Final Cut Pro, the professional video editing tool from Apple, is the wildly popular digital editing software that combines editing, compositing, and effects programs all in one product. Exciting features such as interactive editing tools, built-in special effects, compatibility with Adobe After Effects filters, and full support for all QuickTime formats make Final Cut Pro the most accessible video editing tool on the market.
Final Cut Pro 3 for Macintosh: Visual QuickPro Guide introduces video producers to the comprehensive set of tools available in Final Cut Pro. Step-by-step instructions lead readers through the basics and quickly into more advanced projects in video editing. All the important features of Apple's newest application are covered in detail--the easy-to-use interface, plug-and-play capability, integration with QuickTime software, as well as a host of other features and tools that enhance workflow and productivity. This edition ships with a free DVCreators Powerstart Demo CD created especially for VQP readers.

Little known facts about well known people,

Final cut pro three for Macintosh

Brief History of Time

Hawking, Stephen W.; Introduction by Sagan, Carl

Lisa Brenneis

Dale Carnegie

Addison-Wesley Longman, Incorporated

Longman Publishing

A L Burt Company

Bantam Books

Adobe Press

United States, United States of America

[Online-Ausg.]., Berkeley, Calif, 2002

1st, 1988

US, 1934

[curator]paul.n@archive.org[/curator][date]20110509220825[/date][state]approved[/state]

Includes index.

topic: Final cut (Electronic resource); Digital video; Video tapes; Video recording; Macintosh (Computer)

