Want to be cunning? You might wish you were more clever, more flexible, able to cut a few corners without getting caught, to dive now and again into iniquity and surface clutching a prize. You might want to roll your eyes at those slaves of duty who play by the rules. Or you might think there's something sleazy about that stance, even if it does seem to pay off. Does that make you a chump? With pointedly mischievous prose, Don Herzog explores what's alluring and what's revolting in cunning. He draws on a colorful range of sources: tales of Odysseus; texts from Machiavelli; pamphlets from early modern England; salesmen's newsletters; Christian apologetics; plays; sermons; philosophical treatises; detective novels; famous, infamous, and obscure historical cases; and more. The book is in three parts, bookended by two murderous churchmen. "Dilemmas" explores some canonical moments of cunning and introduces the distinction between knaves and fools as a "time-honored but radically deficient scheme." "Appearances" assails conventional approaches to unmasking. Surveying ignorance and self-deception, "Despair?" deepens the case that we ought to be cunning--and then sees what we might say in response. Throughout this beguiling book, Herzog refines our sense of what's troubling in this terrain. He shows that rationality, social roles, and morality are tangled together--and trickier than we thought.

The fifth and final volume of a celebrated translation of the classic Chinese novel This is the fifth and final volume in David Roy's celebrated translation of one of the most famous and important novels in Chinese literature. The Plum in the Golden Vase or, Chin P’ing Mei is an anonymous sixteenth-century work that focuses on the domestic life of Hsi-men Ch’ing, a corrupt, upwardly mobile merchant in a provincial town, who maintains a harem of six wives and concubines. The novel, known primarily for its erotic realism, is also a landmark in the development of the narrative art form—not only from a specifically Chinese perspective but in a world-historical context. This complete and annotated translation aims to faithfully represent and elucidate all the rhetorical features of the original in its most authentic form and thereby enable the Western reader to appreciate this Chinese masterpiece at its true worth.

Want to be cunning? You might wish you were more clever, more flexible, able to cut a few corners without getting caught, to dive now and again into iniquity and surface clutching a prize. You might want to roll your eyes at those slaves of duty who play by the rules. Or you might think there's something sleazy about that stance, even if it does seem to pay off. Does that make you a chump? With pointedly mischievous prose, Don Herzog explores what's alluring and what's revolting in cunning. He draws on a colorful range of sources: tales of Odysseus; texts from Machiavelli; pamphlets from early modern England; salesmen's newsletters; Christian apologetics; plays; sermons; philosophical treatises; detective novels; famous, infamous, and obscure historical cases; and more. The book is in three parts, bookended by two murderous churchmen. "Dilemmas" explores some canonical moments of cunning and introduces the distinction between knaves and fools as a "time-honored but radically deficient scheme." "Appearances" assails conventional approaches to unmasking. Surveying ignorance and self-deception, "Despair?" deepens the case that we ought to be cunning--and then sees what we might say in response. Throughout this beguiling book, Herzog refines our sense of what's troubling in this terrain. He shows that rationality, social roles, and morality are tangled together--and trickier than we thought.

Want to be cunning? You might wish you were more clever, more flexible, able to cut a few corners without getting caught, to dive now and again into iniquity and surface clutching a prize. You might want to roll your eyes at those slaves of duty who play by the rules. Or you might think there's something sleazy about that stance, even if it does seem to pay off. Does that make you a chump? With pointedly mischievous prose, Don Herzog explores what's alluring and what's revolting in cunning. He draws on a colorful range of sources: tales of Odysseus; texts from Machiavelli; pamphlets from early modern England; salesmen's newsletters; Christian apologetics; plays; sermons; philosophical treatises; detective novels; famous, infamous, and obscure historical cases; and more. The book is in three parts, bookended by two murderous churchmen. "Dilemmas" explores some canonical moments of cunning and introduces the distinction between knaves and fools as a "time-honored but radically deficient scheme." "Appearances" assails conventional approaches to unmasking. Surveying ignorance and self-deception, "Despair?" deepens the case that we ought to be cunning--and then sees what we might say in response. Throughout this beguiling book, Herzog refines our sense of what's troubling in this terrain. He shows that rationality, social roles, and morality are tangled together--and trickier than we thought.

Want to be cunning? You might wish you were more clever, more flexible, able to cut a few corners without getting caught, to dive now and again into iniquity and surface clutching a prize. You might want to roll your eyes at those slaves of duty who play by the rules. Or you might think there's something sleazy about that stance, even if it does seem to pay off. Does that make you a chump? With pointedly mischievous prose, Don Herzog explores what's alluring and what's revolting in cunning. He draws on a colorful range of sources: tales of Odysseus; texts from Machiavelli; pamphlets from early modern England; salesmen's newsletters; Christian apologetics; plays; sermons; philosophical treatises; detective novels; famous, infamous, and obscure historical cases; and more. The book is in three parts, bookended by two murderous churchmen. "Dilemmas" explores some canonical moments of cunning and introduces the distinction between knaves and fools as a "time-honored but radically deficient scheme." "Appearances" assails conventional approaches to unmasking. Surveying ignorance and self-deception, "Despair?" deepens the case that we ought to be cunning--and then sees what we might say in response. Throughout this beguiling book, Herzog refines our sense of what's troubling in this terrain. He shows that rationality, social roles, and morality are tangled together--and trickier than we thought.

In this first of a planned five-volume set, David Roy provides a complete and annotated translation of the famous __Chin P'ing Mei__, an anonymous sixteenth-century Chinese novel that focuses on the domestic life of Hsi-men Ch'ing, a corrupt, upwardly mobile merchant in a provincial town, who maintains a harem of six wives and concubines. This work, known primarily for its erotic realism, is also a landmark in the development of the narrative art form--not only from a specifically Chinese perspective but in a world-historical context.

Since its first publication in 1999, __Literature and Society__ has been widely used in Chinese-language classes at major universities and language institutions. In this completely revised edition, designed for upper-level students, this classic textbook continues to explore a variety of contemporary Chinese social issues through the study of Chinese literary works and essays. This new edition condenses and consolidates the original two-volume set into one convenient volume. The first section, "Literature," includes essays, short stories, and a play, and features a range of writers: Lu Xun, Lin Yutang, Liang Shiqiu, Wang Li, Xie Bingying, and Wang Meng. The second section, “Society,” includes essays by Fei Xiaotong, Ma Yinchu, Wu Han, Liang Sicheng, and Chen Hengzhe. The selections delve into such subjects as population issues, ethics, marriage, the lives of intellectuals, and challenges faced by minorities in China. Each selection begins with a brief introduction about the author and concludes with discussion questions. The simplified character text and corresponding vocabulary words face each other on adjacent pages, and the traditional character text follows at the end of each lesson. __Literature and Society__ remains an innovative way for students to sharpen their Chinese language abilities while learning more about important areas of Chinese culture. * Completely revised edition * Original two-volume set now consolidated into one convenient volume * Selections of literary works and essays explore contemporary Chinese social issues * Each selection begins with an introduction to the author and concludes with discussion questions * Simplified character text and corresponding vocabulary sit on facing pages * Traditional character text appears at the end of each lesson

