simultaneously, the book offers a tender--and timely--study of the little islands of cultural diversity in Ukraine that have survived the Soviet steamroller of planned linguistic, cultural, and religious unification and that deserve acknowledgement in Ukraine's broader cultural identity. The volume's contributors are: Marta Barnych (contributing co-author), Anton Semyzhenko (contributing co-author), Ostap Slyvynsky (foreword)

英语 [en] · EPUB · 4.2MB · 2020 · 📘 非小说类图书 · 🚀/lgli/lgrs/nexusstc/zlib · Save

lgli/Beeck, Griet op de - Gezien de feiten.epub

Gezien de feiten Beeck, Griet op de Stichting Collectieve Propaganda van het Nederlandse Boek : Uitgeverij Prometheus, Boekenweekgeschenk, Amsterdam, 2018

"Gezien de feiten gaat over Olivia, een vrouw voor wie opeens alles anders wordt. Een verhaal over de kracht van spijt hebben, de gretige wil om goed te leven, de warme wurggreep van families, de angst om ruimte in te nemen, de kilte van de wereld zoals we haar kennen en het wapen dat liefde kan zijn, als ze echt is tenimnste." -- Back cover

荷兰语 [nl] · EPUB · 0.3MB · 2018 · 📕 小说类图书 · 🚀/lgli/lgrs/zlib · Save

lgli/Architect of Evangelicalism - Carl F. H. Henry;.epub

Architect of Evangelicalism: Essential Essays of Carl F. H. Henry (Best of Christianity Today) Carl F. H. Henry, David S. Dockery Lexham Press, Bookwire GmbH, [N.p.], 2019

Discover the ongoing relevance of the essential evangelical. In recent years, the label "evangelical" has been distorted and its usefulness questioned. No one is better equipped to provide a clear understanding of evangelicalism than the late Carl F. H. Henry, the founding editor of Christianity Today and the most influential theologian of American evangelicalism in the twentieth century. While Billy Graham was preaching the gospel to stadiums full of people, Henry was working tirelessly to help Christians adopt a worldview that encompasses all of life. Architect of Evangelicalism helps us gain a better sense of the roots of American evangelicalism by giving us the best of Henry's Christianity Today essays on subjects such as what defines evangelicalism, what separates it from theological liberalism, what evangelical Christian education should look like, and how evangelicals should engage with society.

英语 [en] · EPUB · 2.9MB · 2019 · 📘 非小说类图书 · 🚀/lgli/lgrs · Save

ia/takingbackourstr0000will.pdf

When Commissioner Of The Philadelphia Police Department Willie L. Williams Saw A Tape Of The Rodney King Beating, His First Reaction Was, I'm Glad That's Not My Department. One Year Later, He Was Named Chief Of The Lapd And Found Himself Accountable Not Only For Keeping The Peace In The Aftermath Of The Destructive L.a. Riots That Followed The Not-guilty Verdicts In The Case Of The Officers Involved In The King Beating, But Also For Helping Rebuild A City. So Began Williams's Tumultuous And Everchallenging Tenure At The Lapd. Since His Appointment, The Lapd Has Overseen The Investigations Of Michael Jackson On Charges Of Sexual Molestation; Heidi Fleiss On Prostitution; And, Of Course, O.j. Simpson On Double Murder. Despite High-profile Problems, There Have Been Successes - Crime Has Dropped Every Year Since Williams Took Office, Including A Record 13 Percent In 1994. Williams Attributes Part Of The Drop To Community Policing And To Significant Changes In Procedure And The Institutional Culture Of The Department. Taking Back Our Streets Is A Chronicle Of How Willie L. Williams, Through Commitment And A Willingness To Learn, Climbed The Ranks To Be Named The First Black Police Chief In Philadelphia And Los Angeles. He Reflects On That Career, And Speaks Candidly About Some Of His Most Public And High-profile Cases - Including Those Of Heidi Fleiss And O.j. Simpson. Williams Describes In Detail Community Policing, How It Has Been Effective, Who Participates, How It Works, And Where Improvements Can Still Be Made. In The Final Chapter, He Gives Practical Advice On What Each Citizen Can Do To Work With The Police In Taking Back Our Streets. In This Book, Readers Will Learn Of The Man Behind The Badge, A Man Whose Character Prepared Him For A Commitment To Public Service And A Dedication To Protecting The People Of His Community. Willie L. Williams With Bruce B. Henderson. A Lisa Drew Book. Includes Index.

英语 [en] · PDF · 17.2MB · 1996 · 📗 未知类型的图书 · 🚀/ia · Save

ia/takingbackourstr00will.pdf

When Commissioner Of The Philadelphia Police Department Willie L. Williams Saw A Tape Of The Rodney King Beating, His First Reaction Was, I'm Glad That's Not My Department. One Year Later, He Was Named Chief Of The Lapd And Found Himself Accountable Not Only For Keeping The Peace In The Aftermath Of The Destructive L.a. Riots That Followed The Not-guilty Verdicts In The Case Of The Officers Involved In The King Beating, But Also For Helping Rebuild A City. So Began Williams's Tumultuous And Everchallenging Tenure At The Lapd. Since His Appointment, The Lapd Has Overseen The Investigations Of Michael Jackson On Charges Of Sexual Molestation; Heidi Fleiss On Prostitution; And, Of Course, O.j. Simpson On Double Murder. Despite High-profile Problems, There Have Been Successes - Crime Has Dropped Every Year Since Williams Took Office, Including A Record 13 Percent In 1994. Williams Attributes Part Of The Drop To Community Policing And To Significant Changes In Procedure And The Institutional Culture Of The Department. Taking Back Our Streets Is A Chronicle Of How Willie L. Williams, Through Commitment And A Willingness To Learn, Climbed The Ranks To Be Named The First Black Police Chief In Philadelphia And Los Angeles. He Reflects On That Career, And Speaks Candidly About Some Of His Most Public And High-profile Cases - Including Those Of Heidi Fleiss And O.j. Simpson. Williams Describes In Detail Community Policing, How It Has Been Effective, Who Participates, How It Works, And Where Improvements Can Still Be Made. In The Final Chapter, He Gives Practical Advice On What Each Citizen Can Do To Work With The Police In Taking Back Our Streets. In This Book, Readers Will Learn Of The Man Behind The Badge, A Man Whose Character Prepared Him For A Commitment To Public Service And A Dedication To Protecting The People Of His Community. Willie L. Williams With Bruce B. Henderson. A Lisa Drew Book. Includes Index.

