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结果集 1-21（总计 21）

lgli/Monelle, Raymond, - The Sense of Music (2000, Princeton University Press).azw3

The Sense of Music : Semiotic Essays Raymond Monelle; with a foreword by Robert Hatten Princeton University Press, Princeton University Press, Princeton, N.J., 2000

Annotation. The fictional Dr. Strabismus sets out to write a new comprehensive theory of music. But music's tendency to deconstruct itself combined with the complexities of postmodernism doom him to failure. This is the parable that frames The Sense of Music, a novel treatment of music theory that reinterprets the modern history of Western music in the terms of semiotics. Based on the assumption that music cannot be described without reference to its meaning, Raymond Monelle proposes that works of the Western classical tradition be analyzed in terms of temporality, subjectivity, and topic theory. Critical of the abstract analysis of musical scores, Monelle argues that the score does not reveal music's sense. That sense--what a piece of music says and signifies--can be understood only with reference to history, culture, and the other arts. Thus, music is meaningful in that it signifies cultural temporalities and themes, from the traditional manly heroism of the hunt to military power to postmodern "polyvocality." This theoretical innovation allows Monelle to describe how the Classical style of the eighteenth century--which he reads as a balance of lyric and progressive time--gave way to the Romantic need for emotional realism. He argues that irony and ambiguity subsequently eroded the domination of personal emotion in Western music as well as literature, killing the composer's subjectivity with that of the author. This leaves Dr. Strabismus suffering from the postmodern condition, and Raymond Monelle with an exciting, controversial new approach to understanding music and its history

更多信息……

英语 [en] · AZW3 · 0.7MB · 2000 · 📘 非小说类图书 · 🚀/lgli/zlib · Save

base score: 11048.0, final score: 17482.367

lgli/Monelle, Raymond, - The Sense of Music (2000, Princeton University Press).fb2

The Sense of Music : Semiotic Essays Raymond Monelle; with a foreword by Robert Hatten Princeton University Press, November 15, 2000

Annotation. The fictional Dr. Strabismus sets out to write a new comprehensive theory of music. But music's tendency to deconstruct itself combined with the complexities of postmodernism doom him to failure. This is the parable that frames The Sense of Music, a novel treatment of music theory that reinterprets the modern history of Western music in the terms of semiotics. Based on the assumption that music cannot be described without reference to its meaning, Raymond Monelle proposes that works of the Western classical tradition be analyzed in terms of temporality, subjectivity, and topic theory. Critical of the abstract analysis of musical scores, Monelle argues that the score does not reveal music's sense. That sense--what a piece of music says and signifies--can be understood only with reference to history, culture, and the other arts. Thus, music is meaningful in that it signifies cultural temporalities and themes, from the traditional manly heroism of the hunt to military power to postmodern "polyvocality." This theoretical innovation allows Monelle to describe how the Classical style of the eighteenth century--which he reads as a balance of lyric and progressive time--gave way to the Romantic need for emotional realism. He argues that irony and ambiguity subsequently eroded the domination of personal emotion in Western music as well as literature, killing the composer's subjectivity with that of the author. This leaves Dr. Strabismus suffering from the postmodern condition, and Raymond Monelle with an exciting, controversial new approach to understanding music and its history

更多信息……

英语 [en] · FB2 · 0.9MB · 2000 · 📘 非小说类图书 · 🚀/lgli/zlib · Save

base score: 11053.0, final score: 17482.078

lgli/Monelle, Raymond, - The Sense of Music (2000, Princeton University Press).mobi

The Sense of Music : Semiotic Essays Raymond Monelle; with a foreword by Robert Hatten Princeton University Press, Princeton University Press, Princeton, N.J., 2000

Annotation. The fictional Dr. Strabismus sets out to write a new comprehensive theory of music. But music's tendency to deconstruct itself combined with the complexities of postmodernism doom him to failure. This is the parable that frames The Sense of Music, a novel treatment of music theory that reinterprets the modern history of Western music in the terms of semiotics. Based on the assumption that music cannot be described without reference to its meaning, Raymond Monelle proposes that works of the Western classical tradition be analyzed in terms of temporality, subjectivity, and topic theory. Critical of the abstract analysis of musical scores, Monelle argues that the score does not reveal music's sense. That sense--what a piece of music says and signifies--can be understood only with reference to history, culture, and the other arts. Thus, music is meaningful in that it signifies cultural temporalities and themes, from the traditional manly heroism of the hunt to military power to postmodern "polyvocality." This theoretical innovation allows Monelle to describe how the Classical style of the eighteenth century--which he reads as a balance of lyric and progressive time--gave way to the Romantic need for emotional realism. He argues that irony and ambiguity subsequently eroded the domination of personal emotion in Western music as well as literature, killing the composer's subjectivity with that of the author. This leaves Dr. Strabismus suffering from the postmodern condition, and Raymond Monelle with an exciting, controversial new approach to understanding music and its history

更多信息……

英语 [en] · MOBI · 0.7MB · 2000 · 📘 非小说类图书 · 🚀/lgli/zlib · Save

base score: 11048.0, final score: 17481.582

ia/senseofmusicsemi0000mone.pdf

The Sense of Music : Semiotic Essays Raymond Monelle; with a foreword by Robert Hatten Princeton, N.J.: Princeton University Press, Princeton University Press, Princeton, N.J., 2000

Annotation. The fictional Dr. Strabismus sets out to write a new comprehensive theory of music. But music's tendency to deconstruct itself combined with the complexities of postmodernism doom him to failure. This is the parable that frames The Sense of Music, a novel treatment of music theory that reinterprets the modern history of Western music in the terms of semiotics. Based on the assumption that music cannot be described without reference to its meaning, Raymond Monelle proposes that works of the Western classical tradition be analyzed in terms of temporality, subjectivity, and topic theory. Critical of the abstract analysis of musical scores, Monelle argues that the score does not reveal music's sense. That sense--what a piece of music says and signifies--can be understood only with reference to history, culture, and the other arts. Thus, music is meaningful in that it signifies cultural temporalities and themes, from the traditional manly heroism of the hunt to military power to postmodern "polyvocality." This theoretical innovation allows Monelle to describe how the Classical style of the eighteenth century--which he reads as a balance of lyric and progressive time--gave way to the Romantic need for emotional realism. He argues that irony and ambiguity subsequently eroded the domination of personal emotion in Western music as well as literature, killing the composer's subjectivity with that of the author. This leaves Dr. Strabismus suffering from the postmodern condition, and Raymond Monelle with an exciting, controversial new approach to understanding music and its history

更多信息……

英语 [en] · PDF · 15.5MB · 2000 · 📗 未知类型的图书 · 🚀/ia · Save

base score: 11068.0, final score: 17481.121

lgli/Monelle, Raymond, - The Sense of Music (2000, Princeton University Press).mobi