Want to be cunning? You might wish you were more clever, more flexible, able to cut a few corners without getting caught, to dive now and again into iniquity and surface clutching a prize. You might want to roll your eyes at those slaves of duty who play by the rules. Or you might think there's something sleazy about that stance, even if it does seem to pay off. Does that make you a chump? With pointedly mischievous prose, Don Herzog explores what's alluring and what's revolting in cunning. He draws on a colorful range of sources: tales of Odysseus; texts from Machiavelli; pamphlets from early modern England; salesmen's newsletters; Christian apologetics; plays; sermons; philosophical treatises; detective novels; famous, infamous, and obscure historical cases; and more. The book is in three parts, bookended by two murderous churchmen. "Dilemmas" explores some canonical moments of cunning and introduces the distinction between knaves and fools as a "time-honored but radically deficient scheme." "Appearances" assails conventional approaches to unmasking. Surveying ignorance and self-deception, "Despair?" deepens the case that we ought to be cunning--and then sees what we might say in response. Throughout this beguiling book, Herzog refines our sense of what's troubling in this terrain. He shows that rationality, social roles, and morality are tangled together--and trickier than we thought.

Content: Part I -- Chronology of dynasties -- Chronology of philosophers -- 1. The growth of humanism -- Ancestors and the Lord on High -- The mandate of heaven, ancestors and virtue -- The "Great Norm" -- Spirits, the soul and immortality -- 2. The humanism of Confucius -- Selections from the Analects -- 3. Idealistic Confucianism: Mencius -- The Book of Mencius: Book 6, part 1 -- Additional selections -- 4. Moral and social programs: The Great Learning -- 5. Spiritual dimensions: The Doctrine of the Mean -- 6. Naturalistic Confucianism: Hsun Tzu -- "On Nature" -- "On the Rectification of Names" -- "The Nature of Man is Evil" -- 7. The natural way of Lao Tzu -- The Lao-Tzu (Tao-te ching) -- 8. The mystical way of Chuang Tzu -- "The Equality of Things" -- "The Great Teacher" -- Additional selections: (1) The nature and reality of Tao -- (2) Tao everywhere -- (3) Constant flux -- (4) Evolution -- (5) Tao as transformation and one -- (6) Nature vs. man -- (7) Calmness of mind -- (8) Sageliness and kingliness -- (9) The equality of life and death -- (10) Subjectivity -- (11) The inner spirit -- 9. Mo Tzu's doctrines of universal love, heaven and social welfare -- A. "Universal Love, Pt. 2" -- "The Will of Heaven, Pt. 1" -- "Attack on Fatalism, Pt. 1" -- Additional selections: (1) Utilitarianism -- (2) The condemnation of war -- (3) Condemnation of wasteful musical activities -- (4) Condemnation of elaborate funerals -- (5) Elevating the worthy to government positions -- (6) Agreement with the Superior -- 10. Debates on metaphysical concepts: Logicians -- A. paradoxes of Hui Shih and the Debaters -- B. Kung-sun Lung Tzu (1) "On the White Horse" -- (2) "On Marks (chih) and Things" -- (3) "On the Explanation of Change" -- (4) "On Hardness and Whiteness" -- (5) "On Names and Actuality" -- 11. The Yin Yang School -- (1) Tsou Yen -- (2) Yin and Yang -- (3) The Five Agents -- 12. Legalism -- (1) Synthesis of legalistic doctrine -- (2) Interpretations of Tao -- 13. Philosophy of change -- (1) Selections from the commentaries -- (2) Selections from the "Appended Remarks," Pt. 1 -- (3) Selections from the "Appended Remarks," Pt. 2 -- (4) Selections from "Remarks on Certain Tri-grams" -- 14. Yin Yang Confuciansim: Tung Chung-shu -- A. A profound examination o names and appellations -- B. Meaning of the Five Agents -- C. "The Correspondence of Man and the Numerical Categories of Heaven" -- D. "Things of the Same Kind Activate Each Other" -- E. Additional selections: (1) The Origin (Yuan) -- (2) Humanity and righteousness -- (3) Humanity and wisdom -- (4) Historical cycles -- 15. Taoistic Confucianism: Yang Hsiung -- 16. The Naturalism of Wang Ch'ung -- A. "On Original Nature" -- B. "On Spontaneity" -- C. "A Treatise on Death" -- D. Additional selections: (1) Accident vs. necessity -- (2) Strange phenomena -- (3) Fate -- (4) The equality of past and present -- 17. Taoism of Huai-nan Tzu -- A. The "Yang Chu Chapter" -- B. The Lieh Tzu: (1) Skepticism -- (2) Fatalism -- 19. Neo-Taoism -- (1) Wang Pi's Simple Exemplifications of the Principles of the Book of Changes -- (2) Wang Pi's Commentary on the Book of Changes -- (3) Wang Pi's Commentary on the Lao Tzu -- (4) Ho Yen's Treatise on Tao -- (5) Ho Yen's Treatise on the Nameless -- (6) Kui Hsaing's Commentary on the Chuang Tzu -- 20. Seven early Buddhist schools -- 21. Seng-chao's Doctrine of Reality -- (1) "Immutability of Things" -- (2) "Emptiness of the Unreal" -- 22. Philosophy of emptiness: Chi-tsang of the Three-Treatise School -- (1) Two levels of truth -- (2) Causes and effects -- (3) Four subsidiary causes -- (4) Existence, nonexistence, and emptiness -- (5) Substance and function -- 23. Buddhist idealism: Hsuan-tsang of the Consciousness-Only School -- (1) Nonexistence of the Self -- (2) nonexistence of Dharmas -- (3) First transformation of consciousness -- (4) Second transformation of consciousness -- (5) Third transformation of consciousness -- (6) Consciousness-only -- (7) Nine objections to the consciousness-only doctrine and their answers -- (8) Three natures of being, three natures of non-being and thusness -- 24. T'ien-t'ai philosophy of perfect harmony (1) Various aspects of the mind -- (2) Three ages as an instant Substance and function -- (3) Functions of concentration and insight -- 25. One-and-all philosophy: Fa-tsang of the Hua-yen School -- A. Treatise on the Golden Lion -- B. Hundred Gates to the Sea of Ideas of the Flowery Splendor Scripture -- (1) "All that come into existence through causation end together in quiescence" -- (2) "Harmonious Combination and Spontaneity" -- 26. Zen (Ch'an) School of Sudden Enlightenment -- A. Platform Scripture -- B. Recorded Conversations of Shen-hui -- C. Recorded Conversations of Zen Master I-hsuan -- 27. Revival of Confucianism: Han Yu and Li Ao -- (1) An Inquiry on Human Nature -- (2) An Inquiry on the Way (Tao) -- (3) The Recovery of the Nature -- 28. The Neo-Confucian metaphysics and ethics in Chou Tun-I -- (1) An Explanation of the Diagram of the Great Ultimate -- (2) Penetrating the Book of Changes -- 29. Numerical and objective tendencies in Shao Yung -- Supreme Principles Governing the World 30. Chang Tsai's philosophy of material force -- A. The Western Inscription -- B. Correcting Youthful Ignorance: (1) "Great Harmony" -- (2) "Enlightenment Resulting from Sincerity" -- 31. The idealistic tendency in Ch'eng Hao -- (1) "On Understanding the Nature of Jen (Humanity)" -- (2) "Reply to Master Heng-ch'u's Letter on Calming Human Nature" -- (3) Selected sayings -- 32. The rationalistic tendency in Ch'eng I -- (1) "A Treatise on What Yen Tzu Loved to Learn" -- (2) "Letters in Reply to Yang Shih's Letter on the Western Inscription," -- Selected sayings -- 33. The unity of mind and principle in Lu Hsiang-shan -- 34. Great synthesis in Chu His -- A. Treatises: (1) "A Treatise on Jen," -- (2) "A Treatise on Che'eng Ming-tao's Discourse on the Nature," -- (3) "First Letter to the Gentlemen of Hunan on Equilibrium and Harmony," -- (4) "A Treatise on the Examination of the Mind," -- B. Complete Works: (1) Moral Cultivation -- (2) Relation between the Nature of Man and Things and Their Destiny -- (3) Nature of Man and Things -- (4) Nature of man and the Nature of Things Compared -- (5) Physical Nature -- (6) Destiny -- (7) Mind -- (8) T Mind, Nature and Feelings -- (9) Jen -- (10) Principle (Li) and Material Force (Ch'i) -- (11) Great Ultimate -- (12) Heaven and Earth -- (13) Spiritual Beings and Spiritual Forces -- (14) Buddhism -- 35. Dynamic idealism in Wang Yang-ming -- A. Inquiry on the Great Learning -- B. Instructions for Practical Living -- 36. The materialism of Wang Fu-chih -- (1) World of concrete things -- (2) Substance and function -- (3) Being and non-being -- (4) Principle and material force -- (5) Unceasing growth and man's nature and destiny -- (6) principle of nature and human desires -- (7) History and government -- 37. Practical Confucianism in Yen Yuan -- (1) In defense of physical nature -- (2) The identity of principle and material force -- (3) Learning through experience -- 38. Tai Chen's philosophy of principle as order -- (1) On principle (Li) -- (2) On nature -- (3) On capacity -- (4) On humanity, righteousness, propriety and wisdom -- (5) On the variety of circumstances -- 39. K'ang Yu-wei's philosophy of Great Unity -- (1) The Three Ages -- (2) Confuc