英语 [en] · PDF · 14.7MB · 1996 · 📗 未知类型的图书 · 🚀/ia · Save

nexusstc/Globalization and women in academia: North West-South East/f0854a003b98426f083c8072991bb6c2.epub

Globalization and women in academia : north west-south east Carmen Luke Routledge, 1 edition, June 1, 2001

In this cross-cultural exploration of the comparative experiences of Asian and Western women in higher education management, leading feminist theorist Carmen Luke constructs a provocative framework that situates her own standpoint and experiences alongside those of Asian women she studied over a three-year period. She conveys some of the complexity of global sweeps and trends in education and feminist discourse as they intersect with local cultural variations but also dovetail into patterns of regional similarities. Western feminist research has established that relatively few women hold senior positions in universities and colleges. Using the now common metaphor of the "glass ceiling," this research has developed a range of social, cultural, and institutional explanations for women's underrepresentation in academic life. International studies show that women in non-Western countries are also underrepresented in higher education. Yet do Western explanations and strategies for change hold for academic women working in non-Western universities? The very diversity among women's experiences calls into question many of the analytic tools, terms, claims, and solutions formulated by Western feminism. This is the first study to show how cultural differences figure into the institutional dynamics of "glass ceilings." It raises important theoretical and practical, strategic, and tactical questions about issues of cultural difference and institutional power.

英语 [en] · EPUB · 0.5MB · 2001 · 📘 非小说类图书 · 🚀/lgli/lgrs/nexusstc/zlib · Save

ia/easterncaribbean0000macl.pdf

Eastern Caribbean: Including Barbados and Trinidad (Thomas Cook Travellers) Automobile Association (Great Britain); Thomas Cook Thomas Cook Publishing, Thomas Cook travellers, Basingstoke, England, 1994

192p. : 20 cm Includes index

英语 [en] · PDF · 15.5MB · 1994 · 📗 未知类型的图书 · 🚀/ia · Save

ia/metaphorsofident0000dufa.pdf

Metaphors of identity : the treatment of childhood in selected Québécois novels Roseanna Lewis Dufault Rutherford: Fairleigh Dickinson University Press ; London: Associated University Presses, Rutherford, London, New Jersey, 1991

86 p. ; 22 cm Includes bibliographical references (p. 80-83) and index

英语 [en] · PDF · 2.8MB · 1991 · 📗 未知类型的图书 · 🚀/ia · Save

ia/patentguidehowyo0000batt.pdf

The Patent Guide: How You Can Protect and Profit from Patents (Second Edition) (Allworth Intellectual Property Made Easy Series) Carl W. Battle, Esq., Registered US Patent Attorney; Andrea D. Small, Esq., Registered US Patent Attorney New York, New York: Allworth Press, Simon & Schuster, New York, New York, 2018

'Recommended.'—Library Journal Coming up with a million-dollar idea is only the first step in what might seem like a long and difficult process. In The Patent Guide, Second Edition, experienced patent attorneys Carl W. Battle and Andrea D. Small deliver basic and comprehensive advice that is easy to understand and will allow you to protect, promote, and profit from your ideas. Chapters discuss such topics as: How to commercialize your invention Where to find sources of information and assistance What guidelines you should follow when obtaining a patent How to obtain foreign patent rights How to maintain confidentiality of your ideas When to use patent attorneys and agents How to deal with invention brokers and promotion firms How to enforce your patent against infringement Fully updated and revised, this new edition includes information on inventor notebooks and records, updates to the patent filing process in the United States and abroad, the latest USPTO forms and templates, and changes to electronic filing and submission procedures. With easy-to-use forms and step-by-step instructions, The Patent Guide is an indispensable tool to help minimize costs and maximize profits of your ideas and inventions.

英语 [en] · PDF · 17.6MB · 2018 · 📗 未知类型的图书 · 🚀/ia · Save

nexusstc/Core Economics/94282f521e9b23b577c4097f614712f8.pdf

Studyguide for Core Economics by Stone, Gerald, ISBN 9780716799009 by Cram101 Textbook Reviews (2015-04-06) Paperback Gerald W. Stone Worth Publishers, 1st, 2007

What does CORE mean?CoreEconomics is based on an extensive survey conducted by the author, Gerald Stone. Professor Stone asked several hundred instructors which chapters of their principles books they actually cover in their courses. Two important points emerged:• One chapter/one week. Instructors typically cover one chapter per week, or 15 chapters in a 15-week semester.• The majority of instructors teach the same 2/3 of a standard economics textbook.The overwhelming majority of instructors covers the same chapters in the bulk of their course and then spend minimal time covering additional chapters. Over 90% of professors cover a maximum of 15 chapters in their microeconomics or macroeconomics text, which typically includes 19-22 chapters. Based on this he decided to write a textbook that covers the core topics of economics in the sequence they are most commonly taught. The result is CoreEconomics, a text that provides everything you need to cover in your course in one chapter per week at 2/3 the cost of the average principles of Economics text. In this sense, “core” does not mean brief or abridged. Rather, it means that the textbook contains the chapters that most instructors need, but very few additional chapters or special-interest topics, such as agricultural economics, urban economics, insurance, and risk. Because CoreEconomics focuses on the core principles, it includes very few boxes, sidebars, or additional features. Rather, examples are incorporated into the main narrative of each chapter. The result is a more satisfying reading and learning experience for the student.