The Sense of Music : Semiotic Essays Raymond Monelle; with a foreword by Robert Hatten Princeton University Press, November 15, 2000

Annotation. The fictional Dr. Strabismus sets out to write a new comprehensive theory of music. But music's tendency to deconstruct itself combined with the complexities of postmodernism doom him to failure. This is the parable that frames The Sense of Music, a novel treatment of music theory that reinterprets the modern history of Western music in the terms of semiotics. Based on the assumption that music cannot be described without reference to its meaning, Raymond Monelle proposes that works of the Western classical tradition be analyzed in terms of temporality, subjectivity, and topic theory. Critical of the abstract analysis of musical scores, Monelle argues that the score does not reveal music's sense. That sense--what a piece of music says and signifies--can be understood only with reference to history, culture, and the other arts. Thus, music is meaningful in that it signifies cultural temporalities and themes, from the traditional manly heroism of the hunt to military power to postmodern "polyvocality." This theoretical innovation allows Monelle to describe how the Classical style of the eighteenth century--which he reads as a balance of lyric and progressive time--gave way to the Romantic need for emotional realism. He argues that irony and ambiguity subsequently eroded the domination of personal emotion in Western music as well as literature, killing the composer's subjectivity with that of the author. This leaves Dr. Strabismus suffering from the postmodern condition, and Raymond Monelle with an exciting, controversial new approach to understanding music and its history

更多信息……

英语 [en] · MOBI · 0.7MB · 2000 · 📘 非小说类图书 · 🚀/lgli/zlib · Save

base score: 11048.0, final score: 17468.215

lgli/Monelle, Raymond, - The Sense of Music (2000, Princeton University Press).lit

The Sense of Music : Semiotic Essays Raymond Monelle; with a foreword by Robert Hatten Princeton University Press, November 15, 2000

Annotation. The fictional Dr. Strabismus sets out to write a new comprehensive theory of music. But music's tendency to deconstruct itself combined with the complexities of postmodernism doom him to failure. This is the parable that frames The Sense of Music, a novel treatment of music theory that reinterprets the modern history of Western music in the terms of semiotics. Based on the assumption that music cannot be described without reference to its meaning, Raymond Monelle proposes that works of the Western classical tradition be analyzed in terms of temporality, subjectivity, and topic theory. Critical of the abstract analysis of musical scores, Monelle argues that the score does not reveal music's sense. That sense--what a piece of music says and signifies--can be understood only with reference to history, culture, and the other arts. Thus, music is meaningful in that it signifies cultural temporalities and themes, from the traditional manly heroism of the hunt to military power to postmodern "polyvocality." This theoretical innovation allows Monelle to describe how the Classical style of the eighteenth century--which he reads as a balance of lyric and progressive time--gave way to the Romantic need for emotional realism. He argues that irony and ambiguity subsequently eroded the domination of personal emotion in Western music as well as literature, killing the composer's subjectivity with that of the author. This leaves Dr. Strabismus suffering from the postmodern condition, and Raymond Monelle with an exciting, controversial new approach to understanding music and its history

更多信息……

英语 [en] · LIT · 0.4MB · 2000 · 📘 非小说类图书 · 🚀/lgli/zlib · Save

base score: 11043.0, final score: 17468.041

lgli/Monelle, Raymond, - The Sense of Music (2000, Princeton University Press).azw3

The Sense of Music : Semiotic Essays Raymond Monelle; with a foreword by Robert Hatten Princeton University Press, November 15, 2000

Annotation. The fictional Dr. Strabismus sets out to write a new comprehensive theory of music. But music's tendency to deconstruct itself combined with the complexities of postmodernism doom him to failure. This is the parable that frames The Sense of Music, a novel treatment of music theory that reinterprets the modern history of Western music in the terms of semiotics. Based on the assumption that music cannot be described without reference to its meaning, Raymond Monelle proposes that works of the Western classical tradition be analyzed in terms of temporality, subjectivity, and topic theory. Critical of the abstract analysis of musical scores, Monelle argues that the score does not reveal music's sense. That sense--what a piece of music says and signifies--can be understood only with reference to history, culture, and the other arts. Thus, music is meaningful in that it signifies cultural temporalities and themes, from the traditional manly heroism of the hunt to military power to postmodern "polyvocality." This theoretical innovation allows Monelle to describe how the Classical style of the eighteenth century--which he reads as a balance of lyric and progressive time--gave way to the Romantic need for emotional realism. He argues that irony and ambiguity subsequently eroded the domination of personal emotion in Western music as well as literature, killing the composer's subjectivity with that of the author. This leaves Dr. Strabismus suffering from the postmodern condition, and Raymond Monelle with an exciting, controversial new approach to understanding music and its history

更多信息……

英语 [en] · AZW3 · 0.7MB · 2000 · 📘 非小说类图书 · 🚀/lgli/zlib · Save

base score: 11048.0, final score: 17467.72

lgli/Monelle, Raymond, - The Sense of Music (2000, Princeton University Press).epub

The Sense of Music : Semiotic Essays Raymond Monelle; with a foreword by Robert Hatten Princeton University Press, November 15, 2000

Annotation. The fictional Dr. Strabismus sets out to write a new comprehensive theory of music. But music's tendency to deconstruct itself combined with the complexities of postmodernism doom him to failure. This is the parable that frames The Sense of Music, a novel treatment of music theory that reinterprets the modern history of Western music in the terms of semiotics. Based on the assumption that music cannot be described without reference to its meaning, Raymond Monelle proposes that works of the Western classical tradition be analyzed in terms of temporality, subjectivity, and topic theory. Critical of the abstract analysis of musical scores, Monelle argues that the score does not reveal music's sense. That sense--what a piece of music says and signifies--can be understood only with reference to history, culture, and the other arts. Thus, music is meaningful in that it signifies cultural temporalities and themes, from the traditional manly heroism of the hunt to military power to postmodern "polyvocality." This theoretical innovation allows Monelle to describe how the Classical style of the eighteenth century--which he reads as a balance of lyric and progressive time--gave way to the Romantic need for emotional realism. He argues that irony and ambiguity subsequently eroded the domination of personal emotion in Western music as well as literature, killing the composer's subjectivity with that of the author. This leaves Dr. Strabismus suffering from the postmodern condition, and Raymond Monelle with an exciting, controversial new approach to understanding music and its history

更多信息……

英语 [en] · EPUB · 0.4MB · 2000 · 📘 非小说类图书 · 🚀/lgli/zlib · Save

base score: 11058.0, final score: 17467.701

lgli/Monelle, Raymond, - The Sense of Music (2000, Princeton University Press).pdf

The Sense of Music : Semiotic Essays Raymond Monelle; with a foreword by Robert Hatten Princeton University Press, November 15, 2000