大国之间日益增长的经济相互依存性会增加还是减少冲突和战争的可能性?自由主义者认为,贸易的好处促使各国保持和平。现实主义者认为,贸易迫使各国为争夺重要的原材料和市场而斗争。超越陈腐的自由主义现实主义辩论,《经济相互依存与战争》提出了一种动态的预期理论,表明在何种特定条件下,州际贸易将减少或增加国家间冲突的风险。 从两个世纪以来的案例来看,从拿破仑战争和克里米亚战争到最近的冷战危机,戴尔·科普兰(Dale Copeland)表明,当领导人对未来的贸易环境抱有积极的期望时,他们希望保持和平,以确保增强长期实力的经济利益。然而,当这些预期转为负面时,领导人可能会担心失去获得原材料和市场的机会,从而更有动机引发危机,以保护他们的商业利益。贸易预期理论对1985年以来中美关系的理解以及未来二十年中美关系的发展方向具有重要意义。 经济相互依存和战争为历史和当代全球政治以及民主与经济和平的实际性质提供了全新的见解。

This is the fourth and penultimate volume in David Roy's celebrated translation of one of the most famous and important novels in Chinese literature. __The Plum in the Golden Vase__ or, __Chin P'ing Mei__ is an anonymous sixteenth-century work that focuses on the domestic life of Hsi-men Ch'ing, a corrupt, upwardly mobile merchant in a provincial town, who maintains a harem of six wives and concubines. The novel, known primarily for its erotic realism, is also a landmark in the development of the narrative art form--not only from a specifically Chinese perspective but in a world-historical context. This complete and annotated translation aims to faithfully represent and elucidate all the rhetorical features of the original in its most authentic form and thereby enable the Western reader to appreciate this Chinese masterpiece at its true worth.

This is the fourth and penultimate volume in David Roy's celebrated translation of one of the most famous and important novels in Chinese literature. __The Plum in the Golden Vase__ or, __Chin P'ing Mei__ is an anonymous sixteenth-century work that focuses on the domestic life of Hsi-men Ch'ing, a corrupt, upwardly mobile merchant in a provincial town, who maintains a harem of six wives and concubines. The novel, known primarily for its erotic realism, is also a landmark in the development of the narrative art form--not only from a specifically Chinese perspective but in a world-historical context. This complete and annotated translation aims to faithfully represent and elucidate all the rhetorical features of the original in its most authentic form and thereby enable the Western reader to appreciate this Chinese masterpiece at its true worth.

Jiang argues against the democratic view that the consent of the people is the main source of political legitimacy. Instead, he presents a comprehensive way to achieve humane authority based on three sources of political legitimacy, and he derives and defends a proposal for a tricameral legislature that would best represent the Confucian political ideal. Abstract: Jiang argues against the democratic view that the consent of the people is the main source of political legitimacy. Instead, he presents a comprehensive way to achieve humane authority based on three sources of political legitimacy, and he derives and defends a proposal for a tricameral legislature that would best represent the Confucian political ideal

This is the fifth and final volume in David Roy's celebrated translation of one of the most famous and important novels in Chinese literature. __The Plum in the Golden Vase__ or, __Chin P'ing Mei__ is an anonymous sixteenth-century work that focuses on the domestic life of Hsi-men Ch'ing, a corrupt, upwardly mobile merchant in a provincial town, who maintains a harem of six wives and concubines. The novel, known primarily for its erotic realism, is also a landmark in the development of the narrative art form--not only from a specifically Chinese perspective but in a world-historical context. This complete and annotated translation aims to faithfully represent and elucidate all the rhetorical features of the original in its most authentic form and thereby enable the Western reader to appreciate this Chinese masterpiece at its true worth.

In this second of a planned five-volume series, David Roy provides a complete and annotated translation of the famous __Chin P'ing Mei__, an anonymous sixteenth-century Chinese novel that focuses on the domestic life of His-men Ch'ing, a corrupt, upwardly mobile merchant in a provincial town, who maintains a harem of six wives and concubines. This work, known primarily for its erotic realism, is also a landmark in the development of narrative art--not only from a specifically Chinese perspective but in a world-historical context. With the possible exception of __The Tale of Genji__ (1010) and __Don Quixote__ (1615), there is no earlier work of prose fiction of equal sophistication in world literature. Although its importance in the history of Chinese narrative has long been recognized, the technical virtuosity of the author, which is more reminiscent of the Dickens of __Bleak House__, the Joyce of __Ulysses__, or the Nabokov of __Lolita__ than anything in the earlier Chinese fiction tradition, has not yet received adequate recognition. This is partly because all of the existing European translations are either abridged or based on an inferior recension of the text. This translation and its annotation aim to faithfully represent and elucidate all the rhetorical features of the original in its most authentic form and thereby enable the Western reader to appreciate this Chinese masterpiece at its true worth.