英语 [en] · PDF · 15.4MB · 2007 · 📘 非小说类图书 · 🚀/lgli/lgrs/nexusstc/zlib · Save

ia/futurecoalprospe0000worl.pdf

FUTURE COAL PROSPECTS:COUNTRY AND REGIONAL ASSESSMENTS WORLD COAL STUDY World Coal Study; Robert P. Greene and J. Michael Gallagher, eidtors; Carroll L. Wilson, Project director BALLINGER PUBLISHING COMPANY, Cambridge, Mass, Massachusetts, 1980

World Coal Study ; Robert P. Greene And J. Michael Gallagher, Editors ; Carroll L. Wilson, Project Director. The Second And Final Woc0l Report. Companion Report, Coal--bridge To The Future. Includes Bibliographical References.

英语 [en] · PDF · 32.1MB · 1980 · 📗 未知类型的图书 · 🚀/duxiu/ia · Save

nexusstc/The Role of Intelligence in the Battle of Britain/bdbadcd051bb7ebfd278c6740b9ed0fa.pdf

The Role of Intelligence in the Battle of Britain Norman Ridley Air World, Pen & Sword Books, 1, 2021

The Battle of Britain was fought between two airborne military elites and was a classic example of pure attack against pure defence. Though it was essentially a 'war of attrition', it was an engagement in which the gathering, assessment and reaction to intelligence played a significant role on both sides. In some respects, both the RAF and the Luftwaffe were hamstrung in their endeavours during the Battle of Britain by poor intelligence. The most egregious Luftwaffe blunder was its failure to appreciate the true nature of Fighter Command's operational systems and consequently it made fundamental strategic errors when evaluating its plans to degrade them. This was compounded by the Luftwaffe's Intelligence chief, Major Josef 'Beppo' Schmid, whose consistent underestimation of Fighter Command's capabilities had a huge negative impact upon Reichsmarschall Göring's decision-making at all stages of the conflict. Both the Luftwaffe and the RAF lacked detailed information about each other's war production capacity. While the Luftwaffe did have the benefit of pre-war aerial surveillance data it had been unable to update it significantly since the declaration of war in September 1939. Fighter Command did have an distinct advantage through its radar surveillance systems, but this was, in the early stages of the conflict at least, less than totally reliable and it was often difficult to interpret the data coming through due to the inexperience of many of its operators. Another promising source of intelligence was the interception of Luftwaffe communications. It is clear that the Luftwaffe was unable to use intelligence as a 'force multiplier', by concentrating resources effectively, and actually fell into a negative spiral where poor intelligence acted as a 'force diluter', thus wasting resources in strategically questionable areas. The British, despite being essentially unable to predict enemy intentions, did have the means, however imperfect, to respond quickly and effectively to each new strategic initiative rolled out by the Luftwaffe. The result of three years intensive research, in this book the author analyses the way in which both the British and German Intelligence services played a part in the Battle of Britain, thereby attempting to throw light on an aspect of the battle that has been hitherto underexposed to scrutiny.

英语 [en] · PDF · 17.0MB · 2021 · 📘 非小说类图书 · 🚀/lgli/lgrs/nexusstc/zlib · Save

ia/roadshowartcarsm0000dreg.pdf

Road show : art cars and the museum of the streets by Eric Dregni & Ruthann Godollei Golden, Colo.: Speck Press, Golden, Colo, Colorado, 2009

The automobile has long been a symbol of status, power, and autonomy, and ever since King Tut rolled through Egypt on his golden-wheeled chariot, artists and drivers have dreamed up mobile masterpieces. A striking photographic tribute and social history, Road Show navigates a path across high and low art, showing how people around the world are transforming their vehicles into stunning folk art, obsessive collections, social commentary, and visionary performances. In this fascinating showcase, we see how Henry Ford’s motto, “Any color as long as it’s black,” has been hung out to dry. From the Wienermobile to a hand-carved wooden Ferrari that drives in the canals of Venice to a giant red stiletto heel, Road SHow brings the “museum of the streets” to life. Eric Dregni has written thirteen books, including Follies of Science, Weird Minnesota, Midwest Marvels, The Scooter Bible, Ads That Put America on Wheels, and Let’s Go Bowling! He lives in Minneapolis where he teaches Italian and creative writing and plays guitar in the mock-rock trio Vinnie & the Stardüsters. Ruthann Godollei is a professor of art at Macalester College in Saint Paul, Minnesota, and her artwork has been exhibited internationally. She has participated in and organized art car events for over twenty years and drives a 1985 Volvo covered with thousands of printed green gears.

英语 [en] · PDF · 18.3MB · 2009 · 📗 未知类型的图书 · 🚀/ia · Save

nexusstc/The Role of Intelligence in the Battle of Britain/4d7107877c2e81bd5c8e0cb548c15d08.epub

The Role of Intelligence in the Battle of Britain Norman Ridley Pen and Sword, 1, 2021

The Battle of Britain was fought between two airborne military elites and was a classic example of pure attack against pure defense. Though it was essentially a ‘war of attrition’, it was an engagement in which the gathering, assessment and reaction to intelligence played a significant role on both sides. In some respects, both the RAF and the Luftwaffe were hamstrung in their endeavors during the Battle of Britain by poor intelligence. The most egregious Luftwaffe blunder was its failure to appreciate the true nature of Fighter Command’s operational systems and consequently it made fundamental strategic errors when evaluating its plans to degrade them. This was compounded by the Luftwaffe’s Intelligence chief, Major Josef ‘Beppo’ Schmid, whose consistent underestimation of Fighter Command’s capabilities had a huge negative impact upon Reichsmarschall Göring’s decision-making at all stages of the conflict. Both the Luftwaffe and the RAF lacked detailed information about each other’s war production capacity. While the Luftwaffe did have the benefit of pre-war aerial surveillance data it had been unable to update it significantly since the declaration of war in September 1939. Fighter Command did have an distinct advantage through its radar surveillance systems, but this was, in the early stages of the conflict at least, less than totally reliable and it was often difficult to interpret the data coming through due to the inexperience of many of its operators. Another promising source of intelligence was the interception of Luftwaffe communications. It is clear that the Luftwaffe was unable to use intelligence as a ‘force multiplier’, by concentrating resources effectively, and actually fell into a negative spiral where poor intelligence acted as a ‘force diluter’, thus wasting resources in strategically questionable areas. The British, despite being essentially unable to predict enemy intentions, did have the means, however imperfect, to respond quickly and effectively to each new strategic initiative rolled out by the Luftwaffe. The result of three years intensive research, in this book the author analyses the way in which both the British and German Intelligence services played a part in the Battle of Britain, thereby attempting to throw light on an aspect of the battle that has been hitherto underexposed to scrutiny.

