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结果集 1-21（总计 21）

lgli/Monelle, Raymond, - The Sense of Music (2000, Princeton University Press).azw3

The Sense of Music : Semiotic Essays Raymond Monelle; with a foreword by Robert Hatten Princeton University Press, Princeton University Press, Princeton, N.J., 2000

Annotation. The fictional Dr. Strabismus sets out to write a new comprehensive theory of music. But music's tendency to deconstruct itself combined with the complexities of postmodernism doom him to failure. This is the parable that frames The Sense of Music, a novel treatment of music theory that reinterprets the modern history of Western music in the terms of semiotics. Based on the assumption that music cannot be described without reference to its meaning, Raymond Monelle proposes that works of the Western classical tradition be analyzed in terms of temporality, subjectivity, and topic theory. Critical of the abstract analysis of musical scores, Monelle argues that the score does not reveal music's sense. That sense--what a piece of music says and signifies--can be understood only with reference to history, culture, and the other arts. Thus, music is meaningful in that it signifies cultural temporalities and themes, from the traditional manly heroism of the hunt to military power to postmodern "polyvocality." This theoretical innovation allows Monelle to describe how the Classical style of the eighteenth century--which he reads as a balance of lyric and progressive time--gave way to the Romantic need for emotional realism. He argues that irony and ambiguity subsequently eroded the domination of personal emotion in Western music as well as literature, killing the composer's subjectivity with that of the author. This leaves Dr. Strabismus suffering from the postmodern condition, and Raymond Monelle with an exciting, controversial new approach to understanding music and its history

更多信息……

英语 [en] · AZW3 · 0.7MB · 2000 · 📘 非小说类图书 · 🚀/lgli/zlib · Save

base score: 11048.0, final score: 17477.275

lgli/Monelle, Raymond, - The Sense of Music (2000, Princeton University Press).fb2

The Sense of Music : Semiotic Essays Raymond Monelle; with a foreword by Robert Hatten Princeton University Press, November 15, 2000

Annotation. The fictional Dr. Strabismus sets out to write a new comprehensive theory of music. But music's tendency to deconstruct itself combined with the complexities of postmodernism doom him to failure. This is the parable that frames The Sense of Music, a novel treatment of music theory that reinterprets the modern history of Western music in the terms of semiotics. Based on the assumption that music cannot be described without reference to its meaning, Raymond Monelle proposes that works of the Western classical tradition be analyzed in terms of temporality, subjectivity, and topic theory. Critical of the abstract analysis of musical scores, Monelle argues that the score does not reveal music's sense. That sense--what a piece of music says and signifies--can be understood only with reference to history, culture, and the other arts. Thus, music is meaningful in that it signifies cultural temporalities and themes, from the traditional manly heroism of the hunt to military power to postmodern "polyvocality." This theoretical innovation allows Monelle to describe how the Classical style of the eighteenth century--which he reads as a balance of lyric and progressive time--gave way to the Romantic need for emotional realism. He argues that irony and ambiguity subsequently eroded the domination of personal emotion in Western music as well as literature, killing the composer's subjectivity with that of the author. This leaves Dr. Strabismus suffering from the postmodern condition, and Raymond Monelle with an exciting, controversial new approach to understanding music and its history

更多信息……

英语 [en] · FB2 · 0.9MB · 2000 · 📘 非小说类图书 · 🚀/lgli/zlib · Save

base score: 11053.0, final score: 17477.178

lgli/Monelle, Raymond, - The Sense of Music (2000, Princeton University Press).mobi

The Sense of Music : Semiotic Essays Raymond Monelle; with a foreword by Robert Hatten Princeton University Press, Princeton University Press, Princeton, N.J., 2000

Annotation. The fictional Dr. Strabismus sets out to write a new comprehensive theory of music. But music's tendency to deconstruct itself combined with the complexities of postmodernism doom him to failure. This is the parable that frames The Sense of Music, a novel treatment of music theory that reinterprets the modern history of Western music in the terms of semiotics. Based on the assumption that music cannot be described without reference to its meaning, Raymond Monelle proposes that works of the Western classical tradition be analyzed in terms of temporality, subjectivity, and topic theory. Critical of the abstract analysis of musical scores, Monelle argues that the score does not reveal music's sense. That sense--what a piece of music says and signifies--can be understood only with reference to history, culture, and the other arts. Thus, music is meaningful in that it signifies cultural temporalities and themes, from the traditional manly heroism of the hunt to military power to postmodern "polyvocality." This theoretical innovation allows Monelle to describe how the Classical style of the eighteenth century--which he reads as a balance of lyric and progressive time--gave way to the Romantic need for emotional realism. He argues that irony and ambiguity subsequently eroded the domination of personal emotion in Western music as well as literature, killing the composer's subjectivity with that of the author. This leaves Dr. Strabismus suffering from the postmodern condition, and Raymond Monelle with an exciting, controversial new approach to understanding music and its history

更多信息……

英语 [en] · MOBI · 0.7MB · 2000 · 📘 非小说类图书 · 🚀/lgli/zlib · Save

base score: 11048.0, final score: 17476.777

ia/senseofmusicsemi0000mone.pdf

The Sense of Music : Semiotic Essays Raymond Monelle; with a foreword by Robert Hatten Princeton, N.J.: Princeton University Press, Princeton University Press, Princeton, N.J., 2000

