The liberalization of markets has lead to record levels of international investments. Icon Group Ltd.'s primary mission is to assist international managers to better plan and implement strategies in a global economy. It does so by providing various specialized industry reports, data bases, publications and services to its clients. This report is one of many published by Icon Group Ltd. to assist executives and planners in monitoring and analyzing world markets. In addition to industry-specific studies, Icon Group Ltd.'s reports cover human resources management, export strategies, investment strategies, entry & marketing strategies, political and economic risk assessments and legal trends (e.g., intellectual property, criminal justice, search & seizure). This reports concisely compiles a variety of official and proprietary information in a format that allows the reader to quickly benchmark a country vis-?-vis its region and the world as a whole. While attention has been made to provide the most recent information available, the reader should consult with local authorities concerning any recent changes. In addition to Icon Group's propriety sources, the information presented in our reports is compiled from various government agencies (e.g. local ministries), international organizations (e.g., the World Bank, the United Nations), and national authorities (e.g. the Central Intelligence Agency, the U.S. Department of State or Commerce).

From flashlights and top-of-the-line studio electronic flashes to light stands and battery/inverter packs, this all-encompassing survey evaluates the vast array of lighting and equipment options available to professional photographers. Beginning with a basic history of the role of lighting equipment and the interplay between advances in capture and lighting technologies, the emphasis then shifts to advances made within the past five years that have enabled photographers to consider more low-powered and cost effective options than ever before. In addition to identifying the wide range of gear currently on the market—as well as those photographers may devise on their own—this reference examines the pros and cons of the various technologies and provides suggestions for their most practical use. Photographs of the equipment surveyed as well as real-life images created with the different pieces of equipment are interspersed throughout the text. Other helpful hints include tips for maximizing versatility, investment in each piece of equipment, and a “Top-Ten Must-Have List.”

From flashlights and top-of-the-line studio electronic flashes to light stands and battery/inverter packs, this all-encompassing survey evaluates the vast array of lighting and equipment options available to professional photographers. Beginning with a basic history of the role of lighting equipment and the interplay between advances in capture and lighting technologies, the emphasis then shifts to advances made within the past five years that have enabled photographers to consider more low-powered and cost effective options than ever before. In addition to identifying the wide range of gear currently on the market—as well as those photographers may devise on their own—this reference examines the pros and cons of the various technologies and provides suggestions for their most practical use. Photographs of the equipment surveyed as well as real-life images created with the different pieces of equipment are interspersed throughout the text. Other helpful hints include tips for maximizing versatility, investment in each piece of equipment, and a “Top-Ten Must-Have List.”

From flashlights and top-of-the-line studio electronic flashes to light stands and battery/inverter packs, this all-encompassing survey evaluates the vast array of lighting and equipment options available to professional photographers. Beginning with a basic history of the role of lighting equipment and the interplay between advances in capture and lighting technologies, the emphasis then shifts to advances made within the past five years that have enabled photographers to consider more low-powered and cost effective options than ever before. In addition to identifying the wide range of gear currently on the market—as well as those photographers may devise on their own—this reference examines the pros and cons of the various technologies and provides suggestions for their most practical use. Photographs of the equipment surveyed as well as real-life images created with the different pieces of equipment are interspersed throughout the text. Other helpful hints include tips for maximizing versatility, investment in each piece of equipment, and a “Top-Ten Must-Have List.”

;Огневая подготовка в органах внутренних дел КНИГИ ; ПРОФЕССИИ И РЕМЕСЛА Название: Огневая подготовка в органах внутренних дел Автор:Щипин А. И., Ковшов Н. В Издательство: Щит-М, Московский университет МВД России Год: 2006 Формат: PDF Размер: 1.51 MB Страниц: 240 Качество: Хорошее Язык: РусскийНастоящее пособие содержит иллюстрированный материал по материальной части основных видов оружия, состоящего на вооружении подразделений органов внутренних дел России, включает краткие сведения из внутренней и внешней баллистики, методику обучения сотрудников ОВД стрельбе из пистолета, автомата и пистолета-пулемета, сведения о взрывных устройствах, методике их поиска и о порядке действий в случае их обнаружения. Скачать c .comСкачать c uploading.comСкачать c turbobit.net 85

<p>This collection of photographs illuminates the darkness of space in a whole new way. Images from the archives of NASA reveal the night sky's most extraordinary phenomena, from the radiant aurora borealis to awe-inspiring lunar eclipses. Science geeks, photography fans, and stargazers will pore over this earth's eye view of the cosmos. Each breathtaking photo is paired with an informative caption about the scientific phenomena it reveals and the technology used to capture it. Featuring a preface by Bill Nye, this ebook will rekindle the wonder of looking up at the stars.<br></p>

<p>This collection of photographs illuminates the darkness of space in a whole new way. Images from the archives of NASA reveal the night sky's most extraordinary phenomena, from the radiant aurora borealis to awe-inspiring lunar eclipses. Science geeks, photography fans, and stargazers will pore over this earth's eye view of the cosmos. Each breathtaking photo is paired with an informative caption about the scientific phenomena it reveals and the technology used to capture it. Featuring a preface by Bill Nye, this ebook will rekindle the wonder of looking up at the stars.<br></p>

<p>This collection of photographs illuminates the darkness of space in a whole new way. Images from the archives of NASA reveal the night sky's most extraordinary phenomena, from the radiant aurora borealis to awe-inspiring lunar eclipses. Science geeks, photography fans, and stargazers will pore over this earth's eye view of the cosmos. Each breathtaking photo is paired with an informative caption about the scientific phenomena it reveals and the technology used to capture it. Featuring a preface by Bill Nye, this ebook will rekindle the wonder of looking up at the stars.<br></p>

This book explains how to take surreptitious photographs of people and property in a safe and effective manner while producing excellent results. It is the most comprehensive text on clandestine photography available. It takes the reader through conventional as well as the most sophisticated clandestine photography methods in practice today, and it covers the use of all types of equipment ranging from off-the-shelf to the most high-tech equipment available. The ultra-long-range night vision photography methods discussed in this book were devised by the authors and only exist here. Readers will discover esoteric techniques for photographically recording recognizable human and vehicle plate images from distances of over a mile in both daylight and night conditions. Myriad methods for secretly photographing people and property under diverse and difficult conditions are presented. Readers will discover innovative applications of combinations of old and new photographic-related technologiesOCosome combined in unexpected ways that produce surprising results. It is written and extremely well illustrated in an easy to understand style for all photographers regardless of skill level. The book is appropriate for anyone in law enforcement, military operations, and private investigation. It will also benefit government surveillance specialists and those responsible for detecting and thwarting manual clandestine photography."