英语 [en] · EPUB · 13.0MB · 2021 · 📘 非小说类图书 · 🚀/lgli/lgrs/nexusstc/zlib · Save

nexusstc/The Role of Intelligence in the Battle of Britain/08c4e4bc2874ec6770ee2893414c61e6.epub

The Role of Intelligence in the Battle of Britain Norman Ridley Air World, Pen & Sword Books, 1, 2021

The Battle of Britain was fought between two airborne military elites and was a classic example of pure attack against pure defence. Though it was essentially a ‘war of attrition’, it was an engagement in which the gathering, assessment and reaction to intelligence played a significant role on both sides. In some respects, both the RAF and the Luftwaffe were hamstrung in their endeavours during the Battle of Britain by poor intelligence. The most egregious Luftwaffe blunder was its failure to appreciate the true nature of Fighter Command’s operational systems and consequently it made fundamental strategic errors when evaluating its plans to degrade them. This was compounded by the Luftwaffe’s Intelligence chief, Major Josef ‘Beppo’ Schmid, whose consistent underestimation of Fighter Command’s capabilities had a huge negative impact upon Reichsmarschall Göring’s decision-making at all stages of the conflict. Both the Luftwaffe and the RAF lacked detailed information about each other’s war production capacity. While the Luftwaffe did have the benefit of pre-war aerial surveillance data it had been unable to update it significantly since the declaration of war in September 1939. Fighter Command did have an distinct advantage through its radar surveillance systems, but this was, in the early stages of the conflict at least, less than totally reliable and it was often difficult to interpret the data coming through due to the inexperience of many of its operators. Another promising source of intelligence was the interception of Luftwaffe communications. It is clear that the Luftwaffe was unable to use intelligence as a ‘force multiplier’, by concentrating resources effectively, and actually fell into a negative spiral where poor intelligence acted as a ‘force diluter’, thus wasting resources in strategically questionable areas. The British, despite being essentially unable to predict enemy intentions, did have the means, however imperfect, to respond quickly and effectively to each new strategic initiative rolled out by the Luftwaffe. The result of three years intensive research, in this book the author analyses the way in which both the British and German Intelligence services played a part in the Battle of Britain, thereby attempting to throw light on an aspect of the battle that has been hitherto underexposed to scrutiny.

英语 [en] · EPUB · 10.0MB · 2021 · 📘 非小说类图书 · 🚀/lgli/lgrs/nexusstc/zlib · Save

upload/newsarch_ebooks/2019/03/16/1429206225.pdf

CoreMacroeconomics Gerald W. Stone Worth Publishers, 1st, 2007-12-21

What does CORE mean?CoreEconomics is based on an extensive survey conducted by the author, Gerald Stone. Professor Stone asked several hundred instructors which chapters of their principles books they actually cover in their courses. Two important points emerged:• One chapter/one week. Instructors typically cover one chapter per week, or 15 chapters in a 15-week semester.• The majority of instructors teach the same 2/3 of a standard economics textbook.The overwhelming majority of instructors covers the same chapters in the bulk of their course and then spend minimal time covering additional chapters. Over 90% of professors cover a maximum of 15 chapters in their microeconomics or macroeconomics text, which typically includes 19-22 chapters. Based on this he decided to write a textbook that covers the core topics of economics in the sequence they are most commonly taught. The result is CoreEconomics, a text that provides everything you need to cover in your course in one chapter per week at 2/3 the cost of the average principles of Economics text. In this sense, “core” does not mean brief or abridged. Rather, it means that the textbook contains the chapters that most instructors need, but very few additional chapters or special-interest topics, such as agricultural economics, urban economics, insurance, and risk. Because CoreEconomics focuses on the core principles, it includes very few boxes, sidebars, or additional features. Rather, examples are incorporated into the main narrative of each chapter. The result is a more satisfying reading and learning experience for the student.

英语 [en] · PDF · 5.6MB · 2007 · 📘 非小说类图书 · 🚀/lgli/lgrs/nexusstc/upload/zlib · Save

upload/bibliotik/C/Celia's Song - Lee Maracle.epub

Celia's Song Lee Maracle; OverDrive, Inc Cormorant Books Inc, 1st Edition, First Edition, FR, 2014

Mink is a witness, a shape shifter, compelled to follow the story that has ensnared Celia and her village, on the West coast of Vancouver Island in Nuu'Chahlnuth territory. Celia is a seer who — despite being convinced she's a little "off" — must heal her village with the assistance of her sister, her mother and father, and her nephews. While mink is visiting, a double-headed sea serpent falls off the house front during a fierce storm. The old snake, ostracized from the village decades earlier, has left his terrible influence on Amos, a residential school survivor. The occurrence signals the unfolding of an ordeal that pulls Celia out of her reveries and into the tragedy of her cousin's granddaughter. Each one of Celia's family becomes involved in creating a greater solution than merely attending to her cousin's granddaughter. Celia's Song relates one Nuu'Chahlnuth family's harrowing experiences over several generations, after the brutality, interference, and neglect resulting from contact with Europeans.