Annotation. The fictional Dr. Strabismus sets out to write a new comprehensive theory of music. But music's tendency to deconstruct itself combined with the complexities of postmodernism doom him to failure. This is the parable that frames The Sense of Music, a novel treatment of music theory that reinterprets the modern history of Western music in the terms of semiotics. Based on the assumption that music cannot be described without reference to its meaning, Raymond Monelle proposes that works of the Western classical tradition be analyzed in terms of temporality, subjectivity, and topic theory. Critical of the abstract analysis of musical scores, Monelle argues that the score does not reveal music's sense. That sense--what a piece of music says and signifies--can be understood only with reference to history, culture, and the other arts. Thus, music is meaningful in that it signifies cultural temporalities and themes, from the traditional manly heroism of the hunt to military power to postmodern "polyvocality." This theoretical innovation allows Monelle to describe how the Classical style of the eighteenth century--which he reads as a balance of lyric and progressive time--gave way to the Romantic need for emotional realism. He argues that irony and ambiguity subsequently eroded the domination of personal emotion in Western music as well as literature, killing the composer's subjectivity with that of the author. This leaves Dr. Strabismus suffering from the postmodern condition, and Raymond Monelle with an exciting, controversial new approach to understanding music and its history

更多信息……

英语 [en] · PDF · 15.5MB · 2000 · 📗 未知类型的图书 · 🚀/ia · Save

base score: 11068.0, final score: 17476.414

lgli/Monelle, Raymond, - The Sense of Music (2000, Princeton University Press).mobi

The Sense of Music : Semiotic Essays Raymond Monelle; with a foreword by Robert Hatten Princeton University Press, November 15, 2000

Annotation. The fictional Dr. Strabismus sets out to write a new comprehensive theory of music. But music's tendency to deconstruct itself combined with the complexities of postmodernism doom him to failure. This is the parable that frames The Sense of Music, a novel treatment of music theory that reinterprets the modern history of Western music in the terms of semiotics. Based on the assumption that music cannot be described without reference to its meaning, Raymond Monelle proposes that works of the Western classical tradition be analyzed in terms of temporality, subjectivity, and topic theory. Critical of the abstract analysis of musical scores, Monelle argues that the score does not reveal music's sense. That sense--what a piece of music says and signifies--can be understood only with reference to history, culture, and the other arts. Thus, music is meaningful in that it signifies cultural temporalities and themes, from the traditional manly heroism of the hunt to military power to postmodern "polyvocality." This theoretical innovation allows Monelle to describe how the Classical style of the eighteenth century--which he reads as a balance of lyric and progressive time--gave way to the Romantic need for emotional realism. He argues that irony and ambiguity subsequently eroded the domination of personal emotion in Western music as well as literature, killing the composer's subjectivity with that of the author. This leaves Dr. Strabismus suffering from the postmodern condition, and Raymond Monelle with an exciting, controversial new approach to understanding music and its history

更多信息……

英语 [en] · MOBI · 0.7MB · 2000 · 📘 非小说类图书 · 🚀/lgli/zlib · Save

base score: 11048.0, final score: 17463.012

lgli/Monelle, Raymond, - The Sense of Music (2000, Princeton University Press).lit

The Sense of Music : Semiotic Essays Raymond Monelle; with a foreword by Robert Hatten Princeton University Press, November 15, 2000

Annotation. The fictional Dr. Strabismus sets out to write a new comprehensive theory of music. But music's tendency to deconstruct itself combined with the complexities of postmodernism doom him to failure. This is the parable that frames The Sense of Music, a novel treatment of music theory that reinterprets the modern history of Western music in the terms of semiotics. Based on the assumption that music cannot be described without reference to its meaning, Raymond Monelle proposes that works of the Western classical tradition be analyzed in terms of temporality, subjectivity, and topic theory. Critical of the abstract analysis of musical scores, Monelle argues that the score does not reveal music's sense. That sense--what a piece of music says and signifies--can be understood only with reference to history, culture, and the other arts. Thus, music is meaningful in that it signifies cultural temporalities and themes, from the traditional manly heroism of the hunt to military power to postmodern "polyvocality." This theoretical innovation allows Monelle to describe how the Classical style of the eighteenth century--which he reads as a balance of lyric and progressive time--gave way to the Romantic need for emotional realism. He argues that irony and ambiguity subsequently eroded the domination of personal emotion in Western music as well as literature, killing the composer's subjectivity with that of the author. This leaves Dr. Strabismus suffering from the postmodern condition, and Raymond Monelle with an exciting, controversial new approach to understanding music and its history

更多信息……

英语 [en] · LIT · 0.4MB · 2000 · 📘 非小说类图书 · 🚀/lgli/zlib · Save

base score: 11043.0, final score: 17462.871

lgli/Monelle, Raymond, - The Sense of Music (2000, Princeton University Press).azw3

The Sense of Music : Semiotic Essays Raymond Monelle; with a foreword by Robert Hatten Princeton University Press, November 15, 2000