<p>Photographers learn how to create amazing photography with this simple, basic, money-saving approach to working in the studio. While exploring available lighting and equipment, this reference tackles the concerns of studio photographers regarding too much gear, not enough space, and a strict budget and offers alternative techniques for photographing subjects. Tips for how to set up a studio in a limited amount of space, what kind of equipment works best for different effects, and finding great tools for budget prices make this a truly comprehensive reference.</p>

We've all heard the saying, "Clothes make the man"; but does the photographic equipment make the photographer? One might think so when looking at new advanced cameras, dream lenses, and all the editing software out there. Others might disagree after admiring the wonderful photographs by Henri Cartier Bresson or Edward Weston, which were taken with relatively simple cameras and lenses. The real questions to ask yourself are: What kind of images would I like to make? And what are all these things that I see advertised as indispensable photo equipment really for? Geared toward the beginning to intermediate photographer, this book teaches about the variety of photographic tools available and what each is meant to accomplish. Learn about the benefits and drawbacks of various pieces of equipment and discover what kind of gear you need to realize your creative ambitions. The book is filled with beautiful images that illustrate how the type of equipment discussed can affect an image.

This book is much more than just a history of the high-quality cameras and lenses that have made the Nikon brand a household name; it is also a chronicle of the birth of this most famous of Japanese photography equipment manufacturers and the way in which it has evolved over 100 years to keep abreast of advances in technology and ahead of the competition. This fully updated and expanded third edition is heavily illustrated throughout with rare archive material from around the world, and augmented by a feast of original shots and pictures of the cameras in use. The text is backed up by extensive appendices containing everything the avid Nikon collector needs to know. A celebration of the birth of this most famous of Japanese photography equipment manufacturers Nikon 2017 was the 100th Anniversary of Nikon. Fully updated and expanded third edition for 2018.

<p>Photographers learn how to create amazing photography with this simple, basic, money-saving approach to working in the studio. While exploring available lighting and equipment, this reference tackles the concerns of studio photographers regarding too much gear, not enough space, and a strict budget and offers alternative techniques for photographing subjects. Tips for how to set up a studio in a limited amount of space, what kind of equipment works best for different effects, and finding great tools for budget prices make this a truly comprehensive reference.</p>

This book is based around the author’s beautiful and sometimes awe-inspiring color images and mosaics of deep-sky objects. The book describes how similar "Hubble class" images can be created by amateur astronomers in their back garden using commercially available telescopes and CCD cameras. Subsequent processing and image enhancement in the "electronic darkroom" is covered in detail as well. A range of telescopes and equipment is considered, from the author’s 11-inch with Hyperstar camera, down to more affordable instruments. Appendices provide links to free software – not available from a single source – and are themselves an invaluable resource.

Aktualisierte und erweiterte 5. Auflage des Standardwerks zur Stockfotografie - mit allen aktuellen Informationen sowie neuen Inhalten Erfolgreich Bilder über das Internet verkaufen - von der Organisation bis zur Lizenzierung Ausrüstung, Motivwahl und die Arbeit mit Models sowie Tipps zur Verschlagwortung und zu den verschiedenen Verkaufsmodellen Stockfotografie ist beliebter denn je. Neben Zeitschriften, Verlagen und Werbeagenturen kaufen mittlerweile auch vermehrt Privatpersonen Bilder im Internet, um sie auf Webseiten zu nutzen. Um als Fotograf mit Stockfotos erfolgreich zu sein und Geld zu verdienen, braucht es aber mehr, als die Schnappschüsse aus dem letzten Urlaub bei einer beliebigen Agentur hochzuladen. Robert Kneschke zeigt Ihnen in dieser Neuauflage seines erfolgreichen und unterhaltsamen Buches, was ein gutes, d.h. gut verkäufliches Stockfoto ausmacht und wie Sie dieses bestmöglich verkaufen. Von den technischen Aspekten der Aufnahme und den passenden Requisiten und Locations über die Zusammenarbeit mit Models und rechtliche Themen bis hin zu der immens wichtigen Verschlagwortung und der oft vernachlässigten Statistik bleiben keine Fragen offen. Sie erhalten eine Übersicht über die beliebtesten Bildagenturen und deren unterschiedliche Lizenzierungsmodelle. Die im Buch veröffentlichten Einnahmen einiger Fotografen zeigen beispielhaft die finanziellen Möglichkeiten der Stockfotografie, und Interviews mit anderen Stockfotografen geben einen noch tieferen Einblick in das Geschäft der Stockfotografie. In einem abschließenden Bilderkapitel präsentiert Ihnen der Autor einige erfolgreiche und repräsentative Stockfotos aus seinem Portfolio, die das Gelesene noch einmal bildlich untermauern. So können Sie sich mit diesem Wissensfundus erfolgreich auf dem hart umkämpften Markt der Stockfotografie etablieren und Geld mit den eigenen Fotos verdienen! Aus dem Inhalt: TEIL A: Fotos machen Ausrüstung Beleuchtung Gestaltungsregeln Beliebte Motive Technische Bildqualität Inspiration Die Arbeit mit Models Requisiten Locations Rechtliches Lichtaufbau Mobile Stock Stockaudio und Stockvideo TEIL B: Fotos verkaufen Arbeitsablauf Bildauswahl Bildbearbeitung Verschlagwortung Dateiorganisation und Archivierung Bildagenturen Hochladen Statistik Andere Vertriebswege Professionalität Marketing, Werbung, Informationen Versicherungen und Vereine Gewerbe und Steuern Berufskrankheiten Einnahmen InterviewsRobert Kneschke ist hauptberuflich Produzent und Fotograf von Stockfotos. Außerdem betreibt er das erfolgreiche Blog »Alltag eines Fotoproduzenten«.