英语 [en] · EPUB · 1.0MB · 2014 · 📕 小说类图书 · 🚀/lgli/upload/zlib · Save

lgli/Monelle, Raymond, - The Sense of Music (2000, Princeton University Press).lit

The Sense of Music : Semiotic Essays Raymond Monelle; with a foreword by Robert Hatten Princeton University Press, November 15, 2000

Annotation. The fictional Dr. Strabismus sets out to write a new comprehensive theory of music. But music's tendency to deconstruct itself combined with the complexities of postmodernism doom him to failure. This is the parable that frames The Sense of Music, a novel treatment of music theory that reinterprets the modern history of Western music in the terms of semiotics. Based on the assumption that music cannot be described without reference to its meaning, Raymond Monelle proposes that works of the Western classical tradition be analyzed in terms of temporality, subjectivity, and topic theory. Critical of the abstract analysis of musical scores, Monelle argues that the score does not reveal music's sense. That sense--what a piece of music says and signifies--can be understood only with reference to history, culture, and the other arts. Thus, music is meaningful in that it signifies cultural temporalities and themes, from the traditional manly heroism of the hunt to military power to postmodern "polyvocality." This theoretical innovation allows Monelle to describe how the Classical style of the eighteenth century--which he reads as a balance of lyric and progressive time--gave way to the Romantic need for emotional realism. He argues that irony and ambiguity subsequently eroded the domination of personal emotion in Western music as well as literature, killing the composer's subjectivity with that of the author. This leaves Dr. Strabismus suffering from the postmodern condition, and Raymond Monelle with an exciting, controversial new approach to understanding music and its history

英语 [en] · LIT · 0.4MB · 2000 · 📘 非小说类图书 · 🚀/lgli/zlib · Save

lgli/Monelle, Raymond, - The Sense of Music (2000, Princeton University Press).mobi

The Sense of Music : Semiotic Essays Raymond Monelle; with a foreword by Robert Hatten Princeton University Press, November 15, 2000

Annotation. The fictional Dr. Strabismus sets out to write a new comprehensive theory of music. But music's tendency to deconstruct itself combined with the complexities of postmodernism doom him to failure. This is the parable that frames The Sense of Music, a novel treatment of music theory that reinterprets the modern history of Western music in the terms of semiotics. Based on the assumption that music cannot be described without reference to its meaning, Raymond Monelle proposes that works of the Western classical tradition be analyzed in terms of temporality, subjectivity, and topic theory. Critical of the abstract analysis of musical scores, Monelle argues that the score does not reveal music's sense. That sense--what a piece of music says and signifies--can be understood only with reference to history, culture, and the other arts. Thus, music is meaningful in that it signifies cultural temporalities and themes, from the traditional manly heroism of the hunt to military power to postmodern "polyvocality." This theoretical innovation allows Monelle to describe how the Classical style of the eighteenth century--which he reads as a balance of lyric and progressive time--gave way to the Romantic need for emotional realism. He argues that irony and ambiguity subsequently eroded the domination of personal emotion in Western music as well as literature, killing the composer's subjectivity with that of the author. This leaves Dr. Strabismus suffering from the postmodern condition, and Raymond Monelle with an exciting, controversial new approach to understanding music and its history

英语 [en] · MOBI · 0.7MB · 2000 · 📘 非小说类图书 · 🚀/lgli/zlib · Save

lgli/Fabrizio Roccaforte and Mike Leszczynski - Nitride Semiconductor Technology Power Electronics and Optoelectronic Devices (2020, Wiley).pdf

Nitride Semiconductor Technology : Power Electronics and Optoelectronic Devices WILEY-VCH;Leszczynski, Michael;Roccaforte, Fabrizio Wiley-VCH Verlag GmbH & Co. KGaA, John Wiley & Sons, Inc., Weinheim, Germany, 2020

The book "Nitride Semiconductor Technology" provides an overview of nitride semiconductors and their uses in optoelectronics and power electronics devices. It explains the physical properties of those materials as well as their growth methods. Their applications in high electron mobility transistors, vertical power devices, LEDs, laser diodes, and vertical-cavity surface-emitting lasers are discussed in detail. The book further examines reliability issues in these materials and puts forward perspectives of integrating them with 2D materials for novel high-frequency and high-power devices. In summary, it covers nitride semiconductor technology from materials to devices and provides the basis for further research. Erscheinungsdatum: 23.09.2020

英语 [en] · PDF · 17.7MB · 2020 · 📘 非小说类图书 · 🚀/lgli/zlib · Save

lgli/Raymond Monelle - The Sense of Music (2021, ).fb2

The Sense of Music : Semiotic Essays Raymond Monelle; with a foreword by Robert Hatten Princeton University Press, Princeton University Press, Princeton, N.J., 2000

Annotation. The fictional Dr. Strabismus sets out to write a new comprehensive theory of music. But music's tendency to deconstruct itself combined with the complexities of postmodernism doom him to failure. This is the parable that frames The Sense of Music, a novel treatment of music theory that reinterprets the modern history of Western music in the terms of semiotics. Based on the assumption that music cannot be described without reference to its meaning, Raymond Monelle proposes that works of the Western classical tradition be analyzed in terms of temporality, subjectivity, and topic theory. Critical of the abstract analysis of musical scores, Monelle argues that the score does not reveal music's sense. That sense--what a piece of music says and signifies--can be understood only with reference to history, culture, and the other arts. Thus, music is meaningful in that it signifies cultural temporalities and themes, from the traditional manly heroism of the hunt to military power to postmodern "polyvocality." This theoretical innovation allows Monelle to describe how the Classical style of the eighteenth century--which he reads as a balance of lyric and progressive time--gave way to the Romantic need for emotional realism. He argues that irony and ambiguity subsequently eroded the domination of personal emotion in Western music as well as literature, killing the composer's subjectivity with that of the author. This leaves Dr. Strabismus suffering from the postmodern condition, and Raymond Monelle with an exciting, controversial new approach to understanding music and its history

英语 [en] · FB2 · 0.9MB · 2000 · 📘 非小说类图书 · 🚀/lgli/zlib · Save

lgli/N:\!genesis\0day\knovel_new\ICCREM 2016.pdf

ICCREM 2016 : BIM Application and off-Site Construction : proceedings of the 2016 International Conference on Construction and Real Estate Management : September 29-October 1, 2016, Edmonton, Alberta, Canada Geoffrey Q. P. Shen.; Mohamed Al-Hussein.; Wang.; Yaowu Wang.; Yimin Zhu American Society of Civil Engineers, American Society of Civil Engineers, Reston, 2017

This collection contains 182 peer-reviewed papers on BIM and prefabricated technology for construction engineering presented at the 2016 International Conference on Construction and Real Estate Management, held in Edmonton, Alberta, Canada, September 29–October 1, 2016.