Annotation. The fictional Dr. Strabismus sets out to write a new comprehensive theory of music. But music's tendency to deconstruct itself combined with the complexities of postmodernism doom him to failure. This is the parable that frames The Sense of Music, a novel treatment of music theory that reinterprets the modern history of Western music in the terms of semiotics. Based on the assumption that music cannot be described without reference to its meaning, Raymond Monelle proposes that works of the Western classical tradition be analyzed in terms of temporality, subjectivity, and topic theory. Critical of the abstract analysis of musical scores, Monelle argues that the score does not reveal music's sense. That sense--what a piece of music says and signifies--can be understood only with reference to history, culture, and the other arts. Thus, music is meaningful in that it signifies cultural temporalities and themes, from the traditional manly heroism of the hunt to military power to postmodern "polyvocality." This theoretical innovation allows Monelle to describe how the Classical style of the eighteenth century--which he reads as a balance of lyric and progressive time--gave way to the Romantic need for emotional realism. He argues that irony and ambiguity subsequently eroded the domination of personal emotion in Western music as well as literature, killing the composer's subjectivity with that of the author. This leaves Dr. Strabismus suffering from the postmodern condition, and Raymond Monelle with an exciting, controversial new approach to understanding music and its history

更多信息……

英语 [en] · AZW3 · 0.7MB · 2000 · 📘 非小说类图书 · 🚀/lgli/zlib · Save

base score: 11048.0, final score: 17462.695

lgli/Monelle, Raymond, - The Sense of Music (2000, Princeton University Press).epub

The Sense of Music : Semiotic Essays Raymond Monelle; with a foreword by Robert Hatten Princeton University Press, November 15, 2000

Annotation. The fictional Dr. Strabismus sets out to write a new comprehensive theory of music. But music's tendency to deconstruct itself combined with the complexities of postmodernism doom him to failure. This is the parable that frames The Sense of Music, a novel treatment of music theory that reinterprets the modern history of Western music in the terms of semiotics. Based on the assumption that music cannot be described without reference to its meaning, Raymond Monelle proposes that works of the Western classical tradition be analyzed in terms of temporality, subjectivity, and topic theory. Critical of the abstract analysis of musical scores, Monelle argues that the score does not reveal music's sense. That sense--what a piece of music says and signifies--can be understood only with reference to history, culture, and the other arts. Thus, music is meaningful in that it signifies cultural temporalities and themes, from the traditional manly heroism of the hunt to military power to postmodern "polyvocality." This theoretical innovation allows Monelle to describe how the Classical style of the eighteenth century--which he reads as a balance of lyric and progressive time--gave way to the Romantic need for emotional realism. He argues that irony and ambiguity subsequently eroded the domination of personal emotion in Western music as well as literature, killing the composer's subjectivity with that of the author. This leaves Dr. Strabismus suffering from the postmodern condition, and Raymond Monelle with an exciting, controversial new approach to understanding music and its history

更多信息……

英语 [en] · EPUB · 0.4MB · 2000 · 📘 非小说类图书 · 🚀/lgli/zlib · Save

base score: 11058.0, final score: 17462.68

lgli/Monelle, Raymond, - The Sense of Music (2000, Princeton University Press).pdf

The Sense of Music : Semiotic Essays Raymond Monelle; with a foreword by Robert Hatten Princeton University Press, November 15, 2000

Annotation. The fictional Dr. Strabismus sets out to write a new comprehensive theory of music. But music's tendency to deconstruct itself combined with the complexities of postmodernism doom him to failure. This is the parable that frames The Sense of Music, a novel treatment of music theory that reinterprets the modern history of Western music in the terms of semiotics. Based on the assumption that music cannot be described without reference to its meaning, Raymond Monelle proposes that works of the Western classical tradition be analyzed in terms of temporality, subjectivity, and topic theory. Critical of the abstract analysis of musical scores, Monelle argues that the score does not reveal music's sense. That sense--what a piece of music says and signifies--can be understood only with reference to history, culture, and the other arts. Thus, music is meaningful in that it signifies cultural temporalities and themes, from the traditional manly heroism of the hunt to military power to postmodern "polyvocality." This theoretical innovation allows Monelle to describe how the Classical style of the eighteenth century--which he reads as a balance of lyric and progressive time--gave way to the Romantic need for emotional realism. He argues that irony and ambiguity subsequently eroded the domination of personal emotion in Western music as well as literature, killing the composer's subjectivity with that of the author. This leaves Dr. Strabismus suffering from the postmodern condition, and Raymond Monelle with an exciting, controversial new approach to understanding music and its history

更多信息……

英语 [en] · PDF · 2.3MB · 2000 · 📘 非小说类图书 · 🚀/lgli/zlib · Save

base score: 11068.0, final score: 17462.68

lgli/Raymond Monelle Robert Hatten - The Sense Of Music Semiotic Essays Princeton University Press 2000.mobi

The Sense Of Music Semiotic Essays Princeton University Press 2000 Raymond Monelle; with a foreword by Robert Hatten Princeton University Press, Princeton University Press, Princeton, N.J., 2000