In this third volume of a planned five-volume series, David Roy provides a complete and annotated translation of the famous __Chin P'ing Mei__, an anonymous sixteenth-century Chinese novel that focuses on the domestic life of His-men Ch'ing, a corrupt, upwardly mobile merchant who maintains a harem of six wives and concubines. This work, known primarily for its erotic realism, is also a landmark in the development of narrative art--not only from a specifically Chinese perspective but also in a world-historical context. Written during the second half of the sixteenth century and first published in 1618, __The Plum in the Golden Vase__ is noted for its surprisingly modern technique. With the possible exception of __The Tale of Genji__ (ca. 1010) and __Don Quixote__ (1605, 1615), there is no earlier work of prose fiction of equal sophistication in world literature. Although its importance in the history of Chinese narrative has long been recognized, the technical virtuosity of the author, which is more reminiscent of the Dickens of __Bleak House__, the Joyce of __Ulysses__, or the Nabokov of __Lolita__ than anything in earlier Chinese fiction, has not yet received adequate recognition. This is partly because all of the existing European translations are either abridged or based on an inferior recension of the text. This translation and its annotation aim to faithfully represent and elucidate all the rhetorical features of the original in its most authentic form and thereby enable the Western reader to appreciate this Chinese masterpiece at its true worth. Replete with convincing portrayals of the darker side of human nature, it should appeal to anyone interested in a compelling story, compellingly told.

The well-known historian and political scientist Zeev Sternhell here advances a radically new interpretation of the founding of modern Israel. The founders claimed that they intended to create both a landed state for the Jewish people and a socialist society. However, according to Sternhell, socialism served the leaders of the influential labor movement more as a rhetorical resource for the legitimation of the national project of establishing a Jewish state than as a blueprint for a just society. In this thought-provoking book, Sternhell demonstrates how socialist principles were consistently subverted in practice by the nationalist goals to which socialist Zionism was committed. Sternhell explains how the avowedly socialist leaders of the dominant labor party, Mapai, especially David Ben Gurion and Berl Katznelson, never really believed in the prospects of realizing the dream of a new society, even though many of their working-class supporters were self-identified socialists. The founders of the state understood, from the very beginning, that not only socialism but also other universalistic ideologies like liberalism, were incompatible with cultural, historical, and territorial nationalism. Because nationalism took precedence over universal values, argues Sternhell, Israel has not evolved a constitution or a Bill of Rights, has not moved to separate state and religion, has failed to develop a liberal concept of citizenship, and, until the Oslo accords of 1993, did not recognize the rights of the Palestinians to independence.

An engaging invitation to rediscover Henry Miller—and to learn how his anarchist sensibility can help us escape "the air-conditioned nightmare" of the modern world The American writer Henry Miller's critical reputation—if not his popular readership—has been in eclipse at least since Kate Millett's blistering critique in Sexual Politics , her landmark 1970 study of misogyny in literature and art. Even a Miller fan like the acclaimed Scottish writer John Burnside finds Miller's "sex books"—including The Rosy Crucifixion , Tropic of Cancer , and Tropic of Capricorn —"boring and embarrassing." But Burnside says that Miller's notorious image as a "pornographer and woman hater" has hidden his vital, true importance—his anarchist sensibility and the way it shows us how, by fleeing from conformity of all kinds, we may be able to save ourselves from the "air-conditioned nightmare" of the modern world. Miller wrote that "there is no salvation in becoming adapted to a world which is crazy," and in this short, engaging, and personal book, Burnside shows how Miller teaches us to become less adapted to the world, to resist a life sentence to the prison of social, intellectual, emotional, and material conditioning. Exploring the full range of Miller's work, and giving special attention to The Air-Conditioned Nightmare and The Colossus of Maroussi , Burnside shows how, with humor and wisdom, Miller illuminates the misunderstood tradition of anarchist thought. Along the way, Burnside reflects on Rimbaud's enormous influence on Miller, as well as on how Rimbaud and Miller have influenced his own writing. An unconventional and appealing account of an unjustly neglected writer, On Henry Miller restores to us a figure whose searing criticism of the modern world has never been more relevant.

Twenty-five years ago one could list by name the tiny number of multiple personalities recorded in the history of Western medicine, but today hundreds of people receive treatment for dissociative disorders in every sizable town in North America. Clinicians, backed by a grassroots movement of patients and therapists, find child sexual abuse to be the primary cause of the illness, while critics accuse the "MPD" community of fostering false memories of childhood trauma. Here the distinguished philosopher Ian Hacking uses the MPD epidemic and its links with the contemporary concept of child abuse to scrutinize today's moral and political climate, especially our power struggles about memory and our efforts to cope with psychological injuries. What is it like to suffer from multiple personality? Most diagnosed patients are women: why does gender matter? How does defining an illness affect the behavior of those who suffer from it? And, more generally, how do systems of knowledge about kinds of people interact with the people who are known about? Answering these and similar questions, Hacking explores the development of the modern multiple personality movement. He then turns to a fascinating series of historical vignettes about an earlier wave of multiples, people who were diagnosed as new ways of thinking about memory emerged, particularly in France, toward the end of the nineteenth century. Fervently occupied with the study of hypnotism, hysteria, sleepwalking, and fugue, scientists of this period aimed to take the soul away from the religious sphere. What better way to do this than to make memory a surrogate for the soul and then subject it to empirical investigation?

Are we what we eat? What does food reveal about how we live and how we think of ourselves in relation to others? Why do people have a strong attachment to their own cuisine and an aversion to the foodways of others? In this engaging account of the crucial significance rice has for the Japanese, Rice as Self examines how people use the metaphor of a principal food in conceptualizing themselves in relation to other peoples. Emiko Ohnuki-Tierney traces the changing contours that the Japanese notion of the self has taken as different historical Others--whether Chinese or Westerner--have emerged, and shows how rice and rice paddies have served as the vehicle for this deliberation. Using Japan as an example, she proposes a new cross-cultural model for the interpretation of the self and other.