英语 [en] · PDF · 65.6MB · 2017 · 📘 非小说类图书 · 🚀/lgli/lgrs/nexusstc/zlib · Save

lgli/R:\0day\eng\2015-01-16 Part 2-3\Lee Maracle - Celia's Song (v5.0) (epub).epub

Celia's Song Maracle, Lee Cormorant Books Inc, 1st Edition, First Edition, FR, 2014

Mink is a witness, a shape shifter, compelled to follow the story that has ensnared Celia and her village, on the West coast of Vancouver Island in Nuu'Chahlnuth territory. Celia is a seer who — despite being convinced she's a little "off" — must heal her village with the assistance of her sister, her mother and father, and her nephews. While mink is visiting, a double-headed sea serpent falls off the house front during a fierce storm. The old snake, ostracized from the village decades earlier, has left his terrible influence on Amos, a residential school survivor. The occurrence signals the unfolding of an ordeal that pulls Celia out of her reveries and into the tragedy of her cousin's granddaughter. Each one of Celia's family becomes involved in creating a greater solution than merely attending to her cousin's granddaughter. Celia's Song relates one Nuu'Chahlnuth family's harrowing experiences over several generations, after the brutality, interference, and neglect resulting from contact with Europeans.

英语 [en] · EPUB · 1.0MB · 2014 · 📕 小说类图书 · 🚀/lgli/lgrs/zlib · Save

lgli/Monelle, Raymond, - The Sense of Music (2000, Princeton University Press).azw3

The Sense of Music : Semiotic Essays Raymond Monelle; with a foreword by Robert Hatten Princeton University Press, November 15, 2000

Annotation. The fictional Dr. Strabismus sets out to write a new comprehensive theory of music. But music's tendency to deconstruct itself combined with the complexities of postmodernism doom him to failure. This is the parable that frames The Sense of Music, a novel treatment of music theory that reinterprets the modern history of Western music in the terms of semiotics. Based on the assumption that music cannot be described without reference to its meaning, Raymond Monelle proposes that works of the Western classical tradition be analyzed in terms of temporality, subjectivity, and topic theory. Critical of the abstract analysis of musical scores, Monelle argues that the score does not reveal music's sense. That sense--what a piece of music says and signifies--can be understood only with reference to history, culture, and the other arts. Thus, music is meaningful in that it signifies cultural temporalities and themes, from the traditional manly heroism of the hunt to military power to postmodern "polyvocality." This theoretical innovation allows Monelle to describe how the Classical style of the eighteenth century--which he reads as a balance of lyric and progressive time--gave way to the Romantic need for emotional realism. He argues that irony and ambiguity subsequently eroded the domination of personal emotion in Western music as well as literature, killing the composer's subjectivity with that of the author. This leaves Dr. Strabismus suffering from the postmodern condition, and Raymond Monelle with an exciting, controversial new approach to understanding music and its history

英语 [en] · AZW3 · 0.7MB · 2000 · 📘 非小说类图书 · 🚀/lgli/zlib · Save

lgli/Monelle, Raymond, - The Sense of Music (2000, Princeton University Press).epub

The Sense of Music : Semiotic Essays Raymond Monelle; with a foreword by Robert Hatten Princeton University Press, November 15, 2000

Annotation. The fictional Dr. Strabismus sets out to write a new comprehensive theory of music. But music's tendency to deconstruct itself combined with the complexities of postmodernism doom him to failure. This is the parable that frames The Sense of Music, a novel treatment of music theory that reinterprets the modern history of Western music in the terms of semiotics. Based on the assumption that music cannot be described without reference to its meaning, Raymond Monelle proposes that works of the Western classical tradition be analyzed in terms of temporality, subjectivity, and topic theory. Critical of the abstract analysis of musical scores, Monelle argues that the score does not reveal music's sense. That sense--what a piece of music says and signifies--can be understood only with reference to history, culture, and the other arts. Thus, music is meaningful in that it signifies cultural temporalities and themes, from the traditional manly heroism of the hunt to military power to postmodern "polyvocality." This theoretical innovation allows Monelle to describe how the Classical style of the eighteenth century--which he reads as a balance of lyric and progressive time--gave way to the Romantic need for emotional realism. He argues that irony and ambiguity subsequently eroded the domination of personal emotion in Western music as well as literature, killing the composer's subjectivity with that of the author. This leaves Dr. Strabismus suffering from the postmodern condition, and Raymond Monelle with an exciting, controversial new approach to understanding music and its history

英语 [en] · EPUB · 0.4MB · 2000 · 📘 非小说类图书 · 🚀/lgli/zlib · Save

lgli/Monelle, Raymond, - The Sense of Music (2000, Princeton University Press).pdf

The Sense of Music : Semiotic Essays Raymond Monelle; with a foreword by Robert Hatten Princeton University Press, November 15, 2000

Annotation. The fictional Dr. Strabismus sets out to write a new comprehensive theory of music. But music's tendency to deconstruct itself combined with the complexities of postmodernism doom him to failure. This is the parable that frames The Sense of Music, a novel treatment of music theory that reinterprets the modern history of Western music in the terms of semiotics. Based on the assumption that music cannot be described without reference to its meaning, Raymond Monelle proposes that works of the Western classical tradition be analyzed in terms of temporality, subjectivity, and topic theory. Critical of the abstract analysis of musical scores, Monelle argues that the score does not reveal music's sense. That sense--what a piece of music says and signifies--can be understood only with reference to history, culture, and the other arts. Thus, music is meaningful in that it signifies cultural temporalities and themes, from the traditional manly heroism of the hunt to military power to postmodern "polyvocality." This theoretical innovation allows Monelle to describe how the Classical style of the eighteenth century--which he reads as a balance of lyric and progressive time--gave way to the Romantic need for emotional realism. He argues that irony and ambiguity subsequently eroded the domination of personal emotion in Western music as well as literature, killing the composer's subjectivity with that of the author. This leaves Dr. Strabismus suffering from the postmodern condition, and Raymond Monelle with an exciting, controversial new approach to understanding music and its history