Annotation. The fictional Dr. Strabismus sets out to write a new comprehensive theory of music. But music's tendency to deconstruct itself combined with the complexities of postmodernism doom him to failure. This is the parable that frames The Sense of Music, a novel treatment of music theory that reinterprets the modern history of Western music in the terms of semiotics. Based on the assumption that music cannot be described without reference to its meaning, Raymond Monelle proposes that works of the Western classical tradition be analyzed in terms of temporality, subjectivity, and topic theory. Critical of the abstract analysis of musical scores, Monelle argues that the score does not reveal music's sense. That sense--what a piece of music says and signifies--can be understood only with reference to history, culture, and the other arts. Thus, music is meaningful in that it signifies cultural temporalities and themes, from the traditional manly heroism of the hunt to military power to postmodern "polyvocality." This theoretical innovation allows Monelle to describe how the Classical style of the eighteenth century--which he reads as a balance of lyric and progressive time--gave way to the Romantic need for emotional realism. He argues that irony and ambiguity subsequently eroded the domination of personal emotion in Western music as well as literature, killing the composer's subjectivity with that of the author. This leaves Dr. Strabismus suffering from the postmodern condition, and Raymond Monelle with an exciting, controversial new approach to understanding music and its history

更多信息……

英语 [en] · MOBI · 0.6MB · 2000 · 📘 非小说类图书 · 🚀/lgli/zlib · Save

base score: 11048.0, final score: 17462.586

lgli/Monelle, Raymond, - The Sense of Music (2000, Princeton University Press).lit

The Sense of Music : Semiotic Essays Raymond Monelle; with a foreword by Robert Hatten Princeton University Press, Princeton University Press, Princeton, N.J., 2000

Annotation. The fictional Dr. Strabismus sets out to write a new comprehensive theory of music. But music's tendency to deconstruct itself combined with the complexities of postmodernism doom him to failure. This is the parable that frames The Sense of Music, a novel treatment of music theory that reinterprets the modern history of Western music in the terms of semiotics. Based on the assumption that music cannot be described without reference to its meaning, Raymond Monelle proposes that works of the Western classical tradition be analyzed in terms of temporality, subjectivity, and topic theory. Critical of the abstract analysis of musical scores, Monelle argues that the score does not reveal music's sense. That sense--what a piece of music says and signifies--can be understood only with reference to history, culture, and the other arts. Thus, music is meaningful in that it signifies cultural temporalities and themes, from the traditional manly heroism of the hunt to military power to postmodern "polyvocality." This theoretical innovation allows Monelle to describe how the Classical style of the eighteenth century--which he reads as a balance of lyric and progressive time--gave way to the Romantic need for emotional realism. He argues that irony and ambiguity subsequently eroded the domination of personal emotion in Western music as well as literature, killing the composer's subjectivity with that of the author. This leaves Dr. Strabismus suffering from the postmodern condition, and Raymond Monelle with an exciting, controversial new approach to understanding music and its history

更多信息……

英语 [en] · LIT · 0.4MB · 2000 · 📘 非小说类图书 · 🚀/lgli/zlib · Save

base score: 11043.0, final score: 17462.582

lgli/Raymond Monelle - The Sense of Music (2021, ).fb2

The Sense of Music : Semiotic Essays Raymond Monelle; with a foreword by Robert Hatten Princeton University Press, Princeton University Press, Princeton, N.J., 2000

Annotation. The fictional Dr. Strabismus sets out to write a new comprehensive theory of music. But music's tendency to deconstruct itself combined with the complexities of postmodernism doom him to failure. This is the parable that frames The Sense of Music, a novel treatment of music theory that reinterprets the modern history of Western music in the terms of semiotics. Based on the assumption that music cannot be described without reference to its meaning, Raymond Monelle proposes that works of the Western classical tradition be analyzed in terms of temporality, subjectivity, and topic theory. Critical of the abstract analysis of musical scores, Monelle argues that the score does not reveal music's sense. That sense--what a piece of music says and signifies--can be understood only with reference to history, culture, and the other arts. Thus, music is meaningful in that it signifies cultural temporalities and themes, from the traditional manly heroism of the hunt to military power to postmodern "polyvocality." This theoretical innovation allows Monelle to describe how the Classical style of the eighteenth century--which he reads as a balance of lyric and progressive time--gave way to the Romantic need for emotional realism. He argues that irony and ambiguity subsequently eroded the domination of personal emotion in Western music as well as literature, killing the composer's subjectivity with that of the author. This leaves Dr. Strabismus suffering from the postmodern condition, and Raymond Monelle with an exciting, controversial new approach to understanding music and its history

更多信息……

英语 [en] · FB2 · 0.9MB · 2000 · 📘 非小说类图书 · 🚀/lgli/zlib · Save

base score: 11053.0, final score: 17462.346

lgli/Raymond Monelle Robert Hatten - The Sense Of Music Semiotic Essays Princeton University Press 2000.azw3

The Sense Of Music Semiotic Essays Princeton University Press 2000 Raymond Monelle; with a foreword by Robert Hatten Princeton University Press, Princeton University Press, Princeton, N.J., 2000

Annotation. The fictional Dr. Strabismus sets out to write a new comprehensive theory of music. But music's tendency to deconstruct itself combined with the complexities of postmodernism doom him to failure. This is the parable that frames The Sense of Music, a novel treatment of music theory that reinterprets the modern history of Western music in the terms of semiotics. Based on the assumption that music cannot be described without reference to its meaning, Raymond Monelle proposes that works of the Western classical tradition be analyzed in terms of temporality, subjectivity, and topic theory. Critical of the abstract analysis of musical scores, Monelle argues that the score does not reveal music's sense. That sense--what a piece of music says and signifies--can be understood only with reference to history, culture, and the other arts. Thus, music is meaningful in that it signifies cultural temporalities and themes, from the traditional manly heroism of the hunt to military power to postmodern "polyvocality." This theoretical innovation allows Monelle to describe how the Classical style of the eighteenth century--which he reads as a balance of lyric and progressive time--gave way to the Romantic need for emotional realism. He argues that irony and ambiguity subsequently eroded the domination of personal emotion in Western music as well as literature, killing the composer's subjectivity with that of the author. This leaves Dr. Strabismus suffering from the postmodern condition, and Raymond Monelle with an exciting, controversial new approach to understanding music and its history

