Paris, Capital, of Modernity 🔍
David Harvey; Safari, an O'Reilly Media Company Routledge, 1st edition, New York, 2003
英语 [en] · PDF · 4.3MB · 2003 · 📘 非小说类图书 · 🚀/lgli/lgrs/nexusstc/upload/zlib · Save
描述
Collecting David Harvey's finest work on Paris during the second empire, Paris, Capital of Modernity offers brilliant insights ranging from the birth of consumerist spectacle on the Parisian boulevards, the creative visions of Balzac, Baudelaire and Zola, and the reactionary cultural politics of the bombastic Sacre Couer. The book is heavily illustrated and includes a number drawings, portraits and cartoons by Daumier, one of the greatest political caricaturists of the nineteenth century.
From Publishers Weekly Drawing on essays written over the last 30 years, Harvey brings one of the most fascinating and confounding periods of French-or for that matter, European-history into sharp relief. He asserts that two conceptions of modernity were nurtured in Paris in the years after the First Empire-one bourgeois, and the other founded on the idea of the "social republic" geared toward benefiting all classes of citizens. Harvey traces these conflicting movements over the decades leading up to the Revolution of 1848 and charts their reverberations through the final days of the Paris Commune. The book is richly illustrated with over a hundred period photographs and cartoons by Daumier and others, which serve to reinforce the notion of Paris as a city of contrasts in a period of profound change. And Harvey is as comfortable and adept at quoting pertinent passages from the romantic novelists as he is offering detailed economic analyses of real estate and labor market dynamics. By making use of primary sources from diverse disciplines, he offers a thorough examination of the period: he explores, for instance, the role of women and class strictures and the consequences of urban planning and public transportation. The worst that can be said of this exhaustive investigation into the complicated and turbulent era of the Second Empire is that Harvey presupposes an intermediate knowledge of many of the important actors and events. As he weaves the humanities, philosophy, economics and sociology into a detailed tapestry, the author leaves remedial explanations of Parisian and French social movements to the authors listed in a well-annotated bibliography. This is not a problem in and of itself, but readers expecting a breezy history of the "City of Lights" may find themselves overwhelmed by the complexity and depth of this book.
Copyright 2003 Reed Business Information, Inc.
Review "'Harvey's work is notable for the sheer diversity of sources he draws on... A stunning book that will engage anyone with an interest in 19th century politics and urbanism... a definitive work on the historical geography of Paris which shows tremendous insight, forceful arguments, and above all, an obvious passion.' - Environment and Planning C: Government and Policy 'Harvey brings one of the most fascinating and confounding periods of French - or for that, European - history into sharp relief.' Publishers Weekly 'Much more than a simple narrative... [a] complex and sophisticated work.' - Library Journal 'David Harvey is perhaps the most important urban scholar writing in the English language, and here he is at his best.' - Thomas Bender, author of The Unfinished City: New York and the Metropolitan idea"
备用文件名
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备用文件名
upload/motw_shc_2025_10/shc/Paris, Capital of Modernity - David Harvey.pdf
备用文件名
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备用文件名
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备用文件名
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备用文件名
zlib/History/European History/David Harvey/Paris, Capital of Modernity_931733.pdf
备选作者
David Harvey, 1935-
备选作者
Harvey, David D.
备用出版商
Taylor & Francis e-Library
备用出版商
Ashgate Publishing Limited
备用出版商
Taylor & Francis Group
备用出版商
Taylor & Francis Ltd
备用出版商
Gower Publishing Ltd
备用版本
Taylor & Francis (Unlimited), New York, 2003
备用版本
United Kingdom and Ireland, United Kingdom
备用版本
1st Routledge pbk. ed, New York, ©2006
备用版本
New York, NY, United States, 2003
备用版本
New York, New York State, 2003
备用版本
1st edition, 2004
备用版本
ABINGDON, 2003
备用版本
London, 2004
备用版本
1, 20040601
元数据中的注释
до 2011-01
元数据中的注释
lg507168
元数据中的注释
producers:
Acrobat Distiller 6.0 (Windows)
元数据中的注释
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元数据中的注释
Memory of the World Librarian: Quintus
元数据中的注释
Memory of the World Librarian: Dorothy Porter
元数据中的注释
Includes bibliographical references (p. 355-362) and index.
