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Compositional Subjects : Enfiguring Asian/American Women 🔍
Kang, Laura Hyun Yi Duke University Press Books, 2002 jun 19
英语 [en] · PDF · 1.6MB · 2002 · 📘 非小说类图书 · 🚀/lgli/lgrs/nexusstc/upload/zlib · Save
描述
Traces the way Asian American women have been represented in film, literature, and political economy.
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nexusstc/Compositional Subjects: Enfiguring Asian/American Women/b4a23cb3b8bce3d3d32c26278e944a12.pdf
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lgli/10.1515_9780822383512.pdf
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lgrsnf/10.1515_9780822383512.pdf
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zlib/no-category/Laura Hyun Yi Kang/Compositional Subjects: Enfiguring Asian/American Women_25944886.pdf
备选标题
Compositional subjects : enfiguring Asian American women
备选作者
Laura Hyun Yi Kang
备用版本
e-Duke books scholarly collection, Durham, 2002
备用版本
United States, United States of America
备用版本
Duke University Press, Durham, 2002
备用版本
Durham, North Carolina, 2002
备用版本
1, 20020619
元数据中的注释
degruyter.com
元数据中的注释
producers:
PDFium
元数据中的注释
{"isbns":["0822328836","0822383519","9780822328834","9780822383512"],"last_page":365,"publisher":"Duke University Press"}
元数据中的注释
Includes bibliographical references (p. [323]-347) and index.
备用描述
In Compositional Subjects Laura Hyun Yi Kang explores the ways that Asian/American women have been figured by mutually imbricated modes of identity formation, representation, and knowledge production. Kang’s project is simultaneously interdisciplinary scholarship at its best and a critique of the very disciplinary formations she draws upon. The book opens by tracking the jagged emergence of “Asian American women” as a distinct social identity over the past three decades. Kang then directs critical attention to how the attempts to compose them as discrete subjects of consciousness, visibility, and action demonstrate a broader, ongoing tension between socially particularized subjects and disciplinary knowledges. In addition to the shifting meanings and alignments of “Asian,” “American,” and “women,” the book examines the discourses, political and economic conditions, and institutional formations that have produced Asian/American women as generic authors, as visibly desirable and desiring bodies, as excludable aliens and admissible citizens of the United States, and as the proper labor for transnational capitalism. In analyzing how these enfigurations are constructed and apprehended through a range of modes including autobiography, cinematography, historiography, photography, and ethnography, Kang directs comparative attention to the very terms of their emergence as Asian/American women in specific disciplines. Finally, Kang concludes with a detailed examination of selected literary and visual works by Korean women artists located in the United States and Canada, works that creatively and critically contend with the problematics of identification and representation that are explored throughout the book. By underscoring the forceful and contentious struggles that animate all of these compositional gestures, Kang proffers Asian/American women as a vexing and productive figure for cultural, political and epistemological critique.
备用描述
Generic fixations : reading the writing self
Cinematic projections : marking the desirous body
Historical reconfigurations : delineating Asian women as/not American citizens
Disciplined embodiments : si(gh)ting Asian/American women as transnational labor
Compositional strugges : re-membering Korean/American women.
开源日期
2023-08-22
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