更多信息……

英语 [en] · AZW3 · 0.7MB · 2000 · 📘 非小说类图书 · 🚀/lgli/zlib · Save

base score: 11048.0, final score: 17462.285

lgli/Raymond Monelle Robert Hatten - The Sense Of Music Semiotic Essays Princeton University Press 2000.pdf

The Sense of Music : Semiotic Essays Raymond Monelle; with a foreword by Robert Hatten Princeton University Press, Princeton University Press, Princeton, N.J., 2000

Annotation. The fictional Dr. Strabismus sets out to write a new comprehensive theory of music. But music's tendency to deconstruct itself combined with the complexities of postmodernism doom him to failure. This is the parable that frames The Sense of Music, a novel treatment of music theory that reinterprets the modern history of Western music in the terms of semiotics. Based on the assumption that music cannot be described without reference to its meaning, Raymond Monelle proposes that works of the Western classical tradition be analyzed in terms of temporality, subjectivity, and topic theory. Critical of the abstract analysis of musical scores, Monelle argues that the score does not reveal music's sense. That sense--what a piece of music says and signifies--can be understood only with reference to history, culture, and the other arts. Thus, music is meaningful in that it signifies cultural temporalities and themes, from the traditional manly heroism of the hunt to military power to postmodern "polyvocality." This theoretical innovation allows Monelle to describe how the Classical style of the eighteenth century--which he reads as a balance of lyric and progressive time--gave way to the Romantic need for emotional realism. He argues that irony and ambiguity subsequently eroded the domination of personal emotion in Western music as well as literature, killing the composer's subjectivity with that of the author. This leaves Dr. Strabismus suffering from the postmodern condition, and Raymond Monelle with an exciting, controversial new approach to understanding music and its history

更多信息……

英语 [en] · PDF · 2.3MB · 2000 · 📘 非小说类图书 · 🚀/lgli/zlib · Save

base score: 11068.0, final score: 17462.28

lgli/Monelle, Raymond, - The Sense of Music (2000, Princeton University Press).rtf

The Sense of Music : Semiotic Essays Raymond Monelle; with a foreword by Robert Hatten Princeton University Press, Princeton University Press, Princeton, N.J., 2000

Annotation. The fictional Dr. Strabismus sets out to write a new comprehensive theory of music. But music's tendency to deconstruct itself combined with the complexities of postmodernism doom him to failure. This is the parable that frames The Sense of Music, a novel treatment of music theory that reinterprets the modern history of Western music in the terms of semiotics. Based on the assumption that music cannot be described without reference to its meaning, Raymond Monelle proposes that works of the Western classical tradition be analyzed in terms of temporality, subjectivity, and topic theory. Critical of the abstract analysis of musical scores, Monelle argues that the score does not reveal music's sense. That sense--what a piece of music says and signifies--can be understood only with reference to history, culture, and the other arts. Thus, music is meaningful in that it signifies cultural temporalities and themes, from the traditional manly heroism of the hunt to military power to postmodern "polyvocality." This theoretical innovation allows Monelle to describe how the Classical style of the eighteenth century--which he reads as a balance of lyric and progressive time--gave way to the Romantic need for emotional realism. He argues that irony and ambiguity subsequently eroded the domination of personal emotion in Western music as well as literature, killing the composer's subjectivity with that of the author. This leaves Dr. Strabismus suffering from the postmodern condition, and Raymond Monelle with an exciting, controversial new approach to understanding music and its history

更多信息……

英语 [en] · RTF · 1.2MB · 2000 · 📘 非小说类图书 · 🚀/lgli/zlib · Save

base score: 11048.0, final score: 17462.28

lgli/Raymond Monelle; Robert Hatten (forward) - The Sense Of Music: Semiotic Essays.epub

The Sense of Music : Semiotic Essays Raymond Monelle; Robert Hatten (forward) Princeton University Press, Princeton University Press, Princeton, N.J., 2000

Annotation. The fictional Dr. Strabismus sets out to write a new comprehensive theory of music. But music's tendency to deconstruct itself combined with the complexities of postmodernism doom him to failure. This is the parable that frames The Sense of Music, a novel treatment of music theory that reinterprets the modern history of Western music in the terms of semiotics. Based on the assumption that music cannot be described without reference to its meaning, Raymond Monelle proposes that works of the Western classical tradition be analyzed in terms of temporality, subjectivity, and topic theory. Critical of the abstract analysis of musical scores, Monelle argues that the score does not reveal music's sense. That sense--what a piece of music says and signifies--can be understood only with reference to history, culture, and the other arts. Thus, music is meaningful in that it signifies cultural temporalities and themes, from the traditional manly heroism of the hunt to military power to postmodern "polyvocality." This theoretical innovation allows Monelle to describe how the Classical style of the eighteenth century--which he reads as a balance of lyric and progressive time--gave way to the Romantic need for emotional realism. He argues that irony and ambiguity subsequently eroded the domination of personal emotion in Western music as well as literature, killing the composer's subjectivity with that of the author. This leaves Dr. Strabismus suffering from the postmodern condition, and Raymond Monelle with an exciting, controversial new approach to understanding music and its history