Annotation. The fictional Dr. Strabismus sets out to write a new comprehensive theory of music. But music's tendency to deconstruct itself combined with the complexities of postmodernism doom him to failure. This is the parable that frames The Sense of Music, a novel treatment of music theory that reinterprets the modern history of Western music in the terms of semiotics. Based on the assumption that music cannot be described without reference to its meaning, Raymond Monelle proposes that works of the Western classical tradition be analyzed in terms of temporality, subjectivity, and topic theory. Critical of the abstract analysis of musical scores, Monelle argues that the score does not reveal music's sense. That sense--what a piece of music says and signifies--can be understood only with reference to history, culture, and the other arts. Thus, music is meaningful in that it signifies cultural temporalities and themes, from the traditional manly heroism of the hunt to military power to postmodern "polyvocality." This theoretical innovation allows Monelle to describe how the Classical style of the eighteenth century--which he reads as a balance of lyric and progressive time--gave way to the Romantic need for emotional realism. He argues that irony and ambiguity subsequently eroded the domination of personal emotion in Western music as well as literature, killing the composer's subjectivity with that of the author. This leaves Dr. Strabismus suffering from the postmodern condition, and Raymond Monelle with an exciting, controversial new approach to understanding music and its history

更多信息……

英语 [en] · PDF · 2.3MB · 2000 · 📘 非小说类图书 · 🚀/lgli/zlib · Save

base score: 11068.0, final score: 17467.701

lgli/Raymond Monelle Robert Hatten - The Sense Of Music Semiotic Essays Princeton University Press 2000.mobi

The Sense Of Music Semiotic Essays Princeton University Press 2000 Raymond Monelle; with a foreword by Robert Hatten Princeton University Press, Princeton University Press, Princeton, N.J., 2000

Annotation. The fictional Dr. Strabismus sets out to write a new comprehensive theory of music. But music's tendency to deconstruct itself combined with the complexities of postmodernism doom him to failure. This is the parable that frames The Sense of Music, a novel treatment of music theory that reinterprets the modern history of Western music in the terms of semiotics. Based on the assumption that music cannot be described without reference to its meaning, Raymond Monelle proposes that works of the Western classical tradition be analyzed in terms of temporality, subjectivity, and topic theory. Critical of the abstract analysis of musical scores, Monelle argues that the score does not reveal music's sense. That sense--what a piece of music says and signifies--can be understood only with reference to history, culture, and the other arts. Thus, music is meaningful in that it signifies cultural temporalities and themes, from the traditional manly heroism of the hunt to military power to postmodern "polyvocality." This theoretical innovation allows Monelle to describe how the Classical style of the eighteenth century--which he reads as a balance of lyric and progressive time--gave way to the Romantic need for emotional realism. He argues that irony and ambiguity subsequently eroded the domination of personal emotion in Western music as well as literature, killing the composer's subjectivity with that of the author. This leaves Dr. Strabismus suffering from the postmodern condition, and Raymond Monelle with an exciting, controversial new approach to understanding music and its history

更多信息……

英语 [en] · MOBI · 0.6MB · 2000 · 📘 非小说类图书 · 🚀/lgli/zlib · Save

base score: 11048.0, final score: 17467.686

lgli/Monelle, Raymond, - The Sense of Music (2000, Princeton University Press).lit

The Sense of Music : Semiotic Essays Raymond Monelle; with a foreword by Robert Hatten Princeton University Press, Princeton University Press, Princeton, N.J., 2000

Annotation. The fictional Dr. Strabismus sets out to write a new comprehensive theory of music. But music's tendency to deconstruct itself combined with the complexities of postmodernism doom him to failure. This is the parable that frames The Sense of Music, a novel treatment of music theory that reinterprets the modern history of Western music in the terms of semiotics. Based on the assumption that music cannot be described without reference to its meaning, Raymond Monelle proposes that works of the Western classical tradition be analyzed in terms of temporality, subjectivity, and topic theory. Critical of the abstract analysis of musical scores, Monelle argues that the score does not reveal music's sense. That sense--what a piece of music says and signifies--can be understood only with reference to history, culture, and the other arts. Thus, music is meaningful in that it signifies cultural temporalities and themes, from the traditional manly heroism of the hunt to military power to postmodern "polyvocality." This theoretical innovation allows Monelle to describe how the Classical style of the eighteenth century--which he reads as a balance of lyric and progressive time--gave way to the Romantic need for emotional realism. He argues that irony and ambiguity subsequently eroded the domination of personal emotion in Western music as well as literature, killing the composer's subjectivity with that of the author. This leaves Dr. Strabismus suffering from the postmodern condition, and Raymond Monelle with an exciting, controversial new approach to understanding music and its history

更多信息……

英语 [en] · LIT · 0.4MB · 2000 · 📘 非小说类图书 · 🚀/lgli/zlib · Save

base score: 11043.0, final score: 17467.682

lgli/Raymond Monelle Robert Hatten - The Sense Of Music Semiotic Essays Princeton University Press 2000.azw3

The Sense Of Music Semiotic Essays Princeton University Press 2000 Raymond Monelle; with a foreword by Robert Hatten Princeton University Press, Princeton University Press, Princeton, N.J., 2000

Annotation. The fictional Dr. Strabismus sets out to write a new comprehensive theory of music. But music's tendency to deconstruct itself combined with the complexities of postmodernism doom him to failure. This is the parable that frames The Sense of Music, a novel treatment of music theory that reinterprets the modern history of Western music in the terms of semiotics. Based on the assumption that music cannot be described without reference to its meaning, Raymond Monelle proposes that works of the Western classical tradition be analyzed in terms of temporality, subjectivity, and topic theory. Critical of the abstract analysis of musical scores, Monelle argues that the score does not reveal music's sense. That sense--what a piece of music says and signifies--can be understood only with reference to history, culture, and the other arts. Thus, music is meaningful in that it signifies cultural temporalities and themes, from the traditional manly heroism of the hunt to military power to postmodern "polyvocality." This theoretical innovation allows Monelle to describe how the Classical style of the eighteenth century--which he reads as a balance of lyric and progressive time--gave way to the Romantic need for emotional realism. He argues that irony and ambiguity subsequently eroded the domination of personal emotion in Western music as well as literature, killing the composer's subjectivity with that of the author. This leaves Dr. Strabismus suffering from the postmodern condition, and Raymond Monelle with an exciting, controversial new approach to understanding music and its history

更多信息……

英语 [en] · AZW3 · 0.7MB · 2000 · 📘 非小说类图书 · 🚀/lgli/zlib · Save

base score: 11048.0, final score: 17467.21

lgli/Raymond Monelle Robert Hatten - The Sense Of Music Semiotic Essays Princeton University Press 2000.pdf