<p>The serious amateur photographer often faces the problem that even after all the dollars spent on camera, lenses, computer gear, and software, the spending never seems to end. More gear is needed for studio photography, tabletop photography, flash photography, and for accessories here and there. And in many cases, the right accessories are not even available. That is where this book comes in. <i>Low Budget Shooting</i> is the one-stop source where you will find instructions and a shopping list on how to build an array of useful and inexpensive photographic tools.</p><p>Filled with full-color images and easy-to-follow text, this book shows how to build essential lighting and studio equipment; how to make the perfect light-table for shooting small objects; and how to build reflectors, soft-boxes, and light-tents that really work. It also tells where to get some of the little helpers that make a photographer's life so much easier. This clever little book is a creative and valuable resource for most any photographer.</p>

<p>We've all heard the saying, Clothes make the man; but does the photographic equipment make the photographer? One might think so when looking at new advanced cameras, dream lenses, and all the editing software out there. Others might disagree after admiring the wonderful photographs by Henri Cartier Bresson or Edward Weston, which were taken with relatively simple cameras and lenses.</p><p>The real questions to ask yourself are: What kind of images would I like to make? And what are all these things that I see advertised as indispensable photo equipment really for?</p><p>Geared toward the beginning to intermediate photographer, this book teaches about the variety of photographic tools available and what each is meant to accomplish. Learn about the benefits and drawbacks of various pieces of equipment and discover what kind of gear you need to realize your creative ambitions. The book is filled with beautiful images that illustrate how the type of equipment discussed can affect an image.</p>

This book is based around the author’s beautiful and sometimes awe-inspiring color images and mosaics of deep-sky objects. The book describes how similar "Hubble class" images can be created by amateur astronomers in their back garden using commercially available telescopes and CCD cameras. Subsequent processing and image enhancement in the "electronic darkroom" is covered in detail as well. A range of telescopes and equipment is considered, from the author’s 11-inch with Hyperstar camera, down to more affordable instruments. Appendices provide links to free software – not available from a single source – and are themselves an invaluable resource.

<p>Photographers learn how to create amazing photography with this simple, basic, money-saving approach to working in the studio. While exploring available lighting and equipment, this reference tackles the concerns of studio photographers regarding too much gear, not enough space, and a strict budget and offers alternative techniques for photographing subjects. Tips for how to set up a studio in a limited amount of space, what kind of equipment works best for different effects, and finding great tools for budget prices make this a truly comprehensive reference.</p>

<p><p>a Winsome Collection Of 50 Full-color, All-breed Canine Portraits, Each Posed With A Favorite Play Toy And Accompanied By An Affectionate Anecdote. <br><br>dirty Wow Wow Was Ranked #3 On Entertainment Weekly&#39;s &quot;ten Things We Love&quot; List <br><br>the Creators Of The Popular Book Dirty Wow Wow Present This Brand New Album, Featuring Beloved Family Pets And The Raggedy Objects Of Their Affection. Big Dogs, Small Dogs, Mixed Breeds, Purebreds, Puppies, And Seniors Tug, Chase, Chew, Guard, Nuzzle, Sleep On, And Play With Their Shredded Teddies, Blankies, And Chewies. Each Dog Portrayed Has Formed A Bond With A Self-selected Favorite, And Many Of Them Remain Loyal To Just One Toy. Among The Toys That Have Survived The Perils Of Puppyhood, Many Continue To Give Comfort And Joy To Their Aging Pooches. Every Lovingly Photographed Image Of Our Best Friends With Their Best Friends Will Resonate With Dog Lovers And The Readers Who Love Them. Reviews&quot;loving, Whimsical Tribute To Dogs And Their Favorite Chew Toys.&quot;&mdash;new York Daily News</p> <h3>the Bark</h3> <p>the Expressions Of Bliss Say It All.</p>

<p>A full-color, illustrated adventure into the high-tech wonders inside your digital camera by the author/illustrator team that created the bestselling How Computers Work.</p> <p>With clear and simple explanations that say, “You, too, can understand this,” and brilliant, full-color illustrations, How Digital Photography Works, Second Edition, gives you detailed information on the hidden workings of digital cameras, professional picture-taking techniques, and even photo-editing software. Some of the topics covered in this groundbreaking book include:</p> <p>· How Digital Viewfinders Frame Your Pictures</p> <p>· How Twin Lens Cameras and Tilt-and-Shift Lenses Change the Rules</p> <p>· How Cameras Focus on Moving Targets</p> <p>· How Exposure Systems Balance Aperture and Shutter</p> <p>· How Electronic Flashes Create a Burst of Light</p> <p>· How Studio Lighting Creates a Perfect Lighting Environment</p> <p>· How Color Calibration Makes What You See on the Screen Match What You See on Paper</p> <p>· How Your Camera’s Microprocessor Manipulates Images</p> <p>· How Photoshop Expands a Photographer’s Artistry</p> <p><br> </p> <p>Introduction<br> </p> <p>Part 1: Getting to Know Digital Cameras</p> <p>Chapter 1 The Workings of a Digital Camera</p> <p>Chapter 2 Inside Digital Video Cameras</p> <p>Part 2: How Digital Cameras Capture Images</p> <p>Chapter 3 How Lenses Work</p> <p>Chapter 4 How Light Plays Tricks on Perception</p> <p>Chapter 5 How Digital Exposure Sifts, Measures, and Slices Light</p> <p>Chapter 6 How Technology Lets There Be Light</p> <p>Chapter 7 How Light Becomes Data</p> <p>Chapter 8 How New Tech Changes Photography</p> <p>Part 3: How the Digital Darkroom Works</p> <p>Chapter 9 How Software Changes Pixels by the Numbers</p> <p>Chapter 10 How Digital Retouching Rescues Family Heirlooms</p> <p>Chapter 11 How the Digital Darkroom Makes Good Photos into Great Fantasies</p> <p>Part 4: How Digital Print-Making Works</p> <p>Chapter 12 How Computers and Printers Create Photographs</p> <p>Chapter 13 How Photo-Quality Printers Work</p> <p>Glossary<br> </p> <p>Index</p>