更多信息……

英语 [en] · EPUB · 0.4MB · 2000 · 📘 非小说类图书 · 🚀/lgli/zlib · Save

base score: 11058.0, final score: 17462.16

lgli/Unknown - Raymond Monelle Robert Hatten The Sense Of Music Semiotic Essays Princeton University Press 2000.lit

Raymond Monelle Robert Hatten The Sense Of Music Semiotic Essays Princeton University Press 2000 Raymond Monelle; with a foreword by Robert Hatten Princeton University Press, Princeton University Press, Princeton, N.J., 2000

Annotation. The fictional Dr. Strabismus sets out to write a new comprehensive theory of music. But music's tendency to deconstruct itself combined with the complexities of postmodernism doom him to failure. This is the parable that frames The Sense of Music, a novel treatment of music theory that reinterprets the modern history of Western music in the terms of semiotics. Based on the assumption that music cannot be described without reference to its meaning, Raymond Monelle proposes that works of the Western classical tradition be analyzed in terms of temporality, subjectivity, and topic theory. Critical of the abstract analysis of musical scores, Monelle argues that the score does not reveal music's sense. That sense--what a piece of music says and signifies--can be understood only with reference to history, culture, and the other arts. Thus, music is meaningful in that it signifies cultural temporalities and themes, from the traditional manly heroism of the hunt to military power to postmodern "polyvocality." This theoretical innovation allows Monelle to describe how the Classical style of the eighteenth century--which he reads as a balance of lyric and progressive time--gave way to the Romantic need for emotional realism. He argues that irony and ambiguity subsequently eroded the domination of personal emotion in Western music as well as literature, killing the composer's subjectivity with that of the author. This leaves Dr. Strabismus suffering from the postmodern condition, and Raymond Monelle with an exciting, controversial new approach to understanding music and its history

更多信息……

英语 [en] · LIT · 0.4MB · 2000 · 📘 非小说类图书 · 🚀/lgli/zlib · Save

base score: 11043.0, final score: 17461.951

lgli/Raymond Monelle Robert Hatten - The Sense Of Music Semiotic Essays Princeton University Press 2000.fb2

The Sense Of Music Semiotic Essays Princeton University Press 2000 Raymond Monelle; with a foreword by Robert Hatten Princeton University Press, Princeton University Press, Princeton, N.J., 2000

Annotation. The fictional Dr. Strabismus sets out to write a new comprehensive theory of music. But music's tendency to deconstruct itself combined with the complexities of postmodernism doom him to failure. This is the parable that frames The Sense of Music, a novel treatment of music theory that reinterprets the modern history of Western music in the terms of semiotics. Based on the assumption that music cannot be described without reference to its meaning, Raymond Monelle proposes that works of the Western classical tradition be analyzed in terms of temporality, subjectivity, and topic theory. Critical of the abstract analysis of musical scores, Monelle argues that the score does not reveal music's sense. That sense--what a piece of music says and signifies--can be understood only with reference to history, culture, and the other arts. Thus, music is meaningful in that it signifies cultural temporalities and themes, from the traditional manly heroism of the hunt to military power to postmodern "polyvocality." This theoretical innovation allows Monelle to describe how the Classical style of the eighteenth century--which he reads as a balance of lyric and progressive time--gave way to the Romantic need for emotional realism. He argues that irony and ambiguity subsequently eroded the domination of personal emotion in Western music as well as literature, killing the composer's subjectivity with that of the author. This leaves Dr. Strabismus suffering from the postmodern condition, and Raymond Monelle with an exciting, controversial new approach to understanding music and its history

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英语 [en] · FB2 · 0.9MB · 2000 · 📘 非小说类图书 · 🚀/lgli/zlib · Save

base score: 11053.0, final score: 17461.951

nexusstc/The Sense of Music/b3a3d5d56d2c62f284b32a018f868767.pdf

The Sense of Music : Semiotic Essays Raymond Monelle; with a foreword by Robert Hatten Princeton University Press, Princeton University Press, Princeton, N.J., 2000

Annotation. The fictional Dr. Strabismus sets out to write a new comprehensive theory of music. But music's tendency to deconstruct itself combined with the complexities of postmodernism doom him to failure. This is the parable that frames The Sense of Music, a novel treatment of music theory that reinterprets the modern history of Western music in the terms of semiotics. Based on the assumption that music cannot be described without reference to its meaning, Raymond Monelle proposes that works of the Western classical tradition be analyzed in terms of temporality, subjectivity, and topic theory. Critical of the abstract analysis of musical scores, Monelle argues that the score does not reveal music's sense. That sense--what a piece of music says and signifies--can be understood only with reference to history, culture, and the other arts. Thus, music is meaningful in that it signifies cultural temporalities and themes, from the traditional manly heroism of the hunt to military power to postmodern "polyvocality." This theoretical innovation allows Monelle to describe how the Classical style of the eighteenth century--which he reads as a balance of lyric and progressive time--gave way to the Romantic need for emotional realism. He argues that irony and ambiguity subsequently eroded the domination of personal emotion in Western music as well as literature, killing the composer's subjectivity with that of the author. This leaves Dr. Strabismus suffering from the postmodern condition, and Raymond Monelle with an exciting, controversial new approach to understanding music and its history

