A richly illustrated study of Marc Chaimowicz's groundbreaking 1972 post-Pop installation-performance piece Celebration? Realife. Marc Camille Chaimowicz (born in 1947) was one of the first artists to merge the realms of performance and installation art. Chaimowicz distinguished himself in an era of stark minimalism by his unabashed pursuit of the beautiful, establishing himself in the 1970s with art that was playful and subtly seductive. Chaimowicz's post-Pop scatter environments owed as much to glam rock as to art practice and were informed by modern French literature (Gide, Cocteau, Proust, and Gnet) as well as by art theory. His important 1972 installation Celebration? Realife featured masks, mirrors, various small objects (including a pair of orange knickers and a white bra), a glitter ball, music by the Rolling Stones, David Bowie, and othersand the artist, serving tea and engaging visitors in conversation in an adjacent room. It raised questions about public/private dichotomies, art/design boundaries, and identifications based on gender, and recast the artist as a kind of art director and stage designer. This work's recent reinstallation (as Celebration? Realife Revisited 1972/2000) and the critical acclaim it inspired confirms Chaimowicz's importance and points to his relationships with artists as different and as difficult as Cerith Wyn Evans, Jutta Koether, Kai Althoff, and others. This richly illustrated study of Celebration? Realife, with many color images, uses Chaimowicz's installation to reconstruct that cultural moment in the 1970s when the role of the artist and the relationships of art, design, popular culture, and performance changed. Performance artist Marc Camille Chaimowicz, born in Paris in 1947, teaches in the M.F.A. course at the University of Reading and is visiting consultant at L'Ecole Nationale des Beaux-Arts, Dijon. He is the author of Caf du Rve.

TOM HOLERT

London: Afterall ; Cambridge, Mass.: Distribution by The MIT Press

AFTERALL BOOKS; Afterall Books

Afterall Publishing

United Kingdom and Ireland, United Kingdom

ONE WORK, LONDON, Unknown, Mar 23, 2007

Illustrated, PS, 2007

June 1, 2007

Includes bibliographical references.

<p>Marc Camille Chaimowicz (born in 1947) was one of the first artists to merge the realms of performance and installation art. Chaimowicz distinguished himself in an era of stark minimalism by his unabashed pursuit of the beautiful, establishing himself in the 1970s with art that was playful and subtly seductive. Chaimowicz's post-Pop scatter environments owed as much to glam rock as to art practice and were informed by modern French literature (Gide, Cocteau, Proust,and Gênet) as well as by art theory. His important 1972 installation Celebration? Realife featured masks, mirrors, various small objects (including a pair of orange knickers and a white bra), a glitter ball, music by the Rolling Stones, David Bowie, and others—and the artist, serving tea and engaging visitors in conversation in an adjacent room. It raised questions about public/private dichotomies, art/design boundaries, and identifications based on gender, and recast the artist as a kind of art director and stage designer. This work's recent reinstallation (as Celebration? Realife Revisited 1972/2000) and the critical acclaim it inspired confirms Chaimowicz's importance and points to his relationships with artists as different and as difficult as Cerith Wyn Evans, Jutta Koether, Kai Althoff, and others. This richly illustrated study of Celebration? Realife, with many color images, uses Chaimowicz's installation to reconstruct that cultural moment in the 1970s when the role of the artist and the relationships of art, design, popular culture, and performance changed.Performance artist Marc Camille Chaimowicz, born in Paris in 1947, teaches in the M.F.A.</p>
<p>course at the University of Reading and is visiting consultant at L'Ecole Nationale des Beaux-Arts,Dijon. He is the author of Café du Réve.</p>
<p> Afterall Books</p>

Marc Camille Chaimowicz's Installation Celebration? Realife Was Originally Created For 'three Life Situations' At Gallery House London In 1972. The Work Is A Strange Hybrid Of A Scatter Environment, A Theatrical Stage And A Performance Piece. Meant As A Critique Of Modernist Objectivism, Celebration? Realife Is Also A Consciously Messy And Ambivalent Reaction To The Clean Conceits Of Conceptualist And Post Minimalist Tendencies. Tom Holert Argues That With Celebration? Realife, Chaimowicz Makes A Strategic And Important Meditation On The Changing Role Of The Artist, Who In This Defining Work Simultaneously Becomes Art Director, Stage Designer, Choreographer And Participant. Celebration? Realife Probes The Relationship Between Art, Design, Popular Culture And Performance At A Moment When These Disciplines, Genres And Milieus Hardly Ever Met. Holert Shows How This Influential Work Inventively Anticipates And Helps To Define An Important And Increasingly Popular Tendency In Art.--jacket. Tom Holert. Includes Bibliographical References.

"Marc Camille Chaimowicz's installation Celebration? Realife was originally created for 'Three Life Situations' at Gallery House London in 1972. The work is a strange hybrid of a scatter environment, a theatrical stage and a performance piece. Meant as a critique of modernist objectivism, Celebration? Realife is also a consciously messy and ambivalent reaction to the clean conceits of Conceptualist and post Minimalist tendencies." "Tom Holert argues that with Celebration? Realife, Chaimowicz makes a strategic and important meditation on the changing role of the artist, who in this defining work simultaneously becomes art director, stage designer, choreographer and participant. Celebration? Realife probes the relationship between art, design, popular culture and performance at a moment when these disciplines, genres and milieus hardly ever met. Holert shows how this influential work inventively anticipates and helps to define an important and increasingly popular tendency in art."-- Quatrième de couverture

102 p. : 21 cm
Includes bibliographical references

2023-06-28