备用描述
SUMMARY:
Harvey's uniquely powerful approach is on full display, offering a history of possibly the most important city and era in the development of modern life. Heavily illustrated with photographs, paintings and including cartoons from Daumier, one of the greatest political caricaturists of the nineteenth century.
sony
BOOK COVER 1
HALF-TITLE 2
TITLE 4
COPYRIGHT 5
ILLUSTRATIONS 8
TABLES 12
INTRODUCTION: MODERNITY AS BREAK 14
PART ONE: REPRESENTATIONS: PARIS 1830-1848 34
THE MYTHS OF MODERNITY 36
DREAMING THE BODY POLITIC 71
PART TWO: MATERIALIZATIONS: PARIS 1848-1870 101
PROLOGUE 102
THE ORGANIZATION OF SPACE RELATIONS 115
MONEY, CREDIT, AND FINANCE 126
RENT AND THE PROPERTIED INTEREST 134
THE STATE 150
ABSTRACT AND CONCRETE LABOR 162
THE BUYING AND SELLING OF LABOR POWER 182
THE CONDITION OF WOMEN 192
THE REPRODUCTION OF LABOR POWER 203
CONSUMERISM, SPECTACLE, AND LEISURE 217
COMMUNITY AND CLASS 232
NATURAL RELATIONS 253
SCIENCE AND SENTIMENT, MODERNITY AND TRADITION 261
RHETORIC AND REPRESENTATION 274
THE GEOPOLITICS OR URBAN TRANSFORMATION 300
PART THREE: CODA 316
THE BUILDING OF THE BASILICA OF SACRE-COEUR 318
NOTES 347
BIBLIOGRAPHY 364
ACKNOWLEDGMENTS AND CREDITS FOR ILLUSTRATIONS 373
INDEX 375
备用描述
BOOK COVER......Page 1
HALF-TITLE......Page 2
TITLE......Page 4
COPYRIGHT......Page 5
ILLUSTRATIONS......Page 8
TABLES......Page 12
INTRODUCTION: MODERNITY AS BREAK......Page 14
PART ONE: REPRESENTATIONS: PARIS 1830-1848......Page 34
THE MYTHS OF MODERNITY......Page 36
DREAMING THE BODY POLITIC......Page 71
PART TWO: MATERIALIZATIONS: PARIS 1848-1870......Page 101
PROLOGUE......Page 102
THE ORGANIZATION OF SPACE RELATIONS......Page 115
MONEY, CREDIT, AND FINANCE......Page 126
RENT AND THE PROPERTIED INTEREST......Page 134
THE STATE......Page 150
ABSTRACT AND CONCRETE LABOR......Page 162
THE BUYING AND SELLING OF LABOR POWER......Page 182
THE CONDITION OF WOMEN......Page 192
THE REPRODUCTION OF LABOR POWER......Page 203
CONSUMERISM, SPECTACLE, AND LEISURE......Page 217
COMMUNITY AND CLASS......Page 232
NATURAL RELATIONS......Page 253
SCIENCE AND SENTIMENT, MODERNITY AND TRADITION......Page 261
RHETORIC AND REPRESENTATION......Page 274
THE GEOPOLITICS OR URBAN TRANSFORMATION......Page 300
PART THREE: CODA......Page 316
THE BUILDING OF THE BASILICA OF SACRE-COEUR......Page 318
NOTES......Page 347
BIBLIOGRAPHY......Page 364
ACKNOWLEDGMENTS AND CREDITS FOR ILLUSTRATIONS......Page 373
INDEX......Page 375
备用描述
"Paris has long been one of the most influential cities in the world, but it was during the days of the "Second Empire" that the city became the template for modernity as we have come to know it. In the period between the failed revolutions of 1848 and 1871, Paris underwent a stunning transformation. Baron Hausmann, the city's legendary prefect, orchestrated the physical makeover of Paris, replacing the city's medieval plan with the grand boulevards that dominate the city to this day. Just as important, the era saw both the rise of a new form of capitalism dominated by high finance and the emergence of modern consumer culture. The sweeping social and physical changes elicited the novel cultural response of "modernism," but also further divided the city along class lines. The result was the rise and bloody suppression of the Paris Commune in 1871, which is recounted here in vivid detail. Making sure to place social and economic forces at the heart of the story, Paris, Capital of Modernity provides a dramatic and panoramic account of this pivotal era, and will stand alongside Carl Schorske's Fin-de-Siecle Vienna as a definitive history of the emergence of the modern city."--BOOK JACKET.
备用描述
Collecting David Harvey's finest writings on 19th century Paris, this title offers insights ranging from the birth of consumerist spectacle on the Parisian boulevards, the creative visions of Balzac, Baudelaire and Zola, and the reactionary cultural politics of the bombastic Sacre Coeur
开源日期
2011-06-04
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