更多信息……

英语 [en] · PDF · 1.1MB · 2000 · 📘 非小说类图书 · 🚀/lgli/lgrs/nexusstc/zlib · Save

base score: 11060.0, final score: 17459.773

nexusstc/The Sense of Music/bcab8b1a4e71be0898ba4e92ac5f4135.pdf

The Sense of Music : Semiotic Essays Raymond Monelle; with a foreword by Robert Hatten Princeton University Press, Princeton University Press, Princeton, N.J., 2000

Annotation. The fictional Dr. Strabismus sets out to write a new comprehensive theory of music. But music's tendency to deconstruct itself combined with the complexities of postmodernism doom him to failure. This is the parable that frames The Sense of Music, a novel treatment of music theory that reinterprets the modern history of Western music in the terms of semiotics. Based on the assumption that music cannot be described without reference to its meaning, Raymond Monelle proposes that works of the Western classical tradition be analyzed in terms of temporality, subjectivity, and topic theory. Critical of the abstract analysis of musical scores, Monelle argues that the score does not reveal music's sense. That sense--what a piece of music says and signifies--can be understood only with reference to history, culture, and the other arts. Thus, music is meaningful in that it signifies cultural temporalities and themes, from the traditional manly heroism of the hunt to military power to postmodern "polyvocality." This theoretical innovation allows Monelle to describe how the Classical style of the eighteenth century--which he reads as a balance of lyric and progressive time--gave way to the Romantic need for emotional realism. He argues that irony and ambiguity subsequently eroded the domination of personal emotion in Western music as well as literature, killing the composer's subjectivity with that of the author. This leaves Dr. Strabismus suffering from the postmodern condition, and Raymond Monelle with an exciting, controversial new approach to understanding music and its history

更多信息……

英语 [en] · PDF · 1.4MB · 2000 · 📘 非小说类图书 · 🚀/lgli/lgrs/nexusstc/zlib · Save

base score: 11065.0, final score: 17459.504

upload/alexandrina/Collections/Project-Muse/Princeton University Press/The Sense of Music- Semiotic Essays.pdf

The Sense of Music : Semiotic Essays Hatten, Robert S.;Monelle, Raymond Princeton University Press, 2018

Cover 1 Title Page, Frontispiece, Copyright, Dedication, Quote 2 Contents 10 Foreword 12 Preface 16 1 The Wordless Song 20 2 The Search for Topics 31 3 Topic and Leitmotiv 58 4 The Temporal Image 98 5 Genre and Structure 132 6 Text and Subjectivity 164 7 Mahler and Gustav 187 8 Allegory and Deconstruction 213 9 New Beginnings 244 Bibliography 250 Index 260 Publisher:Princeton University Press,Published:2010,ISBN:9781400824038,Related ISBN:9780691057163,Language:English,OCLC:52256483 The fictional Dr. Strabismus sets out to write a new comprehensive theory of music. But music's tendency to deconstruct itself combined with the complexities of postmodernism doom him to failure. This is the parable that frames The Sense of Music, a novel treatment of music theory that reinterprets the modern history of Western music in the terms of semiotics. Based on the assumption that music cannot be described without reference to its meaning, Raymond Monelle proposes that works of the Western classical tradition be analyzed in terms of temporality, subjectivity, and topic theory. Critical of the abstract analysis of musical scores, Monelle argues that the score does not reveal music's sense. That sense--what a piece of music says and signifies--can be understood only with reference to history, culture, and the other arts. Thus, music is meaningful in that it signifies cultural temporalities and themes, from the traditional manly heroism of the hunt to military power to postmodern "polyvocality." This theoretical innovation allows Monelle to describe how the Classical style of the eighteenth century--which he reads as a balance of lyric and progressive time--gave way to the Romantic need for emotional realism. He argues that irony and ambiguity subsequently eroded the domination of personal emotion in Western music as well as literature, killing the composer's subjectivity with that of the author. This leaves Dr. Strabismus suffering from the postmodern condition, and Raymond Monelle with an exciting, controversial new approach to understanding music and its history.

更多信息……

英语 [en] · PDF · 2.3MB · 2018 · 📘 非小说类图书 · 🚀/lgli/upload/zlib · Save

base score: 11065.0, final score: 17458.488

8 部分匹配

duxiu/initial_release/12184205.zip

旅途无忧应急汉语马均,刘海燕,宋燕坤编著, 马均, 刘海燕, 宋燕坤编著 , 胡凝译, 马均, 刘海燕, 宋燕坤, 胡凝, Jun Ma, Haiyan Liu, Yankun Song 北京:北京语言大学出版社, 2009, 2009