英语 [en] · PDF · 2.3MB · 2000 · 📘 非小说类图书 · 🚀/lgli/zlib · Save

lgli/Raymond Monelle Robert Hatten - The Sense Of Music Semiotic Essays Princeton University Press 2000.mobi

The Sense Of Music Semiotic Essays Princeton University Press 2000 Raymond Monelle; with a foreword by Robert Hatten Princeton University Press, Princeton University Press, Princeton, N.J., 2000

Annotation. The fictional Dr. Strabismus sets out to write a new comprehensive theory of music. But music's tendency to deconstruct itself combined with the complexities of postmodernism doom him to failure. This is the parable that frames The Sense of Music, a novel treatment of music theory that reinterprets the modern history of Western music in the terms of semiotics. Based on the assumption that music cannot be described without reference to its meaning, Raymond Monelle proposes that works of the Western classical tradition be analyzed in terms of temporality, subjectivity, and topic theory. Critical of the abstract analysis of musical scores, Monelle argues that the score does not reveal music's sense. That sense--what a piece of music says and signifies--can be understood only with reference to history, culture, and the other arts. Thus, music is meaningful in that it signifies cultural temporalities and themes, from the traditional manly heroism of the hunt to military power to postmodern "polyvocality." This theoretical innovation allows Monelle to describe how the Classical style of the eighteenth century--which he reads as a balance of lyric and progressive time--gave way to the Romantic need for emotional realism. He argues that irony and ambiguity subsequently eroded the domination of personal emotion in Western music as well as literature, killing the composer's subjectivity with that of the author. This leaves Dr. Strabismus suffering from the postmodern condition, and Raymond Monelle with an exciting, controversial new approach to understanding music and its history

英语 [en] · MOBI · 0.6MB · 2000 · 📘 非小说类图书 · 🚀/lgli/zlib · Save

lgli/Unknown - Raymond Monelle Robert Hatten The Sense Of Music Semiotic Essays Princeton University Press 2000.lit

Raymond Monelle Robert Hatten The Sense Of Music Semiotic Essays Princeton University Press 2000 Raymond Monelle; with a foreword by Robert Hatten Princeton University Press, Princeton University Press, Princeton, N.J., 2000

Annotation. The fictional Dr. Strabismus sets out to write a new comprehensive theory of music. But music's tendency to deconstruct itself combined with the complexities of postmodernism doom him to failure. This is the parable that frames The Sense of Music, a novel treatment of music theory that reinterprets the modern history of Western music in the terms of semiotics. Based on the assumption that music cannot be described without reference to its meaning, Raymond Monelle proposes that works of the Western classical tradition be analyzed in terms of temporality, subjectivity, and topic theory. Critical of the abstract analysis of musical scores, Monelle argues that the score does not reveal music's sense. That sense--what a piece of music says and signifies--can be understood only with reference to history, culture, and the other arts. Thus, music is meaningful in that it signifies cultural temporalities and themes, from the traditional manly heroism of the hunt to military power to postmodern "polyvocality." This theoretical innovation allows Monelle to describe how the Classical style of the eighteenth century--which he reads as a balance of lyric and progressive time--gave way to the Romantic need for emotional realism. He argues that irony and ambiguity subsequently eroded the domination of personal emotion in Western music as well as literature, killing the composer's subjectivity with that of the author. This leaves Dr. Strabismus suffering from the postmodern condition, and Raymond Monelle with an exciting, controversial new approach to understanding music and its history

英语 [en] · LIT · 0.4MB · 2000 · 📘 非小说类图书 · 🚀/lgli/zlib · Save

lgli/Raymond Monelle Robert Hatten - The Sense Of Music Semiotic Essays Princeton University Press 2000.fb2

The Sense Of Music Semiotic Essays Princeton University Press 2000 Raymond Monelle; with a foreword by Robert Hatten Princeton University Press, Princeton University Press, Princeton, N.J., 2000

Annotation. The fictional Dr. Strabismus sets out to write a new comprehensive theory of music. But music's tendency to deconstruct itself combined with the complexities of postmodernism doom him to failure. This is the parable that frames The Sense of Music, a novel treatment of music theory that reinterprets the modern history of Western music in the terms of semiotics. Based on the assumption that music cannot be described without reference to its meaning, Raymond Monelle proposes that works of the Western classical tradition be analyzed in terms of temporality, subjectivity, and topic theory. Critical of the abstract analysis of musical scores, Monelle argues that the score does not reveal music's sense. That sense--what a piece of music says and signifies--can be understood only with reference to history, culture, and the other arts. Thus, music is meaningful in that it signifies cultural temporalities and themes, from the traditional manly heroism of the hunt to military power to postmodern "polyvocality." This theoretical innovation allows Monelle to describe how the Classical style of the eighteenth century--which he reads as a balance of lyric and progressive time--gave way to the Romantic need for emotional realism. He argues that irony and ambiguity subsequently eroded the domination of personal emotion in Western music as well as literature, killing the composer's subjectivity with that of the author. This leaves Dr. Strabismus suffering from the postmodern condition, and Raymond Monelle with an exciting, controversial new approach to understanding music and its history

英语 [en] · FB2 · 0.9MB · 2000 · 📘 非小说类图书 · 🚀/lgli/zlib · Save

lgli/Raymond Monelle Robert Hatten - The Sense Of Music Semiotic Essays Princeton University Press 2000.pdf

The Sense of Music : Semiotic Essays Raymond Monelle; with a foreword by Robert Hatten Princeton University Press, Princeton University Press, Princeton, N.J., 2000