The Film Developing Cookbook is an up-to-date manual for photographic film development techniques. This book concentrates on films, their characteristics, and the developers each requires for maximum control of the resulting image. The Film Developing Cookbook specifically addresses the difficult subject of T-grain film development. It includes rarely found information on film development and the nature of film developers. This book will help photographers acquire a working knowledge of photographic chemistry that is relevant to black and white film developing and serve as a reference and refresher for photographers at all stages of their skill. This companion to The Darkroom Cookbook will help photographers become familiar with different developer formulas for achieving a wide range of pictorial effects, and teach them how to mix and use photographic solutions from scratch-even to create new ones. Many of the developing formulas and archival fixing solutions contained in The Film Developing Cookbook have never before been presented. The authors take bold and controversial stances on many widely accepted film developing dogmas. They tackle many of the widely accepted "myths" of film development. They reject the trend toward 'scientific evaluation' of films and developers in favor of the photographer developing a personal aesthetic without relying exclusively on densitometry or H&D curves. Topics covered in this manual include: · Films · Developer ingredients · Types of developers · Formulas · Speed increasing · Mixing and storing stock solutions · Stop baths, fixers, and washing · Safety · Chemical and equipment suppliers · Recommended development time for hundreds of films and developers

* **Aktualisierte und erweiterte 5. Auflage des Standardwerks zur Stockfotografie – mit allen aktuellen Informationen sowie neuen Inhalten** * **Erfolgreich Bilder über das Internet verkaufen – von der Organisation bis zur Lizenzierung** * **Ausrüstung, Motivwahl und die Arbeit mit Models sowie Tipps zur Verschlagwortung und zu den verschiedenen Verkaufsmodellen** Stockfotografie ist beliebter denn je. Neben Zeitschriften, Verlagen und Werbeagenturen kaufen mittlerweile auch vermehrt Privatpersonen Bilder im Internet, um sie auf Webseiten zu nutzen. Um als Fotograf mit Stockfotos erfolgreich zu sein und Geld zu verdienen, braucht es aber mehr, als die Schnappschüsse aus dem letzten Urlaub bei einer beliebigen Agentur hochzuladen. Robert Kneschke zeigt Ihnen in dieser Neuauflage seines erfolgreichen und unterhaltsamen Buches, was ein gutes, d.h. gut verkäufliches Stockfoto ausmacht und wie Sie dieses bestmöglich verkaufen. Von den technischen Aspekten der Aufnahme und den passenden Requisiten und Locations über die Zusammenarbeit mit Models und rechtliche Themen bis hin zu der immens wichtigen Verschlagwortung und der oft vernachlässigten Statistik bleiben keine Fragen offen. Sie erhalten eine Übersicht über die beliebtesten Bildagenturen und deren unterschiedliche Lizenzierungsmodelle. Die im Buch veröffentlichten Einnahmen einiger Fotografen zeigen beispielhaft die finanziellen Möglichkeiten der Stockfotografie, und Interviews mit anderen Stockfotografen geben einen noch tieferen Einblick in das Geschäft der Stockfotografie. In einem abschließenden Bilderkapitel präsentiert Ihnen der Autor einige erfolgreiche und repräsentative Stockfotos aus seinem Portfolio, die das Gelesene noch einmal bildlich untermauern. So können Sie sich mit diesem Wissensfundus erfolgreich auf dem hart umkämpften Markt der Stockfotografie etablieren und Geld mit den eigenen Fotos verdienen! **Aus dem Inhalt:****TEIL A: Fotos machen*** Ausrüstung * Beleuchtung * Gestaltungsregeln * Beliebte Motive * Technische Bildqualität * Inspiration * Die Arbeit mit Models * Requisiten * Locations * Rechtliches * Lichtaufbau * Mobile Stock * Stockaudio und Stockvideo **TEIL B: Fotos verkaufen*** Arbeitsablauf * Bildauswahl * Bildbearbeitung * Verschlagwortung * Dateiorganisation und Archivierung * Bildagenturen * Hochladen * Statistik * Andere Vertriebswege * Professionalität * Marketing, Werbung, Informationen * Versicherungen und Vereine * Gewerbe und Steuern * Berufskrankheiten * Einnahmen * Interviews

Glass and Water is the first book on underwater photography for freedivers. With contributions from expert underwater photographers this book teaches the skills, knowledge and equipment necessary to successfully pursue underwater photography without scuba gear. Rather than seeking to replace books on underwater photography, Glass and Water focuses on freediving techniques, equipment and photo opportunities. By carefully choosing or adapting freediving and photographic equipment some early hurdles can be avoided. Using appropriate freediving techniques can increase the length of time available for taking photographs underwater. And by being aware of the possibilities, frustrations can be avoided and good subjects sought out. Includes photos and/or contributions from Fred Buyle, Sue Flood, Danny Kessler, Dr Anne-Marie Kitchen-Wheeler, Laura Storm, Andrew Sutton, Shane Wasik, and a Foreword by Dan Bolt. Contents include: Foreword by Dan Bolt; Freediving Equipment for Underwater Photography; Photographic Equipment; Underwater Photography Basics; Challenges and Opportunities for Freedivers; Lungcraft; Finning; Descents and Ascents; Neutral Buoyancy; Hydrodynamics; Safety; Creature by Creature; A Virtual Dive; Behind the Lens. Plus a Glossary of key terms. Reviews It is clear that Glass and Water is a well thought through book that has been years in the development and writing. Mark has an encyclopedic knowledge of his subject and a clear and easy way of imparting his experience. The book is well laid out and designed and should be a must for anyone wanting to take pictures underwater: gofreediving.co.uk An outstanding resource for both novice and advanced freedivers, snorkelers and underwater photographers in general: deeperblue.com"