The Sense of Music : Semiotic Essays Raymond Monelle; with a foreword by Robert Hatten Princeton University Press, Princeton University Press, Princeton, N.J., 2000

Annotation. The fictional Dr. Strabismus sets out to write a new comprehensive theory of music. But music's tendency to deconstruct itself combined with the complexities of postmodernism doom him to failure. This is the parable that frames The Sense of Music, a novel treatment of music theory that reinterprets the modern history of Western music in the terms of semiotics. Based on the assumption that music cannot be described without reference to its meaning, Raymond Monelle proposes that works of the Western classical tradition be analyzed in terms of temporality, subjectivity, and topic theory. Critical of the abstract analysis of musical scores, Monelle argues that the score does not reveal music's sense. That sense--what a piece of music says and signifies--can be understood only with reference to history, culture, and the other arts. Thus, music is meaningful in that it signifies cultural temporalities and themes, from the traditional manly heroism of the hunt to military power to postmodern "polyvocality." This theoretical innovation allows Monelle to describe how the Classical style of the eighteenth century--which he reads as a balance of lyric and progressive time--gave way to the Romantic need for emotional realism. He argues that irony and ambiguity subsequently eroded the domination of personal emotion in Western music as well as literature, killing the composer's subjectivity with that of the author. This leaves Dr. Strabismus suffering from the postmodern condition, and Raymond Monelle with an exciting, controversial new approach to understanding music and its history

更多信息……

英语 [en] · PDF · 2.3MB · 2000 · 📘 非小说类图书 · 🚀/lgli/zlib · Save

base score: 11068.0, final score: 17467.205

lgli/Monelle, Raymond, - The Sense of Music (2000, Princeton University Press).rtf

The Sense of Music : Semiotic Essays Raymond Monelle; with a foreword by Robert Hatten Princeton University Press, Princeton University Press, Princeton, N.J., 2000

Annotation. The fictional Dr. Strabismus sets out to write a new comprehensive theory of music. But music's tendency to deconstruct itself combined with the complexities of postmodernism doom him to failure. This is the parable that frames The Sense of Music, a novel treatment of music theory that reinterprets the modern history of Western music in the terms of semiotics. Based on the assumption that music cannot be described without reference to its meaning, Raymond Monelle proposes that works of the Western classical tradition be analyzed in terms of temporality, subjectivity, and topic theory. Critical of the abstract analysis of musical scores, Monelle argues that the score does not reveal music's sense. That sense--what a piece of music says and signifies--can be understood only with reference to history, culture, and the other arts. Thus, music is meaningful in that it signifies cultural temporalities and themes, from the traditional manly heroism of the hunt to military power to postmodern "polyvocality." This theoretical innovation allows Monelle to describe how the Classical style of the eighteenth century--which he reads as a balance of lyric and progressive time--gave way to the Romantic need for emotional realism. He argues that irony and ambiguity subsequently eroded the domination of personal emotion in Western music as well as literature, killing the composer's subjectivity with that of the author. This leaves Dr. Strabismus suffering from the postmodern condition, and Raymond Monelle with an exciting, controversial new approach to understanding music and its history

更多信息……

英语 [en] · RTF · 1.2MB · 2000 · 📘 非小说类图书 · 🚀/lgli/zlib · Save

base score: 11048.0, final score: 17467.205

lgli/Raymond Monelle - The Sense of Music (2021, ).fb2

The Sense of Music : Semiotic Essays Raymond Monelle; with a foreword by Robert Hatten Princeton University Press, Princeton University Press, Princeton, N.J., 2000

Annotation. The fictional Dr. Strabismus sets out to write a new comprehensive theory of music. But music's tendency to deconstruct itself combined with the complexities of postmodernism doom him to failure. This is the parable that frames The Sense of Music, a novel treatment of music theory that reinterprets the modern history of Western music in the terms of semiotics. Based on the assumption that music cannot be described without reference to its meaning, Raymond Monelle proposes that works of the Western classical tradition be analyzed in terms of temporality, subjectivity, and topic theory. Critical of the abstract analysis of musical scores, Monelle argues that the score does not reveal music's sense. That sense--what a piece of music says and signifies--can be understood only with reference to history, culture, and the other arts. Thus, music is meaningful in that it signifies cultural temporalities and themes, from the traditional manly heroism of the hunt to military power to postmodern "polyvocality." This theoretical innovation allows Monelle to describe how the Classical style of the eighteenth century--which he reads as a balance of lyric and progressive time--gave way to the Romantic need for emotional realism. He argues that irony and ambiguity subsequently eroded the domination of personal emotion in Western music as well as literature, killing the composer's subjectivity with that of the author. This leaves Dr. Strabismus suffering from the postmodern condition, and Raymond Monelle with an exciting, controversial new approach to understanding music and its history

更多信息……

英语 [en] · FB2 · 0.9MB · 2000 · 📘 非小说类图书 · 🚀/lgli/zlib · Save

base score: 11053.0, final score: 17467.168

lgli/Raymond Monelle; Robert Hatten (forward) - The Sense Of Music: Semiotic Essays.epub

The Sense of Music : Semiotic Essays Raymond Monelle; Robert Hatten (forward) Princeton University Press, Princeton University Press, Princeton, N.J., 2000

Annotation. The fictional Dr. Strabismus sets out to write a new comprehensive theory of music. But music's tendency to deconstruct itself combined with the complexities of postmodernism doom him to failure. This is the parable that frames The Sense of Music, a novel treatment of music theory that reinterprets the modern history of Western music in the terms of semiotics. Based on the assumption that music cannot be described without reference to its meaning, Raymond Monelle proposes that works of the Western classical tradition be analyzed in terms of temporality, subjectivity, and topic theory. Critical of the abstract analysis of musical scores, Monelle argues that the score does not reveal music's sense. That sense--what a piece of music says and signifies--can be understood only with reference to history, culture, and the other arts. Thus, music is meaningful in that it signifies cultural temporalities and themes, from the traditional manly heroism of the hunt to military power to postmodern "polyvocality." This theoretical innovation allows Monelle to describe how the Classical style of the eighteenth century--which he reads as a balance of lyric and progressive time--gave way to the Romantic need for emotional realism. He argues that irony and ambiguity subsequently eroded the domination of personal emotion in Western music as well as literature, killing the composer's subjectivity with that of the author. This leaves Dr. Strabismus suffering from the postmodern condition, and Raymond Monelle with an exciting, controversial new approach to understanding music and its history

更多信息……

英语 [en] · EPUB · 0.4MB · 2000 · 📘 非小说类图书 · 🚀/lgli/zlib · Save

base score: 11058.0, final score: 17467.055

lgli/Unknown - Raymond Monelle Robert Hatten The Sense Of Music Semiotic Essays Princeton University Press 2000.lit