Although Renaissance scholars generally agree that Della Porta was the finest comic playwright of his generation in Italy, no detailed analysis of these plays and of their considerable influence outside Italy has previously appeared. One of the most famous men of his time in the field of scientific investigation, Della Porta wrote plays for relaxation and, on occasion, to camouflage controversial aspects of his scientific research from the Inquisitions. Today his works in science are largely forgotten and his right to fame rests on the plays. This book brings together the available facts of Della Porta's rich and often mysterious life and closely examines his dramatic works as part of the Italian literary scene in late Renaissance. Originally published in 1965. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

A short, clear, and authoritative guide to one of the most important and difficult works of modern philosophyPerhaps the most influential work of modern philosophy, Immanuel Kant's Critique of Pure Reason is also one of the hardest to read, since it brims with complex arguments, difficult ideas, and tortuous sentences. A philosophical revolutionary, Kant had to invent a language to express his new ideas, and he wrote quickly. It's little wonder that the Critique was misunderstood from the start, or that Kant was compelled to revise it in a second edition, or that it still presents great challenges to the reader. In this short, accessible book, eminent philosopher and Kant expert Yirmiyahu Yovel helps readers find their way through the web of Kant's classic by providing a clear and authoritative summary of the entire work. The distillation of decades of studying and teaching Kant, Yovel's "systematic explication" untangles the ideas and arguments of the Critique in the order in which Kant presents them. This guide provides helpful explanations of difficult issues such as the difference between general and transcendental logic, the variants of Transcendental Deduction, and the constitutive role of the "I think." Yovel underscores the central importance of Kant's insistence on the finitude of reason and succinctly describes how the Critique's key ideas are related to Kant's other writings. The result is an invaluable guide for philosophers and students.ISBN : 9781400890286

A new look at the life, times, and music of Polish composer and piano virtuoso Fryderyk Chopin Fryderyk Chopin (1810–49), although the most beloved of piano composers, remains a contradictory figure, an artist of virtually universal appeal who preferred the company of only a few sympathetic friends and listeners. Chopin and His World reexamines Chopin and his music in light of the cultural narratives formed during his lifetime. These include the romanticism of the ailing spirit, tragically singing its death-song as life ebbs; the Polish expatriate, helpless witness to the martyrdom of his beloved homeland, exiled among friendly but uncomprehending strangers; the sorcerer-bard of dream, memory, and Gothic terror; and the pianist's pianist, shunning the appreciative crowds yet composing and improvising idealized operas, scenes, dances, and narratives in the shadow of virtuoso-idol Franz Liszt. The international Chopin scholars gathered here demonstrate the ways in which Chopin responded to and was understood to exemplify these narratives, as an artist of his own time and one who transcended it. This collection also offers recently rediscovered artistic representations of his hands (with analysis), and—for the first time in English—an extended tribute to Chopin published in Poland upon his death and contemporary Polish writings contextualizing Chopin's compositional strategies. The contributors are Jonathan D. Bellman, Leon Botstein, Jean-Jacques Eigeldinger, Halina Goldberg, Jeffrey Kallberg, David Kasunic, Anatole Leikin, Eric McKee, James Parakilas, John Rink, and Sandra P. Rosenblum. Contemporary documents by Karol Kurpiński, Adam Mickiewicz, and Józef Sikorski are included.

The hidden value of settling In a culture that worships ceaseless striving, "settling" seems like giving up. But is it? On Settling defends the positive value of settling, explaining why this disdained practice is not only more realistic but more useful than an excessive ideal of striving. In fact, the book makes the case that we'd all be lost without settling—and that even to strive, one must first settle. We may admire strivers and love the ideal of striving, but who of us could get through a day without settling? Real people, confronted with a complex problem, simply make do, settling for some resolution that, while almost certainly not the best that one could find by devoting limitless time and attention to the problem, is nonetheless good enough. Robert Goodin explores the dynamics of this process. These involve taking as fixed, for now, things that we reserve the right to reopen later (nothing is fixed for good, although events might always overtake us). We settle on some things in order to concentrate better on others. At the same time we realize we may need to come back later and reconsider those decisions. From settling on and settling for, to settling down and settling in, On Settling explains why settling is useful for planning, creating trust, and strengthening the social fabric—and why settling is different from compromise and resignation. So, the next time you're faced with a thorny problem, just settle. It's no failure.

In Economics in Perspective , renowned economist John Kenneth Galbraith presents a compelling and accessible history of economic ideas, from Aristotle through the twentieth century. Examining theories of the past that have a continuing modern resonance, he shows that economics is not a timeless, objective science, but is continually evolving as it is shaped by specific times and places. From Adam Smith's theories during the Industrial Revolution to those of John Maynard Keynes after the Great Depression, Galbraith demonstrates that if economic ideas are to remain relevant, they must continually adapt to the world they inhabit. A lively examination of economic thought in historical context, Economics in Perspective shows how the field has evolved across the centuries.

A new look at the life, times, and music of Polish composer and piano virtuoso Fryderyk Chopin Fryderyk Chopin (1810–49), although the most beloved of piano composers, remains a contradictory figure, an artist of virtually universal appeal who preferred the company of only a few sympathetic friends and listeners. Chopin and His World reexamines Chopin and his music in light of the cultural narratives formed during his lifetime. These include the romanticism of the ailing spirit, tragically singing its death-song as life ebbs; the Polish expatriate, helpless witness to the martyrdom of his beloved homeland, exiled among friendly but uncomprehending strangers; the sorcerer-bard of dream, memory, and Gothic terror; and the pianist's pianist, shunning the appreciative crowds yet composing and improvising idealized operas, scenes, dances, and narratives in the shadow of virtuoso-idol Franz Liszt. The international Chopin scholars gathered here demonstrate the ways in which Chopin responded to and was understood to exemplify these narratives, as an artist of his own time and one who transcended it. This collection also offers recently rediscovered artistic representations of his hands (with analysis), and—for the first time in English—an extended tribute to Chopin published in Poland upon his death and contemporary Polish writings contextualizing Chopin's compositional strategies. The contributors are Jonathan D. Bellman, Leon Botstein, Jean-Jacques Eigeldinger, Halina Goldberg, Jeffrey Kallberg, David Kasunic, Anatole Leikin, Eric McKee, James Parakilas, John Rink, and Sandra P. Rosenblum. Contemporary documents by Karol Kurpiński, Adam Mickiewicz, and Józef Sikorski are included.

A comprehensive textbook on the tools of mathematical sociology and their applications Mathematical models and computer simulations of complex social systems have become everyday tools in sociology. Yet until now, students had no up-to-date textbook from which to learn these techniques. Introduction to Mathematical Sociology fills this gap, providing undergraduates with a comprehensive, self-contained primer on the mathematical tools and applications that sociologists use to understand social behavior. Phillip Bonacich and Philip Lu cover all the essential mathematics, including linear algebra, graph theory, set theory, game theory, and probability. They show how to apply these mathematical tools to demography; patterns of power, influence, and friendship in social networks; Markov chains; the evolution and stability of cooperation in human groups; chaotic and complex systems; and more. Introduction to Mathematical Sociology also features numerous exercises throughout, and is accompanied by easy-to-use Mathematica-based computer simulations that students can use to examine the effects of changing parameters on model behavior. Provides an up-to-date and self-contained introduction to mathematical sociology Explains essential mathematical tools and their applications Includes numerous exercises throughout Features easy-to-use computer simulations to help students master concepts

Instead of seeing Terence primarily as an adapter of Greek New Comedy, Sander Goldberg treats him as an innovative dramatist writing for a specifically Roman audience. His book will interest not only students of classical literature but also those concerned with wider problems of critical theory and the comic tradition. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