Sommaire......Page 6 Avant-propos......Page 16 Remerciements......Page 18 PARTIE 1 LE TOURNAGE......Page 19 1.2 Opérer seul ou réalisation en équipe......Page 21 1.3 Principaux réglages du camescope......Page 22 1.4 Images parfaites : les bases techniques......Page 27 1.5 Reflets parasites et ambiance lumineuse colorée......Page 28 2.2 La vidéo à l'âge du numérique......Page 29 2.3 Les principes de l'art vidéographique......Page 30 2.5 Différents types de cadrage......Page 31 2.6 Esthétique de l'image......Page 32 2.7 Assurer la continuité par les raccords......Page 39 3.2 De la nécessité d'obtenir des images stables......Page 43 3.4 Conseils valables pour tous les mouvements......Page 46 3.5 Travelling optique ou zooming......Page 48 3.6 Panoramiques......Page 49 3.8 Diverses manières d'exécuter un travelling......Page 50 3.9 Mouvement et mise au point (MaP)......Page 51 3.10 Mouvement et exposition......Page 52 4.2 Ombre et lumière......Page 53 4.3 Orientations de la lumière par rapport au sujet et au point de vue......Page 54 4.5 Éclairage naturel, disponible et artificiel......Page 56 4.6 Éclairage classique en intérieur et en studio......Page 57 4.9 Équilibrer la Tc des sources......Page 61 4.10 Suggestions et conseils pour l'éclairage......Page 64 5.1 Généralités......Page 67 5.3 Emploi d'un micro externe......Page 68 5.5 Espace et environnement sonore......Page 71 5.6 Enregistrement indépendant du son......Page 73 6.2 Écriture du scénario......Page 75 6.3 Découpage technique......Page 76 6.4 Story-board......Page 77 6.6 Un plan de réalisation en cinq volets......Page 78 6.7 Écriture d'un commentaire......Page 80 7.1 Notions générales......Page 83 7.3 Le monde de l'enfance......Page 84 7.4 Fêtes familiales et entre amis......Page 85 7.5 Mariage et autres cérémonies formelles......Page 86 7.6 Voyages et vacances......Page 89 7.7 Reportage sportif et étude du mouvement......Page 92 7.8 Journalisme électronique......Page 93 8.1 Équipe de tournage vidéo......Page 95 8.3 Interview et commentaire en direct......Page 96 8.4 Film de formation ou de démonstration......Page 99 8.6 Clip vidéo......Page 100 8.7 Filmer pour convaincre......Page 103 8.8 Constitution d'archives vidéo......Page 104 8.9 Réalisation de vidéos Web......Page 106 9.1 Philosophie et esthétique du montage......Page 109 9.2 Équipe de montage......Page 111 9.3 Des méthodes pour mieux monter......Page 114 9.4 Différents types de raccords......Page 117 9.5 Maîtriser les fonctions logicielles de base......Page 119 9.6 Des fonctions logicielles très évoluées......Page 125 10.1 Créer un climat......Page 129 10.2 Préparer un plan de montage audio......Page 130 10.4 Intégrer des interviews......Page 131 10.5 Commenter en direct sur le montage......Page 132 10.6 Illustration musicale : droits et devoirs......Page 133 10.7 Réalisation de clips vidéo......Page 135 10.8 L'importance du mélange sonore final......Page 136 11. Esthétique et authoring DVD et BD......Page 137 11.1 Menu DVD interactif : le portail d'entrée......Page 138 11.4 Choix des fonds d'écran (fixes ou animés)......Page 139 11.6 Jaquette (boîtier) et étiquette (disque)......Page 140 PARTIE 2 ÉQUIPEMENTS DE PRISE DE VUES......Page 143 12.2 Caractéristiques techniques des systèmes vidéo......Page 145 12.3 Ratio d'image et nombre de lignes (définition verticale)......Page 147 12.4 Nature du signal vidéo......Page 148 12.5 Nature du signal audio......Page 149 12.6 Les supports d'enregistrement......Page 150 12.7 Spécifications des différents systèmes grand public......Page 152 13.2 Principaux organes d'un camescope......Page 157 13.3 Section caméra......Page 160 13.4 L'objectif......Page 168 13.5 Capteur, focale et angle de champ......Page 169 13.6 Aspect de l'image en fonction de la focale......Page 171 13.8 Profondeur de champ......Page 172 13.10 Capture du son......Page 174 14.1 Généralités......Page 177 14.2 Choisir son camescope......Page 178 14.3 Fonctions caméra de base......Page 179 14.4 Zoom numérique......Page 186 14.6 Effets spéciaux et transitions......Page 187 14.8 Vidéo et photographie......Page 189 14.10 Télécommande infrarouge et liaisons radio sans fil......Page 191 15.1 Alimentation du camescope......Page 193 15.3 Filtres......Page 197 15.5 Flash électronique......Page 198 15.6 Supports......Page 199 15.7 Support stabilisateur inertiel : la fluidité des mouvements......Page 200 15.8 Mini-caméras embarquées......Page 201 15.9 Enregistreurs vidéo et émetteurs/récepteurs HF......Page 203 15.10 Vidéo subaquatique......Page 204 16.2 Intensité des sons......Page 207 16.3 Trois familles de micros......Page 208 16.5 Sensibilité d'un microphone......Page 209 16.7 Branchement microphone asymétrique ou symétrique......Page 210 16.9 Enregistrement en stéréophonie......Page 211 16.10 Le son multicanal......Page 214 16.11 Micro HF......Page 215 16.12 Le choix du microphone......Page 216 17.3 La température de couleur (Tc) et sa mesure......Page 217 17.4 Lampes à incandescence classiques (T)......Page 