"Magiciens de la Terre" was an exhibition held at the Centre Georges Pompidou and the Grande Halle at the Parc de la Villette in 1989. Curated by Jean-Hubert Martin, it aimed to counter the ethnic bias and colonial complicity of the contemporary art world. Martin chose 100 artists from around the world: 50 from first-world cultures such as the U.S. and Europe and 50 from cultures then routinely ignored by the art market, in Africa, Latin America, Asia and Australia. "I want to play the role of someone who uses artistic intuition alone to select objects which come from totally different cultures," Martin explained. "I also want to incorporate into that process the critical thinking which contemporary anthropology provides on the problem of ethnocentrism." With photographs and gallery plans, this volume revisits the exhibition.

lgli/Making Art Global (Part 2)_‘Magiciens de la Terre’ 1989.pdf

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Making Art Global (Part 2): Magiciens de la Terre 1989.Exhibition Series No. 4

McEvilley, Thomas, Buchloh, Benjamin, Araeen, Rasheed, Martin, Jean-Hubert, Steeds, Lucy

Lucy Steeds; Pablo Lafuente; Jean-Marc Poinsot; Rasheed Araeen

Rachel Weiss; Lucy Steeds; Pablo Lafuente; Rasheed Araeen

Afterall Books

König, Walther, Buchhandlung, GmbH & Co. KG. Abt. Verlag

Verlag der Buchhandlung Walther Konig

Exhibition histories, London, London, 2013

Germany, Germany

PS, 2013

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With a main essay by Lucy Steeds and including 107 colour images and 28 black and white. Additional contributions by Pablo Lafuente and Jean-Marc Poinsot, previously unpublished essays by Jean-Hubert Martin and Gayatri Spivak, responses from Frédéric Bruly Bouabré, Alfredo Jaar and Barbara Kruger, and archival texts by Rasheed Araeen, Jean Fisher and Thomas McEvilley. In 1989, an exhibition in Paris united the work of over a hundred artists and, since only half would be described as Western, it radically challenged the Western art system from within. 'Magiciens de la Terre' argued for the universality of the creative impulse and endeavoured to offer direct aesthetic experience of contemporary works of art made globally and presented on equal terms. Photographs and gallery plans reconstruct the exhibition in detail, and an essay by Lucy Steeds provides an extended examination of its history, context and choices. A new essay by Jean-Marc Poinsot looks at the discursive legacy, while another by Pablo Lafuente inscribes 'Magiciens de la Terre' within the wider history of exhibition practice. Additional texts include a programmatic statement by curator Jean-Hubert Martin, and an interview with Benjamin Buchloh addressing his plans right before the opening. These are accompanied by responses from the time by Rasheed Araeen, Jean Fisher and Thomas McEvilley, as well as a previously unpublished paper Gayatri Chakravorty Spivak presented at the colloquium that accompanied the exhibition. Recent reassessments of the show by participating artists Frédéric Bruly Bouabré, Alfredo Jaar and Barbara Kruger are also included. This title is a companion to Making Art Global (Part 1): The Third Havana Biennial 1989

Cover
Title
Copyright
Contents
Introduction: From the Outside In - ‘Magiciens de la Terre’ and Two Histories of Exhibitions
‘Magiciens de la Terre’ and the Development of Transnational Project-Based Curating
Review of the Paradigms and Interpretative Machine, or, The Critical Development of ‘Magiciens de la Terre’
Magiciens de la Terre, 1989
List of Artists
Centre Georges Pompidou: Floor Plan
Installation Views
Grande Halle de La Villette: Floor Plan
Installation Views
Catalogue Cover
The Death of Art - Long Live Art, 1986
The Whole Earth Show: An Interview with Jean-Hubert Martin
Our Bauhaus Others’ Mudhouse
Fictional Histories: ‘Magiciens de la Terre’ – The Invisible Labyrinth
Looking at Others
Marginalia: Thomas McEvilley on The Global Issue
Responses from Exhibiting Artists
Statement on ‘Magiciens de la Terre’
Interview with Alfredo Jaar
Statement on ’Magiciens de la Terre’
Authors’ Biographies
Selected Bibliography
Picture and Text Credits
Acknowledgements
Index

Im Jahr 1989 brachte eine große Ausstellung mehr als 100 Künstler zusammen: Die Hälfte der Künstler kam aus dem „Westen“, die andere Hälfte aus aller Welt. Diese Ausstellung trug zu einem radikalen Wechsel im westlichen Kunstsystem bei. „Magiciens de la Terre” plädierte für die Universalität des kreativen Impulses und bot eine direkte ästhetische Erfahrung global geschaffener zeitgenössischer Kunstwerke. Im vierten Buch der Afterall-Reihe Exhibition Histories wird diese Ausstellung mit Fotografien und Galerieplänen bis ins Detail rekonstruiert. Die Essays erforschen intensiv Geschichte und Kontext der Ausstellung sowie die zeitgenössischen Reaktionen darauf und beschäftigen sich mit deren Nachwirkung im kuratorischen Bereich.

In 1989, a large scale exhibition in Paris bringing together over 100 artists, around half from the 'West' and half from elsewhere, contributed to a radical shift in the Western art system. 'Magicians de la Terre' argued for the universality of the creative impulse and offered direct aesthetic experience of contemporary works of art made globally. In this book, photographs and gallery plans reconstruct the exhibition in detail. Essays provide an extended examination of its history and context to look at the discursive and curatorial legacy, and responses from the time

2022-12-23