Annotation. The fictional Dr. Strabismus sets out to write a new comprehensive theory of music. But music's tendency to deconstruct itself combined with the complexities of postmodernism doom him to failure. This is the parable that frames The Sense of Music, a novel treatment of music theory that reinterprets the modern history of Western music in the terms of semiotics. Based on the assumption that music cannot be described without reference to its meaning, Raymond Monelle proposes that works of the Western classical tradition be analyzed in terms of temporality, subjectivity, and topic theory. Critical of the abstract analysis of musical scores, Monelle argues that the score does not reveal music's sense. That sense--what a piece of music says and signifies--can be understood only with reference to history, culture, and the other arts. Thus, music is meaningful in that it signifies cultural temporalities and themes, from the traditional manly heroism of the hunt to military power to postmodern "polyvocality." This theoretical innovation allows Monelle to describe how the Classical style of the eighteenth century--which he reads as a balance of lyric and progressive time--gave way to the Romantic need for emotional realism. He argues that irony and ambiguity subsequently eroded the domination of personal emotion in Western music as well as literature, killing the composer's subjectivity with that of the author. This leaves Dr. Strabismus suffering from the postmodern condition, and Raymond Monelle with an exciting, controversial new approach to understanding music and its history

英语 [en] · PDF · 2.3MB · 2000 · 📘 非小说类图书 · 🚀/lgli/zlib · Save

lgli/Monelle, Raymond, - The Sense of Music (2000, Princeton University Press).rtf

The Sense of Music : Semiotic Essays Raymond Monelle; with a foreword by Robert Hatten Princeton University Press, Princeton University Press, Princeton, N.J., 2000

Annotation. The fictional Dr. Strabismus sets out to write a new comprehensive theory of music. But music's tendency to deconstruct itself combined with the complexities of postmodernism doom him to failure. This is the parable that frames The Sense of Music, a novel treatment of music theory that reinterprets the modern history of Western music in the terms of semiotics. Based on the assumption that music cannot be described without reference to its meaning, Raymond Monelle proposes that works of the Western classical tradition be analyzed in terms of temporality, subjectivity, and topic theory. Critical of the abstract analysis of musical scores, Monelle argues that the score does not reveal music's sense. That sense--what a piece of music says and signifies--can be understood only with reference to history, culture, and the other arts. Thus, music is meaningful in that it signifies cultural temporalities and themes, from the traditional manly heroism of the hunt to military power to postmodern "polyvocality." This theoretical innovation allows Monelle to describe how the Classical style of the eighteenth century--which he reads as a balance of lyric and progressive time--gave way to the Romantic need for emotional realism. He argues that irony and ambiguity subsequently eroded the domination of personal emotion in Western music as well as literature, killing the composer's subjectivity with that of the author. This leaves Dr. Strabismus suffering from the postmodern condition, and Raymond Monelle with an exciting, controversial new approach to understanding music and its history

英语 [en] · RTF · 1.2MB · 2000 · 📘 非小说类图书 · 🚀/lgli/zlib · Save

lgli/Monelle, Raymond, - The Sense of Music (2000, Princeton University Press).lit

The Sense of Music : Semiotic Essays Raymond Monelle; with a foreword by Robert Hatten Princeton University Press, Princeton University Press, Princeton, N.J., 2000

Annotation. The fictional Dr. Strabismus sets out to write a new comprehensive theory of music. But music's tendency to deconstruct itself combined with the complexities of postmodernism doom him to failure. This is the parable that frames The Sense of Music, a novel treatment of music theory that reinterprets the modern history of Western music in the terms of semiotics. Based on the assumption that music cannot be described without reference to its meaning, Raymond Monelle proposes that works of the Western classical tradition be analyzed in terms of temporality, subjectivity, and topic theory. Critical of the abstract analysis of musical scores, Monelle argues that the score does not reveal music's sense. That sense--what a piece of music says and signifies--can be understood only with reference to history, culture, and the other arts. Thus, music is meaningful in that it signifies cultural temporalities and themes, from the traditional manly heroism of the hunt to military power to postmodern "polyvocality." This theoretical innovation allows Monelle to describe how the Classical style of the eighteenth century--which he reads as a balance of lyric and progressive time--gave way to the Romantic need for emotional realism. He argues that irony and ambiguity subsequently eroded the domination of personal emotion in Western music as well as literature, killing the composer's subjectivity with that of the author. This leaves Dr. Strabismus suffering from the postmodern condition, and Raymond Monelle with an exciting, controversial new approach to understanding music and its history

英语 [en] · LIT · 0.4MB · 2000 · 📘 非小说类图书 · 🚀/lgli/zlib · Save

lgli/Raymond Monelle Robert Hatten - The Sense Of Music Semiotic Essays Princeton University Press 2000.azw3

The Sense Of Music Semiotic Essays Princeton University Press 2000 Raymond Monelle; with a foreword by Robert Hatten Princeton University Press, Princeton University Press, Princeton, N.J., 2000

Annotation. The fictional Dr. Strabismus sets out to write a new comprehensive theory of music. But music's tendency to deconstruct itself combined with the complexities of postmodernism doom him to failure. This is the parable that frames The Sense of Music, a novel treatment of music theory that reinterprets the modern history of Western music in the terms of semiotics. Based on the assumption that music cannot be described without reference to its meaning, Raymond Monelle proposes that works of the Western classical tradition be analyzed in terms of temporality, subjectivity, and topic theory. Critical of the abstract analysis of musical scores, Monelle argues that the score does not reveal music's sense. That sense--what a piece of music says and signifies--can be understood only with reference to history, culture, and the other arts. Thus, music is meaningful in that it signifies cultural temporalities and themes, from the traditional manly heroism of the hunt to military power to postmodern "polyvocality." This theoretical innovation allows Monelle to describe how the Classical style of the eighteenth century--which he reads as a balance of lyric and progressive time--gave way to the Romantic need for emotional realism. He argues that irony and ambiguity subsequently eroded the domination of personal emotion in Western music as well as literature, killing the composer's subjectivity with that of the author. This leaves Dr. Strabismus suffering from the postmodern condition, and Raymond Monelle with an exciting, controversial new approach to understanding music and its history

英语 [en] · AZW3 · 0.7MB · 2000 · 📘 非小说类图书 · 🚀/lgli/zlib · Save