Raymond Monelle Robert Hatten The Sense Of Music Semiotic Essays Princeton University Press 2000 Raymond Monelle; with a foreword by Robert Hatten Princeton University Press, Princeton University Press, Princeton, N.J., 2000

Annotation. The fictional Dr. Strabismus sets out to write a new comprehensive theory of music. But music's tendency to deconstruct itself combined with the complexities of postmodernism doom him to failure. This is the parable that frames The Sense of Music, a novel treatment of music theory that reinterprets the modern history of Western music in the terms of semiotics. Based on the assumption that music cannot be described without reference to its meaning, Raymond Monelle proposes that works of the Western classical tradition be analyzed in terms of temporality, subjectivity, and topic theory. Critical of the abstract analysis of musical scores, Monelle argues that the score does not reveal music's sense. That sense--what a piece of music says and signifies--can be understood only with reference to history, culture, and the other arts. Thus, music is meaningful in that it signifies cultural temporalities and themes, from the traditional manly heroism of the hunt to military power to postmodern "polyvocality." This theoretical innovation allows Monelle to describe how the Classical style of the eighteenth century--which he reads as a balance of lyric and progressive time--gave way to the Romantic need for emotional realism. He argues that irony and ambiguity subsequently eroded the domination of personal emotion in Western music as well as literature, killing the composer's subjectivity with that of the author. This leaves Dr. Strabismus suffering from the postmodern condition, and Raymond Monelle with an exciting, controversial new approach to understanding music and its history

更多信息……

英语 [en] · LIT · 0.4MB · 2000 · 📘 非小说类图书 · 🚀/lgli/zlib · Save

base score: 11043.0, final score: 17466.682

lgli/Raymond Monelle Robert Hatten - The Sense Of Music Semiotic Essays Princeton University Press 2000.fb2

The Sense Of Music Semiotic Essays Princeton University Press 2000 Raymond Monelle; with a foreword by Robert Hatten Princeton University Press, Princeton University Press, Princeton, N.J., 2000

Annotation. The fictional Dr. Strabismus sets out to write a new comprehensive theory of music. But music's tendency to deconstruct itself combined with the complexities of postmodernism doom him to failure. This is the parable that frames The Sense of Music, a novel treatment of music theory that reinterprets the modern history of Western music in the terms of semiotics. Based on the assumption that music cannot be described without reference to its meaning, Raymond Monelle proposes that works of the Western classical tradition be analyzed in terms of temporality, subjectivity, and topic theory. Critical of the abstract analysis of musical scores, Monelle argues that the score does not reveal music's sense. That sense--what a piece of music says and signifies--can be understood only with reference to history, culture, and the other arts. Thus, music is meaningful in that it signifies cultural temporalities and themes, from the traditional manly heroism of the hunt to military power to postmodern "polyvocality." This theoretical innovation allows Monelle to describe how the Classical style of the eighteenth century--which he reads as a balance of lyric and progressive time--gave way to the Romantic need for emotional realism. He argues that irony and ambiguity subsequently eroded the domination of personal emotion in Western music as well as literature, killing the composer's subjectivity with that of the author. This leaves Dr. Strabismus suffering from the postmodern condition, and Raymond Monelle with an exciting, controversial new approach to understanding music and its history

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base score: 11053.0, final score: 17466.682

nexusstc/The Sense of Music/b3a3d5d56d2c62f284b32a018f868767.pdf

The Sense of Music : Semiotic Essays Raymond Monelle; with a foreword by Robert Hatten Princeton University Press, Princeton University Press, Princeton, N.J., 2000

Annotation. The fictional Dr. Strabismus sets out to write a new comprehensive theory of music. But music's tendency to deconstruct itself combined with the complexities of postmodernism doom him to failure. This is the parable that frames The Sense of Music, a novel treatment of music theory that reinterprets the modern history of Western music in the terms of semiotics. Based on the assumption that music cannot be described without reference to its meaning, Raymond Monelle proposes that works of the Western classical tradition be analyzed in terms of temporality, subjectivity, and topic theory. Critical of the abstract analysis of musical scores, Monelle argues that the score does not reveal music's sense. That sense--what a piece of music says and signifies--can be understood only with reference to history, culture, and the other arts. Thus, music is meaningful in that it signifies cultural temporalities and themes, from the traditional manly heroism of the hunt to military power to postmodern "polyvocality." This theoretical innovation allows Monelle to describe how the Classical style of the eighteenth century--which he reads as a balance of lyric and progressive time--gave way to the Romantic need for emotional realism. He argues that irony and ambiguity subsequently eroded the domination of personal emotion in Western music as well as literature, killing the composer's subjectivity with that of the author. This leaves Dr. Strabismus suffering from the postmodern condition, and Raymond Monelle with an exciting, controversial new approach to understanding music and its history

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英语 [en] · PDF · 1.1MB · 2000 · 📘 非小说类图书 · 🚀/lgli/lgrs/nexusstc/zlib · Save

base score: 11060.0, final score: 17463.922

nexusstc/The Sense of Music/bcab8b1a4e71be0898ba4e92ac5f4135.pdf

The Sense of Music : Semiotic Essays Raymond Monelle; with a foreword by Robert Hatten Princeton University Press, Princeton University Press, Princeton, N.J., 2000

Annotation. The fictional Dr. Strabismus sets out to write a new comprehensive theory of music. But music's tendency to deconstruct itself combined with the complexities of postmodernism doom him to failure. This is the parable that frames The Sense of Music, a novel treatment of music theory that reinterprets the modern history of Western music in the terms of semiotics. Based on the assumption that music cannot be described without reference to its meaning, Raymond Monelle proposes that works of the Western classical tradition be analyzed in terms of temporality, subjectivity, and topic theory. Critical of the abstract analysis of musical scores, Monelle argues that the score does not reveal music's sense. That sense--what a piece of music says and signifies--can be understood only with reference to history, culture, and the other arts. Thus, music is meaningful in that it signifies cultural temporalities and themes, from the traditional manly heroism of the hunt to military power to postmodern "polyvocality." This theoretical innovation allows Monelle to describe how the Classical style of the eighteenth century--which he reads as a balance of lyric and progressive time--gave way to the Romantic need for emotional realism. He argues that irony and ambiguity subsequently eroded the domination of personal emotion in Western music as well as literature, killing the composer's subjectivity with that of the author. This leaves Dr. Strabismus suffering from the postmodern condition, and Raymond Monelle with an exciting, controversial new approach to understanding music and its history

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英语 [en] · PDF · 1.4MB · 2000 · 📘 非小说类图书 · 🚀/lgli/lgrs/nexusstc/zlib · Save

base score: 11065.0, final score: 17463.482

upload/alexandrina/Collections/Project-Muse/Princeton University Press/The Sense of Music- Semiotic Essays.pdf