From one of today's most distinguished critics, a beautifully written exploration of one of the twentieth century's most important literary critics Are literary critics writers ? As Michael Wood says, "Not all critics are writers—perhaps most of them are not—and some of them are better when they don't try to be." The British critic and poet William Empson (1906–84), one of the most important and influential critics of the twentieth century, was an exception—a critic who was not only a writer but also a great one. In this brief book, Wood, himself one of the most gifted writers among contemporary critics, explores Empson as a writer, a distinguished poet whose criticism is a brilliant literary performance—and proof that the act of reading can be an unforgettable adventure. Drawing out the singularity and strength of Empson's writing, including its unfailing wit, Wood traces the connections between Empson's poetry and criticism from his first and best-known critical works, Seven Types of Ambiguity and Some Versions of Pastoral , to later books such as Milton's God and The Structure of Complex Words . Wood shows why this pioneer of close reading was both more and less than the inventor of New Criticism—more because he was the greatest English critic since Coleridge, and didn't belong to any school; and less because he had severe differences with many contemporary critics, especially those who dismissed the importance of an author's intentions. Beautifully written and rich with insight, On Empson is an elegant introduction to a unique writer for whom literature was a nonstop form of living.

Marcel Proust was long the object of a cult in which the main point of reading his great novel In Search of Lost Time was to find, with its narrator, a redemptive epiphany in a pastry and a cup of lime-blossom tea. We now live in less confident times, in ways that place great strain on the assumptions and beliefs that made those earlier readings possible. This has led to a new manner of reading Proust, against the grain. In Mirages and Mad Beliefs , Christopher Prendergast argues the case differently, with the grain, on the basis that Proust himself was prey to self-doubt and found numerous, if indirect, ways of letting us know. Prendergast traces in detail the locations and forms of a quietly nondogmatic yet insistently skeptical voice that questions the redemptive aesthetic the novel is so often taken to celebrate, bringing the reader to wonder whether that aesthetic is but another instance of the mirage or the mad belief that, in other guises, figures prominently in In Search of Lost Time . In tracing the modalities of this self-pressuring voice, Prendergast ranges far and wide, across a multiplicity of ideas, themes, sources, and stylistic registers in Proust's literary thought and writing practice, attentive at every point to inflections of detail, in a sustained account of Proust the skeptic for the contemporary reader.

Why did Greek tragedy and "the tragic" come to be seen as essential to conceptions of modernity? And how has this belief affected modern understandings of Greek drama? In Genealogy of the Tragic , Joshua Billings answers these and related questions by tracing the emergence of the modern theory of the tragic, which was first developed around 1800 by thinkers associated with German Idealism. The book argues that the idea of the tragic arose in response to a new consciousness of history in the late eighteenth century, which spurred theorists to see Greek tragedy as both a unique, historically remote form and a timeless literary genre full of meaning for the present. The book offers a new interpretation of the theories of Schiller, Schelling, Hegel, Hölderlin, and others, as mediations between these historicizing and universalizing impulses, and shows the roots of their approaches in earlier discussions of Greek tragedy in Germany, France, and England. By examining eighteenth-century readings of tragedy and the interactions between idealist thinkers in detail, Genealogy of the Tragic offers the most comprehensive historical account of the tragic to date, as well as the fullest explanation of why and how the idea was used to make sense of modernity. The book argues that idealist theories remain fundamental to contemporary interpretations of Greek tragedy, and calls for a renewed engagement with philosophical questions in criticism of tragedy.

In this unusual and unique volume, Alexander Leitch provides a warm, often witty, and always informative reference book on Princeton University. The collection of approximately 400 articles, alphabetically arranged and written by some seventy faculty members and alumni in addition to the author, covers all aspects of Princeton life in the past as well as in the present. Of special interest are the biographies of eminent Princetonians, including the University's presidents, well-known trustees, distinguished deans, famous alumni, and some of Princeton's most prominent and popular professors. Other articles in the book embrace a wide range of topics: histories of academic departments, programs, and research units; descriptions of the honor system, the preceptorial method, the four-course plan, and coeducation; a historical survey of the University's acquisition of land and the development of its campus, together with articles on its principal buildings; pieces on student activities; accounts of alumni activities; articles on athletics; portraits of notable personalities; and commentaries on a host of lighter topics such as the cane spree, beer jackets, the Faculty Song, the proctors, and Veterans of Future Wars. Among the most important articles are one summarizing Woodrow Wilson's Sesquicentennial address, "Princeton in the Nation's Service," and a dozen others recording faculty and alumni achievements toward the goal encompassed by that phrase. Originally published in 1978. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

An annotated bilingual edition of Hölderlin's radical and influential late poetry Despite his influence on such figures as Nietzsche, Rilke, Heidegger, and Celan, Friedrich Hölderlin (1770–1843) is only now being fully appreciated as perhaps the first great modern of European poetry. Drawing on the most recent scholarship, this annotated translation conveys the radical idiom and vision that continue to make him a contemporary. Richard Sieburth includes almost all Hölderlin's late poems in free rhythms from the years between 1801 and 1806, the period just prior to his hospitalization for insanity. Sieburth's critical introduction discusses the poet's career, assesses his role as the link between classicism and romanticism, and explores Hölderlin's ongoing importance to modern poetics and philosophy. Annotations explicate the individual poems, a number of which are translated into English for the first time.

<p>"The fox knows many things, but the hedgehog knows one big thing." This ancient Greek aphorism, preserved in a fragment from the poet Archilochus, describes the central thesis of Isaiah Berlin's masterly essay on Leo Tolstoy and the philosophy of history, the subject of the epilogue to War and Peace. Although there have been many interpretations of the adage, Berlin uses it to mark a fundamental distinction between human beings who are fascinated by the infinite variety of things and those who relate everything to a central, all-embracing system. Applied to Tolstoy, the saying illuminates a paradox that helps explain his philosophy of history: Tolstoy was a fox, but believed in being a hedgehog. One of Berlin's most celebrated works, this extraordinary essay offers profound insights about Tolstoy, historical understanding, and human psychology.This new edition features a revised text that supplants all previous versions, English translations of the many passages in foreign languages, a new foreword in which Berlin biographer Michael Ignatieff explains the enduring appeal of Berlin's essay, and a new appendix that provides rich context, including excerpts from reviews and Berlin's letters, as well as a startling new interpretation of Archilochus's epigram.<br></p>

Histories of German philosophy in the nineteenth century typically focus on its first half—when Hegel, idealism, and Romanticism dominated. By contrast, the remainder of the century, after Hegel's death, has been relatively neglected because it has been seen as a period of stagnation and decline. But Frederick Beiser argues that the second half of the century was in fact one of the most revolutionary periods in modern philosophy because the nature of philosophy itself was up for grabs and the very absence of certainty led to creativity and the start of a new era. In this innovative concise history of German philosophy from 1840 to 1900, Beiser focuses not on themes or individual thinkers but rather on the period's five great debates: the identity crisis of philosophy, the materialism controversy, the methods and limits of history, the pessimism controversy, and the Ignorabimusstreit . Schopenhauer and Wilhelm Dilthey play important roles in these controversies but so do many neglected figures, including Ludwig Büchner, Eugen Dühring, Eduard von Hartmann, Julius Fraunstaedt, Hermann Lotze, Adolf Trendelenburg, and two women, Agnes Taubert and Olga Pluemacher, who have been completely forgotten in histories of philosophy. The result is a wide-ranging, original, and surprising new account of German philosophy in the critical period between Hegel and the twentieth century.