218 17.5 Lampes tungstène-halogène (TH)......Page 219 17.6 Lampes à décharge de type HMI......Page 220 17.7 Tubes fluorescents......Page 221 17.8 Diodes électroluminescentes (Led)......Page 222 17.9 Matériels d'éclairage pour la prise de vues......Page 223 17.10 Installation des luminaires......Page 225 17.11 Gradateurs et consoles d'éclairage......Page 227 17.12 Alimentation électrique des équipements d'éclairage......Page 230 17.13 Torche vidéo alimentée par batterie......Page 231 PARTIE 3 LE MONTAGE ET LA POSTPRODUCTION......Page 233 18.1 Le lecteur......Page 235 18.5 Les principales fonctions du système de montage......Page 236 18.6 Équipements périphériques......Page 238 19.1 Le montage en mode non linéaire......Page 239 19.2 Choix d'un système de montage......Page 241 19.3 La gestion du stockage vidéo sur l'ordinateur......Page 244 19.4 Choix d'un écran moniteur informatique......Page 246 19.5 Bien gérer son espace de montage......Page 251 20.1 Lancer l'application dans de bonnes conditions......Page 271 20.2 La topographie générale des interfaces......Page 272 21.1 La capture des rushes dans l'ordinateur......Page 283 21.2 L'étape créative du montage : l'édition......Page 288 21.3 L'étape finale du montage : l'exportation......Page 308 22.1 La capture de l'audio seul......Page 309 22.2 La gestion des pistes audio......Page 312 22.3 La technique du split audio......Page 314 22.4 Régler le niveau du volume et/ou du panoramique (audio stéréo, ou multicanal 5.1)......Page 315 22.5 Exploiter les données d'une forme d'onde......Page 317 22.6 Création de fondus et de fondus enchaînés......Page 318 22.7 Filtrer l'audio......Page 319 22.8 Enregistrer un commentaire en voix off au stade du montage......Page 321 22.9 Exploiter un générateur de musique......Page 322 22.10 Réalisation du mélange définitif avec un mélangeur virtuel......Page 323 22.12 Quelques outils audio plus spécialisés......Page 325 23.1 Les programmes de montage les plus simples......Page 329 23.2 Programmes grand public évolués......Page 331 23.3 Les logiciels professionnels élaborés......Page 335 23.4 Les modules d'extension d'effets et de fonctions complémentaires......Page 339 24.1 Logiciels d'authoring grand public......Page 341 24.2 Logiciels d'authoring évolués et de classe professionnelle......Page 343 24.3 Logiciel annexe pour la création de sous-titres......Page 345 25.1 Mastérisation matérielle......Page 347 25.2 La diffusion directe en ligne......Page 352 26 Montage en ligne et banques d'images 26.1 Le montage en ligne sur Internet......Page 357 26.2 Achat de séquences vidéo sur Internet......Page 359 PARTIE 4 COMPLÉMENT TECHNIQUE......Page 363 27.2 Les suppressions lignes et trame......Page 365 27.3 Valeurs caractéristiques......Page 366 27.4 Le signal vidéo......Page 367 27.7 Signaux de différence couleur......Page 368 27.8 Systèmes de codage couleur TV......Page 369 27.9 Fréquentiel, terrestre et spatial......Page 370 27.10 La télévision analogique......Page 371 27.11 Télédiffusion en numérique......Page 372 27.12 Transport et diffusion du signal numérique......Page 374 28.1 Vidéo analogique et enregistrement sur bande magnétique......Page 377 28.2 Formats de vidéo analogique : familles VHS et 8 mm......Page 382 28.3 Formats analogiques « professionnels »......Page 387 29.2 Compter par dix ou par deux......Page 389 29.3 Bits, octets et leurs multiples......Page 391 29.4 Le signal analogique......Page 392 29.5 Les deux étapes de la numérisation......Page 393 29.7 Que signifient 4:2:2, 4:1:1, 4:2:0, 4:4:4 ?......Page 395 29.8 Débit numérique d'un signal vidéo numérique non compressé......Page 396 29.9 La compression......Page 397 29.11 Nature et réduction des redondances de l'image vidéo......Page 398 29.12 Codage entropique......Page 400 29.13 L'analyse harmonique du signal : le passage du domaine temporel au domaine fréquentiel......Page 401 29.14 Codage DCT......Page 402 29.16 La correction des erreurs......Page 403 29.17 Compression JPEG......Page 404 29.18 Compression M-JPEG......Page 406 29.19 Compression DV (Digital Video)......Page 407 29.20 Compression MPEG......Page 408 29.21 Le MPEG-4 « interactif multimédia »......Page 412 30.1 Le format DV et ses avantages......Page 415 30.3 Technique d'enregistrement DV......Page 416 30.6 L'interface de liaison numérique......Page 417 30.7 Formats « professionnels » issus du DV......Page 418 30.8 Le format Sony Digital 8......Page 419 30.9 Le format MicroMV......Page 420 30.10 Enregistrement sur disques optiques......Page 422 30.12 Les formats numériques professionnels......Page 424 31.1 Bande magnétique et cassette vidéo......Page 429 31.2 Le disque dur......Page 434 31.3 Carte mémoire flash (CM) et mémoire état solide (SSD)......Page 436 31.4 Disques optiques (DO) : CD, DVD & BD......Page 439 32.1 Connectique analogique......Page 443 32.2 Connectique numérique......Page 447 32.3 Qu'en est-il des liaisons sans fil ?......Page 450 Annexe - La formation......Page 453 Index......Page 455