The Sense of Music : Semiotic Essays Hatten, Robert S.;Monelle, Raymond Princeton University Press, 2018

Cover 1 Title Page, Frontispiece, Copyright, Dedication, Quote 2 Contents 10 Foreword 12 Preface 16 1 The Wordless Song 20 2 The Search for Topics 31 3 Topic and Leitmotiv 58 4 The Temporal Image 98 5 Genre and Structure 132 6 Text and Subjectivity 164 7 Mahler and Gustav 187 8 Allegory and Deconstruction 213 9 New Beginnings 244 Bibliography 250 Index 260 Publisher:Princeton University Press,Published:2010,ISBN:9781400824038,Related ISBN:9780691057163,Language:English,OCLC:52256483 The fictional Dr. Strabismus sets out to write a new comprehensive theory of music. But music's tendency to deconstruct itself combined with the complexities of postmodernism doom him to failure. This is the parable that frames The Sense of Music, a novel treatment of music theory that reinterprets the modern history of Western music in the terms of semiotics. Based on the assumption that music cannot be described without reference to its meaning, Raymond Monelle proposes that works of the Western classical tradition be analyzed in terms of temporality, subjectivity, and topic theory. Critical of the abstract analysis of musical scores, Monelle argues that the score does not reveal music's sense. That sense--what a piece of music says and signifies--can be understood only with reference to history, culture, and the other arts. Thus, music is meaningful in that it signifies cultural temporalities and themes, from the traditional manly heroism of the hunt to military power to postmodern "polyvocality." This theoretical innovation allows Monelle to describe how the Classical style of the eighteenth century--which he reads as a balance of lyric and progressive time--gave way to the Romantic need for emotional realism. He argues that irony and ambiguity subsequently eroded the domination of personal emotion in Western music as well as literature, killing the composer's subjectivity with that of the author. This leaves Dr. Strabismus suffering from the postmodern condition, and Raymond Monelle with an exciting, controversial new approach to understanding music and its history.

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英语 [en] · PDF · 2.3MB · 2018 · 📘 非小说类图书 · 🚀/lgli/upload/zlib · Save

base score: 11065.0, final score: 17461.936

8 部分匹配

ia/windinwillows0000grah_w9m6.pdf

The wind in the willows Grahame, Kenneth, 1859-1932, author Los Angeles, CA: Enhanced Media, 2017

1 online resource (134 pages) Print version record

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英语 [en] · PDF · 19.7MB · 2017 · 📗 未知类型的图书 · 🚀/ia · Save

base score: 11068.0, final score: 2.5299952

ia/terrorismdocumen0004unse.pdf

Terrorism: documents of international and local control Friedlander, Robert A., editor; Levie, Howard S. (Howard Sidney), 1907-2009, editor; Musch, Donald J., editor; Alexander, Yonah, editor; Lovelace, Douglas C., Jr., 1948- editor Dobbs Ferry, N.Y.: Oceana Publications; New York: Oceana; New York: Oxford University Press, Volume 4, 1979

volumes : 26 cm "An extensive collection of significant documents covering all major and minor issues and events regarding terrorism. Government reports, executive orders, speeches, court proceedings, and position papers are presented in full text reprint"--Oceana Website Subtitle varies: v. 103- Commentary on security documents V. 1-6 edited by Robert A. Friedlander; v. 7-12 edited by Howard S. Levie; v. 13-14, 72-73 edited by Donald J. Musch; v. 15-16, 18-35 edited by Yonah Alexander and Donald J. Musch; v. 36-41 edited by James Walsh; v. 86-87 [commentaries by] Douglas C. Lovelace, Jr.; v.91-100 edited by Douglas C. Lovelace, Jr. -- v. 103-109, 111-118 edited by Kristen E. Boon, Aziz Huq, Douglas C. Lovelace, Jr.; v. 133-134 edited by Kristen E. Boon, Douglas C. Lovelace Jr Accompanied by cumulative index to volumes 1-50 in 2 v.; starting with volumes 51-100 in 1 v., published as 1st series Accompanied by cumulative index to volumes 51-68 Accompanied by cumulative subject, title, name, subject by year indexes and index by year to volumes 51-81 Includes bibliographical references and indexes 1-2. [without special title] -- v. 3. From the terror decade of the 1970's to the dangerous decade of the 1980's -- v. 4. A world on fire -- v. 5. [without special title] -- v. 6. Global terrorism in the dangerous decade -- v. 7-15. [without special title] -- v. 16-63. U.S. perspectives -- -- v. 64. [without special title] -- v. 65- 85. U.S. Perspectives -- v. 86. Understanding United States national security strategy relating to terrorism, pt. 1, Foundational strategies -- v. 87. Understanding United States national security strategy relating to terrorism, pt. 2, Derivative and supporting strategies -- v. 88. The UKK's approach to terrorism -- v. 89. Europe's approach to terrorism -- v. 90. Presidential powers and the global war against terrorists -- v. 91. Terrorism intelligence -- v. 92 Lebanon and Hezbollah -- v. 93. The Palestinian Territories and Hamas. -- v. 94 Managing the nation's borders during the global war against terrorists -- v. 95 Detainee treatment, interrogation and extraordinary rendition in the war against terrorists -- v. 96. Cyberterrorism -- v. 97. Use of contractors in the war against terrorists -- v. 98. Terrorism in India -- v. 99. Terrorism in Pakistan. -- v. 100. Detention of terrorist suspects: what courts have done, what congress and Obama are doing. -- -- v. 101. Weapons of mass destruction, pt. 1, bio-terrorism -- v. 102. Weapons of mass destruction, pt. 2, nuclear terrorism, consequence, management and attack insurance -- v. 105. Narco-terrorism -- v. 106. Terrorist financing and money-laundering -- v. 107. U.N. response to Al-Qaeda -- v. 108. Extraordinary rendition -- v. 109. Terror-based interrogation -- v. 110. Assessing the GWOT -- v. 111. Discerning President Obama's national security strategy -- v. 112. Discerning President Obama's national defense strategy -- v. 113. Piracy and international maritime security -- v. 114. European responses to terrorist radicalization -- v. 115. Gangs, terrorism, and international disorder -- v. 116. Assessing President Obama's National Security Strategy -- v. 117. Al Qaeda, the Taliban and conflict in Afghanistan -- v. 118. International nuclear security -- v. 119. Catastrophic possibilities threatening U.S. security -- v. 120. U.S. preparedness for catastrophic attacks -- v. 121. Nuclear non-proliferation treaty -- v. 122. U.N. response to Al Qaeda-developments through 2011 -- v. 123. Global stability and U.S. national security -- v. 124. U.S. approaches to global security challenges -- v. 125. Piracy and international maritime security -- developments through 2011 -- v. 126. The intersection of law and war -- v. 127. The changing nature of war -- v. 128. Detention under international law : liberty and permissible detention -- v. 129. Detention under international law : the state of emergency exception and evolving topics -- v. 130. Detention under international law : safeguards against torture and other abuses -- v. 131. The 2012 shift in U.S. national security strategy : the context -- v. 132. The 2012 shift in U.S. national security strategy : the analysis -- v. 133. The drone wars of the 21st century : costs and benefits -- v. 134. The domestic use of unmanned aerial vehicles -- v. 135. Assessing future U.S. national defense needs -- v. 136. Assessing the reorientation of U.S. national security strategy toward the Asia-Pacific -- v. 137. The Obama administration's second term national security strategy -- v. 138. The resurgent terrorist threat -- v. 139. The rise of China -- v. 140. The cyber threat -- v. 141. Hybrid warfare and the gray zone threat -- v. 142. Security strategies of the second Obama administration : 2015 developments -- v. 143. The evolution of the Islamic State -- v. 144. Autonomous and semiautonomous weapons systems -- v. 145. The North Korean threat -- v. 146. Russia's resurgence -- v. 147. Assessing the 2017 U. S. national security strategy -- v. 148. Lone wolf terrorists