Timeless wisdom on death and dying from the celebrated Stoic philosopher Seneca "It takes an entire lifetime to learn how to die," wrote the Roman Stoic philosopher Seneca (c. 4 BC–65 AD). He counseled readers to "study death always," and took his own advice, returning to the subject again and again in all his writings, yet he never treated it in a complete work. How to Die gathers in one volume, for the first time, Seneca's remarkable meditations on death and dying. Edited and translated by James S. Romm, How to Die reveals a provocative thinker and dazzling writer who speaks with a startling frankness about the need to accept death or even, under certain conditions, to seek it out. Seneca believed that life is only a journey toward death and that one must rehearse for death throughout life. Here, he tells us how to practice for death, how to die well, and how to understand the role of a good death in a good life. He stresses the universality of death, its importance as life's final rite of passage, and its ability to liberate us from pain, slavery, or political oppression. Featuring beautifully rendered new translations, How to Die also includes an enlightening introduction, notes, the original Latin texts, and an epilogue presenting Tacitus's description of Seneca's grim suicide.

Questioning whether the Germans were actually as influential or dominant in the Ottoman empire as most standard works suggest, the author attacks the myths surrounding Turkey's role in the war. Originally published in 1968. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

This anthology brought together the most important historical, legal, mythological, liturgical, and secular texts of the ancient Near East, with the purpose of providing a rich contextual base for understanding the people, cultures, and literature of the Old Testament. A scholar of religious thought and biblical archaeology, James Pritchard recruited the foremost linguists, historians, and archaeologists to select and translate the texts. The goal, in his words, was "a better understanding of the likenesses and differences which existed between Israel and the surrounding cultures." Before the publication of these volumes, students of the Old Testament found themselves having to search out scattered books and journals in various languages. This anthology brought these invaluable documents together, in one place and in one language, thereby expanding the meaning and significance of the Bible for generations of students and readers. As one reviewer put it, "This great volume is one of the most notable to have appeared in the field of Old Testament scholarship this century." Princeton published a follow-up companion volume, The Ancient Near East in Pictures Relating to the Old Testament (1954), and later a one-volume abridgment of the two, The Ancient Near East: An Anthology of Texts and Pictures (1958). The continued popularity of this work in its various forms demonstrates that anthologies have a very important role to play in education—and in the mission of a university press.

Despite its immediate popularity and its acclaim as a modern equal of the ancient epics, Ariosto's Orlando Furioso (published in its final version in 1532) was for learned readers a perplexing work: it mixed romance, epic, and lyric poetry, poked fun at its marvelous and outmoded chivalric matter, contained many interrupted narrative threads, and included base and lowborn characters. In exploring the literary debates involved in elevating the Furioso to the rank of a classic, Daniel Javitch maintains that this was the first work of modern poetry to provoke widespread critical controversy, and that the contestation played an inaugural role in the formation of the European poetic canon. The Furioso was seen by its early publishers to embody the formal, thematic, and functional characteristics of the highly esteemed epics of antiquity. Some critics, however, found in this poem new forms and functions that seemed better suited to modern times; still others denied the work any form of legitimacy. Showing how the Furioso became a locus upon which various and conflicting ideologies could be projected, Javitch argues that such a development offers the best indication of a poem's having achieved canonicity. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Most contemporary philosophers, psychologists, and linguists think of language as basically a means by which speakers reveal their thoughts to others. Christopher Gauker calls this "the Lockean theory of language," since Locke was one of its early exponents, and he contends that it is fundamentally mistaken. The Lockean theory, he argues, cannot adequately explain the nature of the general concepts that words are supposed to express. In developing this theme, Gauker investigates a wide range of topics, including Locke's own views, contemporary theories of conceptual development, the nature of reference and logical validity, the nature of psychological explanation, and the division of epistemic labor in society. The Lockean theory contrasts with the conception of language as the medium of a distinctive kind of thinking. Gauker explains how language, so conceived, is possible as a means of cooperative interaction. He articulates the possibility and objectivity of a kind of non-conceptual thinking about similarities and causal relations, which allows him to explain how a simple language might be learned. He then takes on the problem of logical structure and gives a formally precise account of logical validity formulated in terms of "assertibility in a context" rather than in terms of truth. Finally, he describes the role that attributions of belief and meaning play in facilitating cooperative interaction. With lucid and persuasive arguments, his book challenges philosophers, psychologists, linguists, and logicians to rethink their fundamental assumptions about the nature of language. Originally published in 1994. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Through an interpretation of Montaigne's philosophical vision as expressed in his Essays, Ermanno Bencivenga contributes to the current debate about the "death of the subject" by developing a view of the self as a project of continuous construction rather than the source and foundation of knowledge. This latter, Cartesian conception of self-consciousness as a logical and epistemological starting point is, Bencivenga contends, delusive: the certainty it provides is more akin to faith than to a cognitive state. How then do we acquire knowledge of the self? Montaigne makes for a productive case study in this regard: he declares that he himself is the matter of his book, and that nothing but the constitution of his own self is his business. A study of Montaigne reveals that the fundamental category missing in the Cartesian conception of the self is that of practical effort. The self is not a ready-made entity, available for inspection and analysis, but something whose generation requires exercise, training, and discipline. It is the result of an operation that must be performed not just once, but, as in all training, over and over again until it becomes second nature. Bencivenga characterizes the particular training required by the project of constituting a subject as a revolutionary, transgressive, critical one, which shares with philosophical activity a profoundly playful irrelevance to the "ready to hand." Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Michelle McAlpin moves beyond the concerns of previous studies of famine (most of which focus on governmental procedures designed to alleviate it) and examines hitherto neglected problems, such as the quantitative evaluation of food grain shortages, the nature and extent of popular insurance mechanisms in famine-afflicted areas, and the effects of famine on population growth and on long-range economic performance. Originally published in 1983. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Is it possible to think like a scientist and yet have the faith of a Christian? Although many Westerners might say no, there are also many critically minded individuals who entertain what John Polkinghorne calls a "wistful wariness" toward religion—they feel unable to accept religion on rational grounds yet cannot dismiss it completely. Polkinghorne, both a particle physicist and Anglican priest, here explores just what rational grounds there could be for Christian beliefs, maintaining that the quest for motivated understanding is a concern shared by scientists and religious thinkers alike. Anyone who assumes that religion is based on unquestioning certainties, or that it need not take into account empirical knowledge, will be challenged by Polkinghorne's bottom-up examination of Christian beliefs about events ranging from creation to the resurrection. The author organizes his inquiry around the Nicene Creed, an early statement that continues to summarize Christian beliefs. He applies to each of its tenets the question, "What is the evidence that makes you think this might be true?" The evidence Polkinghorne weighs includes the Hebrew and Christian scriptures—their historical contexts and the possible motivations for their having been written—scientific theories, and human self-consciousness as revealed in literary, philosophical, and psychological works. He begins with the words, "We believe," and presents understandings of the nature of humanity, showing, for example, that Cartesian theory, evolution, and natural selection do not tell the entire story of what humans are about, especially in light of many sources that attest to our spirituality. Moving through the Creed, Polkinghorne considers the concept of divinity and God as creator in discussions that cover the Theory of Everything, the Big Bang Theory, and the possibility of divine presence within reality so that God is not simply an outside observer. Chapters on Jesus analyze the different ways events are described in the Gospels and the way motivation for belief is conveyed—for example, how do these writings explain why a young man killed in public disgrace could inspire a following, when other major world religious leaders lived to become highly revered elders in their communities? "Faith seeking understanding" is, according to Polkinghorne, like the scientific quest. Both are journeys of intellectual discovery in which those who survey experience from an initially chosen point of view must be open to correction in the light of further experience. "Religion," he writes, "has long known that ultimately every human image of God proves to be an inadequate idol." The Faith of a Physicist, based on the prestigious 1993 Gifford Lectures, delivers a powerful message to scientists and theologians, theists and atheists alike. Originally published in 1994. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The basic concern of the author is to find the reason for the persistent leftist character of French working-class politics in a period of rapid industrialization and improving living standards. Reanalyzing material from surveys made by two French organizations, he finds that increased affluence is correlated with changes in social structure that increase radicalism. As rural and small-town workers come into big cities and large plants, they are influenced by political activists who provide them with a Communist frame of reference for interpreting the meaning of new affluence. Originally published in 1967. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Niels Thorsen argues that Woodrow Wilson was one of America's most important political scientists. Focusing on the period from Wilson's early years until he was elected Governor of New Jersey, this work shows why he deserves a prominent place in the history of American political thought, even apart from his later attainments in the political arena. His book Congressional Government, his seminal article on "The Study of Public Administration," and his textbook on The State were important contributions during the formative years of academic political science in America. In contrast to those who propose psychological explanations of Wilson's early interest in political problems, Thorsen contends that the crisis of the election of 1876 against the backdrop of the Civil War was decisive in turning Wilson's attention to political ideas. Implying the abandonment of a more traditional form of political thought based on the social contract and on constitutionalism, egalitarianism, and common sense, Wilson linked his conclusions about the nature of politics to the rise of the social and economic sciences. Distinctive in his academic work were ideas about social and economic diversification as the condition for the growth of national power, and about political leadership asserted at home and abroad as a way to overcome traditional American fears about centralized power. Originally published in 1988. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The process of decolonization, the development of the nationalist movement, and the salient aspects of the emerging post-independence policy in the Congo since 1954 are studied. Special emphasis is given to the forces set loose by the Leopoldville explosion. Originally published in 1965. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

