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The Cambridge Companion To Gershwin (cambridge Companions To Music) 🔍
Anna Harwell Celenza (Editor) Cambridge University Press (Virtual Publishing), Cambridge Companions to Music, 1, 2019
英语 [en] · EPUB · 2.1MB · 2019 · 📘 非小说类图书 · 🚀/lgli/lgrs/nexusstc/upload/zlib · Save
描述
George Gershwin is often described as a quintessentially American composer. This Cambridge Companion explains why, engaging with the ways in which his music was shaped by American political, intellectual, cultural and business interests. As a composer and performer, Gershwin embraced technological advances and broke new ground in music business practices. In the decades preceding World War II, he captured the mechanistic pulse of modern life with his concert works and lay the groundwork for the Great American Songbook with his Broadway shows and film music. With his brother Ira, and his cousins Henry and B. A. Botkin, Gershwin explored various ethnic and cultural identities and contemplated their roles in US culture. His music confronted race during the Jim Crow era and continues to engage with issues of race today. This interdisciplinary exploration of Gershwin's life and music describes his avowed pursuit of an 'American' musical identity and its ongoing legacy.
备用文件名
nexusstc/The Cambridge Companion to Gershwin/bb0ab1d537e75e9c62a053274d544bb6.epub
备用文件名
lgli/The Cambridge Companion to Gers - Anna Harwell Celenza.epub
备用文件名
lgrsnf/The Cambridge Companion to Gers - Anna Harwell Celenza.epub
备用文件名
zlib/Arts/Music/Anna Harwell Celenza (Editor)/The Cambridge Companion to Gershwin_5247776.epub
备选标题
Cambridge Companions to Music: The Cambridge Companion to Gershwin
备选作者
Anna Harwell Celenza; Naomi Adele André
备选作者
Celenza, Anna Harwell
备用出版商
University of Cambridge ESOL Examinations
备用出版商
Cambridge Library Collection
备用版本
Cambridge companions to music, Cambridge United Kingdom ; New York NY, 2019
备用版本
Cambridge Companions to Music, Cambridge [etc, c2019
备用版本
United Kingdom and Ireland, United Kingdom
元数据中的注释
0
元数据中的注释
lg2412027
元数据中的注释
{"edition":"1","isbns":["1108423531","1108437648","1108528759","9781108423533","9781108437646","9781108528757"],"last_page":332,"publisher":"Cambridge University Press","series":"Cambridge Companions to Music"}
元数据中的注释
Referenced by: doi:10.1525/jams.2007.60.1.133 doi:10.1017/s0021875801006624 doi:10.1017/cbo9780511620201 doi:10.1525/jm.2014.31.1.91 doi:10.1093/mq/78.1.9 doi:10.1016/j.wneu.2015.07.054 doi:10.1080/17494060.2012.721287 doi:10.7312/nahs17670 doi:10.1525/california/9780520248649.001.0001 doi:10.1093/musqtl/gdq020 doi:10.5406/illinois/9780252036781.001.0001 doi:10.1093/musqtl/gdr003 doi:10.1017/s1752196307070010 doi:10.1525/jams.2007.60.2.373 doi:10.1093/mq/78.4.646 doi:10.1093/acprof:oso/9780195058499.001.0001 doi:10.1525/california/9780520268883.001.0001
备用描述
Part I. Historical Context:
1. The unlikely patriarch - Michael Owen
2. Hearing Gershwin's New York - Ellen Noonan
3. Gershwin's musical education - Susan Neimoyer
4. Gershwin in Hollywood - Jessica Getman
Part II. Profiles of the Music:
5. Blue Monday and New York theatrical aesthetics - Kristen M. Turner
6. Broadway in blue: Gershwin's musical theatre scores and songs - Todd Decker
7. The works for piano and orchestra - Timothy Freeze
8. Harmonizing music and money: Gershwin's economic strategies from 'Swanee' to An American in Paris - Mark Clague
9. Exploring new worlds: An American in Paris, Cuban Overture and Porgy and Bess - Anna Harwell Celenza
10. Complexities in Gershwin's Porgy and Bess: historical and performing contexts - Naomi André
11. Writing for the big screen: Shall We Dance and A Damsel in Distress - Nathan Platte
Part III. Influence and Reception:
12. The coverage of Gershwin in music history text - Howard Pollack
13. When Ella Fitzgerald sang Gershwin: a chapter from the Great American Songbook - Will Friedwald
14. The afterlife of Rhapsody in Blue - Ryan Raul Bañagale
15. Broadway's 'new' Gershwin musicals: romance, jazz, and the ghost of Fred Astaire - Todd Decker
16. Gershwin and instrumental jazz - Nate Sloan
Epilogue: the Gershwin I knew, and the Gershwin I know - Michael Feinstein.
备用描述
George Gershwin is often described as a quintessentially American composer. This Cambridge Companion explains why, engaging with the ways in which his music was shaped by American political, intellectual, cultural and business interests. As a composer and performer, Gershwin embraced technological advances and broke new ground in music business practices. In the decades preceding World War II, he captured the mechanistic pulse of modern life with his concert works and lay the groundwork for the Great American Song book with his Broadway shows and film music. With his brother Ira, and his cousins Henry and B.A. Botkin, Gershwin explored various ethnic and cultural identities and contemplated their roles in US culture. His music confronted race during the Jim Crow era and continues to engage with issues of race today. This interdisciplinary exploration of Gershwin's life and music describes his avowed pursuit of an 'American' musical identity and its ongoing legacy
备用描述
The music of George Gershwin was shaped by American political, intellectual, cultural and business interests. As a composer and performer, he embraced technological advances and broke new ground in music business practices. This Companion describes the making of George Gershwin's 'American' identity and its legacy after his death.
开源日期
2019-09-19
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