Книга How digital photography works How digital photography worksКниги Цифровая фотография Автор: Рон Ваит Год издания: 2007 Формат: pdf Издат.:QUE Страниц: 241 Размер: 20 ISBN: 0-7897-3630-6 Язык: Русский0 (голосов: 0) Оценка:Эта книга обеспечиваетинформацию по различным техническим проблемам того, как цифровые камеры работают. Эта книга состоитиз большого количества иллюстраций, которые помогают понимать основные принципы аппаратных средств в цифровой фотографии.

What do a dog leash, shower curtains, and mylar gift wrap have in common' They-along with countless other surprising everyday objects-can all be used to construct implements that will help you build your arsenal of photographic tools and accessories without breaking your budget. In this book, seasoned author, lecturer, and commercial and portrait photographer Christopher Grey shows you how to construct a host of light modifiers, from diffusers to gobos to reflectors, to snoots, to cookies; repurpose multiple elements as high-style backdrops and even build some fabulous accessories-from a lens stabilizer for low-light shots (this is where that dog leash will come in handy) to light tents for small product shots. The "hacks" in this book will inspire you to get to work, and they will amp up your creativity, but there's more. Grey shares his secrets for using your existing lighting equipment to create exquisite effects.

Move on from phone snapshots and start making amazing images Canon EOS R50 For Dummies helps you create superior photo and video content, with step-by-step instructions for how to make the most of this advanced, interchangeable-lens digital camera. You'll walk through the controls, interface, and accessories of the Canon EOS R50, and you'll learn the basics of image-making, so you can take impressive shots, even if you've never taken a photography class. Let this Dummies guide be your teacher as you learn to take great action shots, stunning portraits, detailed closeups, low-light photos, and professional-looking video. Learn your way around the Canon EOS R50 and its settings and controls Get familiar with common photography terms and basic techniques Start shooting right away with user-friendly instructions on using automatic modes Go manual to adjust focus, color, sharpness, and more to get the look you're after Photography hobbyists and content creators will love Canon EOS R50 For Dummies, the quick-start guide to the camera built for those looking for superior photo and video results.

p. cm, Includes index, Getting started -- The stationery -- Ceremonies -- Bouquets & boutonnieres -- Dressing up -- Cocktail hour -- The reception -- Centerpieces -- Cakes -- The wedding favors

Unique En Son Genre Et Fidèle à L'esprit Des Indispensables Cours De Photographie De René Bouillot, Ce Cours De Vidéo Dresse Un Panorama Exhaustif Des Aspects Théoriques, Esthétiques Et Techniques De La Vidéo, Tant Du Point De Vue Des Matériels Que Des Pratiques : Art Vidéo Et Tournage : Généralités Sur La Prise De Vues. Langage Et Syntaxe. Stabilité De L'image Et Mouvements De Caméra. Lumière Et éclairage. Écriture Et Mise En Scène. Esthétique De La Bande Sonore Dans Le Montage. Esthétique Et Authoring Dvd Et Blu-ray. Équipements De Prise De Vues : Principes De L'enregistrement De L'image Et Des Sons. Fonctions Et Accessoires Du Caméscopes. Matériels De Prise De Son Et D'éclairage. Montage Et Post-production : Bases Et étapes Des Montages Image Et Audio. Logiciels De Montage Et Modules Annexes. Logiciels De Création De Menus Interactifs Dvd Et Blu-ray. Masterisation Vidéo Et Diffusion. Montage En Ligne Et Banques D'images. Complément Technique : Télévision Et Vidéo. Principes Et Formats De La Vidéo Numérique. Supports D'enregistrement. Connectique Et Branchements. Illustré Par Près De 400 Schémas Et Photographies, Cet Ouvrage De Référence Est Un Véritable Outil D'apprentissage, De Travail Ou De Perfectionnement Pour Les Amateurs Avertis, Les étudiants Et Les Professionnels Du Domaine.

A winsome collection of 50 full-color, all-breed canine portraits, each posed with a favorite play toy and accompanied by an affectionate anecdote. Dirty Wow Wow was ranked #3 on Entertainment Weekly's "Ten Things We Love" List The creators of the popular book DIRTY WOW WOW present this brand new album, featuring beloved family pets and the raggedy objects of their affection. Big dogs, small dogs, mixed breeds, purebreds, puppies, and seniors tug, chase, chew, guard, nuzzle, sleep on, and play with their shredded teddies, blankies, and chewies. Each dog portrayed has formed a bond with a self-selected favorite, and many of them remain loyal to just one toy. Among the toys that have survived the perils of puppyhood, many continue to give comfort and joy to their aging pooches. Every lovingly photographed image of our best friends with their best friends will resonate with dog lovers and the readers who love them. Reviews"Loving, whimsical tribute to dogs and their favorite chew toys."'New York Daily News From the Hardcover edition.

The art of darkroom developing and printing will never go out of style. Master darkroom specialist Steve Anchell is back to prove it in this long-awaited third edition of his enormously successful Darkroom Cookbook. Packed with over 200 "recipes," some common and others rare gems, you'll discover something new every time you open this guide, whether you're new to the darkroom or have been making your own prints for years. In addition to the formulas, you'll find tons of useful information on developers, push-processing, where to get darkroom equipment, how to set up your own darkroom, how to work and play in your darkroom safely, and much more. This handy guide will become a constant companion for every darkroom enthusiast creating prints at home or in the studio. In addition to complete updates throughout to reflect changes in the availability of chemicals and equipment, this third edition contains all new information on: \*Reversal processing \*Enlarged negatives \*Pyro formulas \*Plus expanded sections on printing, pyro, and toning prints Also included for the first time are special technique contributions as well as stunning black and white imagery by Bruce Barnbaum, Rod Dresser, Jay Dusard, Patrick Gainer, Richard Garrod, Henry Gilpin, Gordon Hutchings, Sandy King, Les McLean, Saà ̄d Nuseibeh, France Scully Osterman, Mark Osterman, Tim Rudman, Ryuijie, John Sexton, and John Wimberly. Be sure to visit www.darkroomcookbook.com to find useful links, an interactive user forum, and more! Steve Anchell is a photographer and author of The Variable Contrast Printing Manual, and co-author of The Film Developing Cookbook. He has been teaching darkroom and photography workshops since 1979. Steve is a member of the Freestyle Advisory Board of Photographic Professionals. "With its unrivalled collection of photographic formulae and easy to understand explanations of photographic processes, The Darkroom Cookbook has long been a favorite with darkroom workers everywhere. Now, with further additions to its formulary, more topics, and contributions by renowned darkroom experts, this new edition promises to be an indispensable Aladdin's Cave resource to darkroom enthusiasts of all levels." -Tim Rudman, photographer and author "The Darkroom Cookbook is an essential compendium of photographic information for anyone interested in high-quality darkroom work." -John Sexton, photographer \*Packed with rare techniques for silver-based processing clearly explained by a darkroom master so you can create your own stunning prints at home or in the studio \*Contains over 200 formulas - follow along step-by-step, or experiment with your own variations to develop new recipes! \*Includes a brand-new chapter on analog variable contrast printing \*Visit the new supplemental website to find useful links and an interactive user forum