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英语 [en] · PDF · 28.3MB · 1979 · 📗 未知类型的图书 · 🚀/ia · Save

base score: 11068.0, final score: 2.528909

ia/booksinprint0004unse.pdf

Books in print R.R. Bowker Company New York: R.R. Bowker Co., Volume 3, [19]

volumes ; 28 cm Vols. for 1989/90- include a listing of titles reported out of print or out of stock indefinitely in the years 1989- Volume covering out of print titles lacks vol. numbering, 1995/96- Vols. for issued in parts Electronic access to the entire Books out of print database is provided by: Books out of print plus Science/technology-oriented parts also available as part of CD-ROM: SciTech reference plus Kept updated by annual publication called Books in print supplement, 1972/73- ; and bimonthly issues of Forthcoming books, 1966- Issued 1948-72 as "author-title-series index to Publishers' trade list annual." Indexed by: Subject guide to books in print, 1957-1987/88; by: Books in print. Subject guide, 1988/89-

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英语 [en] · PDF · 641.2MB · 📗 未知类型的图书 · 🚀/ia · Save

base score: 11068.0, final score: 2.5288675

ia/subjectguidetobo0005unse.pdf

Subject guide to books in print, 1992-93 R.R. Bowker Company New York: R.R. Bowker, Volume 5, 1992

5 volumes ; 29 cm On cover: Hardbound books, trade books, paperbound books, textbooks. The master subject reference to currently available books, authors and publishers Volume four includes publishers Volume five: Thesaurus

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英语 [en] · PDF · 636.4MB · 1992 · 📗 未知类型的图书 · 🚀/ia · Save

base score: 11068.0, final score: 2.5286953

ia/playgroundpoetsl0000unse_j9e0.pdf

Playground poets: let your creativity flow Oliver, Kelly Peterborough: Young Writers, 2005

volumes ; 21 cm "Young writers 2005 poetry competition." Includes bibliographical references and index

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英语 [en] · PDF · 8.6MB · 2005 · 📗 未知类型的图书 · 🚀/ia · Save

base score: 11068.0, final score: 2.5286922

ia/readingstreet0000unse.pdf

Reading street None; Afflerbach, Peter; Scott, Foresman and Company Glenview, Ill.: Pearson/Scott Foresman, 2011

94 volumes : 31 cm + "Review copy." "Advance copy." Cover title, primarily PreK-K. Read aloud anthology ; Patterns: simple patters to color and cut out -- PreK. Units 1-6 ; Welcome to PreK ; Songs and rhymes audio [CD + accomp. pamphetl] ; Sing with me audio [CD + accomp. pamphlet] ; AudioText [6 CDs + accomp. pamphlet] -- K. First stop ; Units 1-6 each in 2 vol. ; Reader's & writer's notebook. Teacher's manual ; Reader's & Writer's notebook ; Read aloud anthology ; Reader's theater anthology -- Gr. 1. First stop ; Units R and 1-5 in 2 vol. each ; Reader's & writer's notebook, teacher's manual ; Reader's & writer's notebook ; Read aloud anthology ; Weekly tests, teacher's manual ; Fresh reads for fluency and comprehension, teacher's manual ; Writing rubrics and anchor papers ; 1.1 Decodable practice readers Units R-1 ; 1.2 Decodable practice readers Units 2-3 ; 1.3 Decodable practice readers Units 4-5 -- Gr. 2. First stop ; Units 1-6 in 2 vol. each ; Reader's & writer's notebook, teacher's manual ; Reader's & writer's notebook ; Read aloud anthology ; Weekly tests, teacher's manual ; Fresh reads for fluency and comprehension, teacher's manual ; Writing rubrics and anchor papers ; 2.1 Decodable practice readers Units 1-3 ; 2.2 Decodable practice readers Units 4-6 -- Gr. 3. First stop ; Units 1-6 in 2 vol. each ; Reader's & writer's notebook, teacher's manual ; Weekly tests, teacher's manual ; Fresh reads for fluency and comprehension, teacher's manual ; Writing rubrics and anchor papers ; 3.1 Decodable practice readers Units 1-3 ; 3.2 Decodable practice readers Units 4-6 -- Gr. 4. Unit 2, vol. 2-Unit 6 in 2 vol. each ; Reader's & writer's notebook, teacher's manual ; Reader's & writers notebook ; Weekly tests, teacher's manual ; Fresh reads for fluency and comprehension, teacher's manual -- Gr. 5. Units 1-6 in 2 vol. each ; Reader's & writer's notebook, teacher's manual ; Reader's & writers notebook ; Weekly tests, teacher's manual ; Fresh reads for fluency and comprehension, teacher's manual ; Writing rubrics and anchor papers ; Readers' theater anthology -- Gr. 6. First stop ; Units 1-6 in 2 vol. each ; Reader's & writer's notebook, teacher's manual ; Reader's & writers notebook ; Weekly tests, teacher's manual ; Fresh reads for fluency and comprehension, teacher's manual ; Writing rubrics and anchor papers ; Readers' theater anthology Gr. K-1. Baseline group tests, teacher's manual ; Assessment handbook -- Gr. 2-3. Baseline group tests, teacher's manual ; Assessment handbook -- Gr. 4-6 Baseline group tests, teacher's manual ; Assessment handbook