1 (p1): 汉语拼音小常识1 (p2): 缩略语表1 (p3): 第一单元肢体语言9 (p4): 第二单元问候17 (p5): 第三单元感谢27 (p6): 第四单元请求37 (p7): 第五单元道歉47 (p8): 第六单元介绍57 (p9): 第七单元饭店71 (p10): 第八单元银行、邮局83 (p11): 第九单元饭馆97 (p12): 第十单元交通111 (p13): 第十一单元出行125 (p14): 第十二单元交谈137 (p15): 第十三单元购物151 (p16): 第十四单元意外165 (p17): 第十五单元参观179 (p18): 第十六单元旅游191 (p19): 第十七单元商谈203 (p20): 第十八单元机场216 (p21): 附录216 (p21-1): 中国世界遗产名录220 (p21-2): 部分中国著名旅游地点222 (p21-3): 北京部分急用、常用电话223 (p21-4): 部分北京旅馆227 (p21-5): 主要驻京外交使闭电话230 (p21-6): 主要换算单位231 (p21-7): 中国传统及重大节日表232 (p21-8): 中国历代年表234 (p21-9): 中国部分大学网址237 (p21-10): “黄金”句型253 (p21-11): 词汇表283 (p21-12): 补充生词及词组297 (p21-13): 部分练习参考答案本书不仅能帮助读者解决一些语言交流上存在的问题, 而且还能让读者了解一些汉语的基础知识, 中国文化以及在中国旅游期间生活方面的小知识和信息

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中文 [zh] · PDF · 38.2MB · 2009 · 📗 未知类型的图书 · 🚀/duxiu/zlibzh · Save

base score: 11060.0, final score: 21.487896

hathi/nyp/pairtree_root/33/43/30/74/94/08/61/33433074940861/33433074940861.zip

The adventures of Tom Sawyer / by Mark Twain. Twain, Mark, 1835-1910. American Pub. Co., 1881, c1875., Connecticut, 1875

英语 [en] · ZIP · 0.3MB · 1875 · 📗 未知类型的图书 · 🚀/hathi · Save

base score: 10937.0, final score: 3.7126667

hathi/njp/pairtree_root/32/10/10/67/48/99/38/32101067489938/32101067489938.zip

El ingenioso hidalgo Don Quixote de la Mancha ... Cervantes Saavedra, Miguel de, 1547-1616. Tournachon-Molin, 1810., Spain

西班牙语 [es] · ZIP · 0.3MB · 1810 · 📗 未知类型的图书 · 🚀/hathi · Save

base score: 10932.0, final score: 3.704951

ia/orgueiletprejuge0000aust.pdf

Orgueil Et Prejuges (French Edition) traduit de l'anglais par V. Leconte et Ch. Pressoir; préface de Virginia Woolf; note bibliographique par Jacques Roubaud Christian Bourgois Éditeur, Domaine Etranger, N° 1505, Paris, France, France, 1996

Pride and Prejudice is an 1813 novel of manners written by Jane Austen. The novel follows the character development of Elizabeth Bennet, the dynamic protagonist of the book who learns about the repercussions of hasty judgments and comes to appreciate the difference between superficial goodness and actual goodness. Mr. Bennet, owner of the Longbourn estate in Hertfordshire, has five daughters, but his property is entailed and can only be passed to a male heir. His wife also lacks an inheritance, so his family faces becoming very poor upon his death. Thus, it is imperative that at least one of the girls marry well to support the others, which is a motivation that drives the plot.

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法语 [fr] · PDF · 11.1MB · 1996 · 📗 未知类型的图书 · 🚀/ia · Save

base score: 11063.0, final score: 3.7025461

hathi/njp/pairtree_root/32/10/10/67/48/99/20/32101067489920/32101067489920.zip

El ingenioso hidalgo Don Quixote de la Mancha ... Cervantes Saavedra, Miguel de, 1547-1616. Tournachon-Molin, 1810., Spain

西班牙语 [es] · ZIP · 0.4MB · 1810 · 📗 未知类型的图书 · 🚀/hathi · Save

base score: 10932.0, final score: 3.7021284

ia/treasureisland0000stev_f7t8.pdf

Treasure Island (Everyman's Library Children's Classics) Robert Louis Stevenson; Mervyn Peake London: Everyman's Library Children's Classics, Everyman's Library Children's Classics Series, New ed, London, c1992

Traditionally considered a coming-of-age story, Treasure Island is an adventure tale known for its atmosphere, characters and action, and also as a wry commentary on the ambiguity of morality — as seen in Long John Silver — unusual for children's literature then and now. It is one of the most frequently dramatized of all novels. The influence of Treasure Island on popular perceptions of pirates is enormous, including treasure maps marked with an "X", schooners, the Black Spot, tropical islands, and one-legged seamen carrying parrots on their shoulders

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英语 [en] · PDF · 18.4MB · 1992 · 📗 未知类型的图书 · 🚀/ia · Save

base score: 11068.0, final score: 3.7014863

ia/tangmusuoyalixia0000unse_k1a7.pdf

汤姆·索亚历险记 = The Adventures of Tom Sawyer Make Tuwen zhu ; Beijing: Beijing Daily Press, míng jiā míng yì shì jiè jīng diǎn wén xué míng zhù, Di 1 ban, Beijing, China, 2016

247 pages ; 22 cm Parallel text in Chinese and Hanyu Pinyin

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中文 [zh] · PDF · 19.2MB · 2016 · 📗 未知类型的图书 · 🚀/ia · Save

base score: 11063.0, final score: 3.7007656

lgli/Jane Austen [Austen, Jane] - Sanditon (Newton Compton editori).epub

Sanditon Jane Austen [Austen, Jane] Newton Compton editori, Universale economica, 3. ed, Milano, 2013

意大利语 [it] · EPUB · 0.2MB · 2013 · 📕 小说类图书 · 🚀/lgli/zlib · Save

base score: 11050.0, final score: 3.6997318

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