The art of darkroom developing and printing will never go out of style. Master darkroom specialist Steve Anchell is back to prove it in this long-awaited third edition of his enormously successful Darkroom Cookbook. Packed with over 200 "recipes," some common and others rare gems, you'll discover something new every time you open this guide, whether you're new to the darkroom or have been making your own prints for years. In addition to the formulas, you'll find tons of useful information on developers, push-processing, where to get darkroom equipment, how to set up your own darkroom, how to work and play in your darkroom safely, and much more. This handy guide will become a constant companion for every darkroom enthusiast creating prints at home or in the studio.In addition to complete updates throughout to reflect changes in the availability of chemicals and equipment, this third edition contains all new information on:*Reversal processing*Enlarged negatives*Pyro formulas*Plus expanded sections on printing, pyro, and toning printsAlso included for the first time are special technique contributions as well as stunning black and white imagery by Bruce Barnbaum, Rod Dresser, Jay Dusard, Patrick Gainer, Richard Garrod, Henry Gilpin, Gordon Hutchings, Sandy King, Les McLean, Sa?d Nuseibeh, France Scully Osterman, Mark Osterman, Tim Rudman, Ryuijie, John Sexton, and John Wimberly.Be sure to visit www.darkroomcookbook.com to find useful links, an interactive user forum, and more!Steve Anchell is a photographer and author of The Variable Contrast Printing Manual, and co-author of The Film Developing Cookbook. He has been teaching darkroom and photography workshops since 1979. Steve is a member of the Freestyle Advisory Board of Photographic Professionals."With its unrivalled collection of photographic formulae and easy to understand explanations of photographic processes, The Darkroom Cookbook has long been a favorite with darkroom workers everywhere. Now, with further additions to its formulary, more topics, and contributions by renowned darkroom experts, this new edition promises to be an indispensable Aladdin's Cave resource to darkroom enthusiasts of all levels."-Tim Rudman, photographer and author"The Darkroom Cookbook is an essential compendium of photographic information for anyone interested in high-quality darkroom work." -John Sexton, photographer *Packed with rare techniques for silver-based processing clearly explained by a darkroom master so you can create your own stunning prints at home or in the studio *Contains over 200 formulas - follow along step-by-step, or experiment with your own variations to develop new recipes!*Includes a brand-new chapter on analog variable contrast printing *Visit the new supplemental website to find useful links and an interactive user forum

The art of darkroom developing and printing will never go out of style. Master darkroom specialist Steve Anchell is back to prove it in this long-awaited third edition of his enormously successful Darkroom Cookbook. Packed with over 200 "recipes," some common and others rare gems, you'll discover something new every time you open this guide, whether you're new to the darkroom or have been making your own prints for years. In addition to the formulas, you'll find tons of useful information on developers, push-processing, where to get darkroom equipment, how to set up your own darkroom, how to work and play in your darkroom safely, and much more. This handy guide will become a constant companion for every darkroom enthusiast creating prints at home or in the studio. In addition to complete updates throughout to reflect changes in the availability of chemicals and equipment, this third edition contains all new information on: *Reversal processing *Enlarged negatives *Pyro formulas *Plus expanded sections on printing, pyro, and toning prints Also included for the first time are special technique contributions as well as stunning black and white imagery by Bruce Barnbaum, Rod Dresser, Jay Dusard, Patrick Gainer, Richard Garrod, Henry Gilpin, Gordon Hutchings, Sandy King, Les McLean, Saà ̄d Nuseibeh, France Scully Osterman, Mark Osterman, Tim Rudman, Ryuijie, John Sexton, and John Wimberly. Be sure to visit www.darkroomcookbook.com to find useful links, an interactive user forum, and more! Steve Anchell is a photographer and author of The Variable Contrast Printing Manual, and co-author of The Film Developing Cookbook. He has been teaching darkroom and photography workshops since 1979. Steve is a member of the Freestyle Advisory Board of Photographic Professionals. "With its unrivalled collection of photographic formulae and easy to understand explanations of photographic processes, The Darkroom Cookbook has long been a favorite with darkroom workers everywhere. Now, with further additions to its formulary, more topics, and contributions by renowned darkroom experts, this new edition promises to be an indispensable Aladdin's Cave resource to darkroom enthusiasts of all levels." -Tim Rudman, photographer and author "The Darkroom Cookbook is an essential compendium of photographic information for anyone interested in high-quality darkroom work." -John Sexton, photographer *Packed with rare techniques for silver-based processing clearly explained by a darkroom master so you can create your own stunning prints at home or in the studio *Contains over 200 formulas - follow along step-by-step, or experiment with your own variations to develop new recipes! *Includes a brand-new chapter on analog variable contrast printing *Visit the new supplemental website to find useful links and an interactive user forum

This comprehensive price guide covers over 4,000 makes and models of 35mm cameras, panoramic cameras, medium and large format cameras, lenses, and accessories. Packed with charts and over 200 photographs of the equipment discussed, this book provides an easy reference for buyers and vendors of cameras and photographic equipment. Featuring only models sold as user cameras (rather than as collectibles), this book's handy rating and pricing system makes it easy to determine the price for any new or used camera. The listed prices are based on real-world sales and researched and compiled from a number of sources, ranging from top-of-the-line photography stores to swap meets.

In the last few years, digital SLR cameras have taken the astrophotography world by storm. It is now easier to photograph the stars than ever before! They are compact and portable, flexible to adapt with different lenses and for telescope use, and above all DSLR cameras are easy and enjoyable to use. In this concise guide, experienced astrophotography expert Michael Covington outlines the simple, enduring basics that will enable you to get started, and help you get the most from your equipment. He covers a wide selection of equipment, simple and advanced projects, technical considerations and image processing techniques. Unlike other astrophotography books, this one focuses specifically on DSLR cameras, not astronomical CCDs, non-DSLR digital cameras, or film. This guide is ideal for astrophotographers who wish to develop their skills using DSLR cameras and as a friendly introduction to amateur astronomers or photographers curious about photographing the night sky.