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英语 [en] · PDF · 5.8MB · 2011 · 📗 未知类型的图书 · 🚀/ia · Save

base score: 11068.0, final score: 2.5285866

ia/booksinprint0004unse_j2s4.pdf

Books in Print 1997-98 R.R. Bowker Company Rr Bowker Llc, June 1997

volumes ; 28 cm Vols. for 1989/90- include a listing of titles reported out of print or out of stock indefinitely in the years 1989- Volume covering out of print titles lacks vol. numbering, 1995/96- Vols. for issued in parts Electronic access to the entire Books out of print database is provided by: Books out of print plus Science/technology-oriented parts also available as part of CD-ROM: SciTech reference plus Kept updated by annual publication called Books in print supplement, 1972/73- ; and bimonthly issues of Forthcoming books, 1966- Issued 1948-72 as "author-title-series index to Publishers' trade list annual." Indexed by: Subject guide to books in print, 1957-1987/88; by: Books in print. Subject guide, 1988/89- Vols. for 1989/90- include a listing of titles reported out of print or out of stock indefinitely in the years 1989-

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英语 [en] · PDF · 487.7MB · 1997 · 📗 未知类型的图书 · 🚀/ia · Save

base score: 11068.0, final score: 2.5285122

ia/scienceofsynthes0003unse.pdf

Science of synthesis: Houben-Weyl methods of molecular transformations Klaus Banert, E. M. Carreira, D. G. Hall, J. A. Joule, Mark G. Moloney Thieme Verlag, George; Thieme Medical Publishers, 2014

48 v. in 54 : 26 cm Vol. 1 published in 2001 Volume editor varies per each volume Previous eds. published in German, under title: Methoden der organischen Chemie. The 4th ed. is also known as Houben-Weyl Accompanied by: Table of contents. [A combination of approved, revised, draft, and final manuscript table of contents ... useful for cross-referencing between volumes]. 4th [i.e. 5th] ed. 2000. 258 p. ; 26 cm.; Guidebook. [Editorial description. Information for authors. Sample contribution]. 4th [i.e. 5th] ed. 2000. 135 p. : ill. ; 26 cm.; and, Guidebook. [Editorial description. Information for authors. Sample contribution]. 5th ed. 2001. 141 p. : ill. ; 26 cm.; and category 1-6, cumulative indexes Kept up to date by quarterly Knowledge updates Includes bibliographical references and indexes category 1. Organometallics. v. 1. Compounds with transition metal-carbon [pi]-bonds and compounds of groups 10-8 (Ni, Pd, Pt, Co, Rh, Ir, Fe, Ru, Os) -- v. 2. Compounds of groups 7-3 (Mn..., Cr..., V..., Ti..., Sc..., La..., Ac...) -- v. 3. Compounds of groups 12 and 11 (Zn, Cd, Hg, Cu, Ag, Au) -- v. 4. Compounds of group 15 (As, Sb, Bi) and silicon compounds -- v. 5. Compounds of group 14 (Ge, Sn, Pb) -- v. 6. Boron compounds -- v. 7. Compounds of groups 13 and 2 (Al, Ga, In, Tl, Be...Ba) -- v. 8. Compounds of group 1 (Li...Cs) (2 v.) -- category 2. Hetarenes and related ring systems. v. 9. Fully unsaturated small-ring heterocycles and monocyclic five-membered hetarenes with one heteroatom -- v. 10. Fused five-membered hetarenes with one heteroatom -- v. 11. Five-membered hetarenes with one chalcogen and one additional heteroatom -- v. 12. Five-membered hetarenes with two nitrogen or phosphorus atoms -- v. 13. Five-membered hetarenes with three or more heteroatoms -- v. 14. Six-membered hetarenes with one chalcogen -- v. 15. Six-membered hetarenes with one nitrogen or phosphorus atom -- v. 16. Six-membered hetarenes with two identical heteroatoms -- v. 17. Six-membered hetarenes with two unlike or more than two heteroatoms and fully unsaturated larger-ring heterocycles -- category 3. Compounds with four and three carbon-heteroatom bonds. v. 18. Four carbon-heteroatom bonds : X-C=X, X=C=X, X2C=X, CX4 -- v. 19. Three carbon-heteroatom bonds : nitriles, isocyanides, and derivatives -- v. 20a. Three carbon-heteroatom bonds : acid halides, carboxylic acids, and acid salts -- v. 20b. Three carbon-heteroatom bonds : esters and lactones, peroxy acids and R(CO)OX comopounds, R(CO)X, X=S, Se, Te v. 21. Three carbon-heteroatom bonds : amides and derivatives, peptides, lactams -- v. 22. Three carbon-heteroatom bonds : thio-, seleno-, and tellurocarboxylic acids and derivatives, imidic acids and derivatives, ortho acid derivatives -- v. 23. Three-carbon-heteroatom bonds : ketenes and derivatives -- v. 24. Three carbon-heteroatom bonds : ketene acetals and Yne-X compounds -- category 4. Compounds with two carbon-heteroatom bonds. v. 25. Aldehydes -- v. 26. Ketones -- v. 27. Heteroatom analogues of aldehydes and ketones -- v. 28. Quinones and heteroatom analogues --v. 29. Acetals : Hal/X and O/O, S, Se, Te -- v. 30. Acetals : O/N, S/S, S/N, and N/N and higher heteroatom analogues -- v. 31a. Arene-X (X=Hal, O, S, Se, Te) -- v. 31b. Arene-X (X=N, P) -- v. 32. X-Ene-X (X=F, C1, Br, I, O, S, Se, Te, N.P), Ene-Hal, and Ene-O compounds -- v. 33. Ene-X compounds (X = S, Se, Te, N, P) -- category 5. Compounds with one saturated carbon-heteroatom bond. v. 34. Fluorine -- v. 35. Chlorine, bromine, and iodine -- v. 36. Alcohols -- v. 37. Ethers -- v. 38. Peroxides -- v. 39. Sulfur, selenium, and tellurium -- v. 40a. Amines and ammonium salts -- v. 40b. Amine N-oxides, haloamines, hydroxylamines and sulfur analogues, and hydrazines -- v. 41. Nitro, nitroso, azo, azoxy, and diazonium compounds, azides, triazenes, and tetrazenes -- v. 42. Organophosphorus compounds (incl. RO-P and RN-P) -- category 6. Compounds with all-carbon functions. v. 43. Polyynes, arynes, enynes, and alkynes -- v. 44. Cumulenes and allenes -- v. 45a. Monocyclic arenes, quasiarenes, and annulenes -- v. 45b. Compounds with all-carbon functions aromatic ring assemblies, polycyclic aromatic hydrocarbons, and conjugated polyenes -- v. 46. 1,3-dienes -- v. 47. Alkenes (2 v.) -- v. 48. Alkanes

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英语 [en] · PDF · 30.2MB · 2014 · 📗 未知类型的图书 · 🚀/ia · Save

base score: 11068.0, final score: 2.5283012

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