In this celebration of Milton Babbitt's art, Andrew Mead explores the development of a central figure in contemporary American music. As a teacher and writer, Babbitt has influenced two generations of students, including such notable musicians as Stephen Sondheim and Donald Martino. He has helped establish the study of music theory as a serious academic pursuit, and his articles on Schoenberg, Stravinsky, and the twelve-tone system constitute a seminal body of research. But Babbitt is first and last a composer, whose works are, in Mead's words, "truly music to be heard." With Mead as a guide, we discover the strong emotional and expressive charge of Babbitt's music that is inextricably entwined with its structure. Babbitt is a twelve-tone composer, unabashedly so, and it is precisely his profound understanding of Arnold Schoenberg's epochal insight that gives Babbitt's music its special quality. By examining the underlying principles of twelve-tone composition, Mead allows us to appreciate Babbitt's music on its own terms, as a richly varied yet unified body of work. In achieving this purpose, he provides an excellent introduction to twelve-tone music in general. Without relying on professional jargon, he lucidly and succinctly explains Babbitt's complexities. A catalog of compositions, a discography, and a bibliography complete a book that will interest performers, music theorists, and music historians, as well as other readers who are enthusiastic or curious about contemporary musical works. Originally published in 1994. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The six overlapping studies that make up this book on the poetry of Eugenio Montale analyze a large number of individual poems and, with Le occasioni (1939) as a point of reference, show how they shape and are shaped by changes and continuities that extend from the earliest poems of Ossi di seppia (1925) to the notoriously difficult poems in his culminating achievement, La bufera (1956). Originally published in 1983. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The message of Virgil's __Aeneid__ once seemed straightforward enough: the epic poem returned to Aeneas and the mythical beginnings of Rome in order to celebrate the city's present world power and to praise its new master, Augustus Caesar. Things changed when late twentieth-century readers saw the ancient poem expressing their own misgivings about empire and one-man rule. In this timely book, David Quint depicts a Virgil who consciously builds contradiction into the __Aeneid__. The literary trope of chiasmus, reversing and collapsing distinctions, returns as an organizing signature in Virgil's writing: a double cross for the reader inside the __Aeneid__'s story of nation, empire, and Caesarism. Uncovering verbal designs and allusions, layers of artfulness and connections to Roman history, Quint's accessible readings of the poem's famous episodes--the fall of Troy, the story of Dido, the trip to the Underworld, and the troubling killing of Turnus—disclose unsustainable distinctions between foreign war/civil war, Greek/Roman, enemy/lover, nature/culture, and victor/victim. The poem's form, Quint shows, imparts meanings it will not say directly. The __Aeneid__'s life-and-death issues—about how power represents itself in grand narratives, about the experience of the defeated and displaced, and about the ironies and revenges of history—resonate deeply in the twenty-first century. This new account of Virgil's masterpiece reveals how the __Aeneid__ conveys an ambivalence and complexity that speak to past and present.

Fiction criticism has a long and influential history in pre-modern China, where critics would read and reread certain novels with a concentration and fervor far exceeding that which most Western critics give to individual works. This volume, a source book for the study of traditional Chinese fiction criticism from the late sixteenth to the early twentieth centuries, presents translations of writings taken from the commentary editions of six of the most important novels of pre-modern China. These translations consist mainly of tu-fa, or "how-to-read" essays, which demonstrate sensitivity and depth of analysis both in the treatment of general problems concerning the reading of any work of fiction and in more focused discussions of particular compositional details in individual novels. The translations were produced by pioneers in the study of this form of fiction criticism in the West: Shuen-fu Lin, Andrew H. Plaks, David T. Roy, John C. Y. Wang, and Anthony C. Yu. Four introductory essays by Andrew H. Plaks and the editor address the historical background for this type of criticism, its early development, its formal features, recurrent terminology, and major interpretive strategies. A goal of this volume is to aid in the rediscovery of this traditional Chinese poetics of fiction and help eliminate some of the distortions encountered in the past by the imposition of Western theories of fiction on Chinese novels. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.