Type: 英文图书

Bookmarks:
1. (p1) Introduction
2. (p2) Chapter 1: Before You Begin
2.1. (p3) New in 3: More Real-time, More Operating Systems
2.2. (p4) Real-Time Effects: More Hardware Options
2.3. (p5) System Requirements
2.3.1. (p6) Real-Time System Requirements
2.3.2. (p7) What's the Difference Between DV and Digital Video?
2.4. (p8) System Configuration
2.4.1. (p9) Frame-Accurate DV Capture Options
2.4.2. (p10) FCP Protocol: Disk Names
2.4.3. (p11) Storage Strategy for Final Cut Pro
2.5. (p12) Connecting Video Devices and Monitors
2.5.1. (p13) FireWire Cables: Handle with Care
2.5.2. (p14) Connecting an external NTSC or PAL monitor
2.5.3. (p15) FCP Protocol: Controlling External Video Output
2.5.4. (p16) Controlling video devices with Final Cut Pro
2.5.5. (p17) About Apple FireWire
2.5.6. (p18) FCP Protocol: Device Control
2.6. (p19) Installing Final Cut Pro
2.6.1. (p20) New in 3: FCP for OSX
2.6.2. (p21) Upgrading to Final Cut Pro 3
2.6.3. (p22) Mac OS 9 Upgrade Installation Tips
2.6.4. (p23) Installing QuickTime first
2.6.5. (p24) Mac OS X Upgrade Installation Tips
2.6.6. (p25) Where to Install FCP?
2.6.7. (p26) Allocating memory to Final Cut Pro for OS 9
2.6.8. (p27) Registering and choosing an initial setup
2.6.9. (p28) What's an Easy Setup?
2.7. (p29) Optimizing Performance
2.7.1. (p30) Settings
2.7.2. (p31) Display
2.7.3. (p32) Disk maintenance
2.7.4. (p33) FCP for OS 9: Check Your Memory
2.7.5. (p34) The Bottom Line: Running FCP on a G3/300
2.8. (p35) Troubleshooting
3. (p36) Chapter 2: Welcome to Final Cut Pro
3.1. (p37) Touring Your Desktop Post-Production Facility
3.1.1. (p38) Useful features
3.1.2. (p39) Menus, shortcuts, and controls
3.1.3. (p40) Onscreen help
3.1.4. (p41) What Is Nondestructive Editing?
3.2. (p42) Editing and Effects Windows
3.2.1. (p43) The Browser
3.2.2. (p44) The Viewer
3.2.3. (p45) The Viewers Video tab
3.2.4. (p46) The Viewer's Audio tab
3.2.5. (p47) The Viewer's Effects tabs
3.2.6. (p48) The Canvas
3.2.7. (p49) The Timeline
3.2.8. (p50) The Tool palette
3.2.9. (p51) The Tool Bench
3.3. (p52) Input and Output Windows
3.3.1. (p53) Log and Capture
3.3.2. (p54) Edit to Tape
3.4. (p55) Media Management Tools
3.4.1. (p56) Media Manager
3.4.2. (p57) Other Media Management tools
3.4.3. (p58) Import and export options
3.5. (p59) Customize Your Environment
3.6. (p60) Undoing Changes
3.6.1. (p61) FCP Protocol: Undoing Changes in Multiple Projects
3.7. (p62) Using Presets and Preferences
3.7.1. (p63) Easy Setup
3.7.2. (p64) Audio/Video Settings
3.7.3. (p65) Preferences
3.7.4. (p66) Modifying the Settings of an Existing Item
3.7.5. (p67) How to "Trash Your Prefs"
3.7.6. (p68) Accessing Preference Settings
3.8. (p69) Using Easy Setups
3.8.1. (p70) Easy Setups to Go
3.9. (p71) Using Audio/Video Presets
3.9.1. (p72) Finding Additional and Third-Party Presets
3.10. (p73) Specifying Sequence Settings
3.11. (p75) Specifying Video Processing Settings
3.12. (p76) Specifying Capture Settings
3.13. (p78) Specifying Device Control Settings
3.14. (p79) Using External Video Settings
3.15. (p81) Specifying Preference Window Settings
3.16. (p82) Setting User Mode Preferences
3.17. (p84) Customizing the Timeline Display
3.18. (p85) Setting Label Preferences
3.19. (p86) Setting External Editors Preferences
3.20. (p87) Setting Scratch Disk Preferences
3.21. (p89) Changing the Settings of an Existing Sequence
3.22. (p90) Viewing and Setting Item Properties
3.23. (p91) Viewing and Setting Project Properties
4. (p92) Chapter 3: Input: Getting Digital with Your Video
4.1. (p93) New in 3: Offline RT Video Format
4.2. (p94) Anatomy of the Log and Capture Window
4.2.1. (p95) Preview window
4.2.2. (p96) Log and capture controls
4.2.3. (p97) Logging tab
4.2.4. (p98) Capture Settings tab
4.2.5. (p99) Clip Settings tab
4.3. (p100) Setting Up for Capture
4.3.1. (p101) Is Your System Capture-Ready?
4.3.2. (p102) Capture Settings: Try These First
4.3.3. (p103) Checking preferences
4.3.4. (p104) Calibrating the timecode signal input
4.3.5. (p105) Calibrating capture settings with color bars and audio tone
4.3.6. (p106) FCP Protocol: Luminance measurement Analog versus Digital
4.4. (p107) About Logging
4.4.1. (p108) The Art of File Naming
4.4.2. (p109) Selecting a logging bin
4.4.3. (p110) Speed Logging Tips
4.4.4. (p111) Logging
4.4.5. (p112) FCP Protocol: Auto-Incrementing on the Logging Tab
4.4.6. (p113) Modifying logged clip data
4.5. (p114) Capturing Video with Device Control
4.6. (p115) Capturing Video without Device Control
4.6.1. (p116) Capturing analog audio
4.7. (p117) Recording Audio with the Voice Over Tool
4.7.1. (p118) Anatomy of the Voice Over Tool tab
4.7.2. (p119) Transport controls
4.7.3. (p120) Status display
4.7.4. (p121) Audio File area
4.7.5. (p122) Input controls
4.7.6. (p123) Headphones controls
4.7.7. (p124) Voice Over tool set-up checklist
4.7.8. (p125) Cue Beep Choreography
4.8. (p126) Batch Capturing Clips
4.8.1. (p127) The Wonders of Batch Recapture
4.8.2. (p128) Preparing for a batch capture
4.9. (p129) Importing a Batch List
4.10. (p130) Importing an Edit Decision List (EDL)
4.11. (p131) Changing Your Source Timecode
4.12. (p132) Troubleshooting Capture Problems
4.13. (p134) Importing Media
5. (p142) Chapter 4: Preparing Your Clips
5.1. (p143) FCP Protocol: Clips and Sequences
5.2. (p144) About Projects
5.2.1. (p145) Using Save As to Protect Your Work
5.3. (p146) Using the Autosave Vault
5.3.1. (p147) Setting Autosave vault location and preferences
5.3.2. (p148) You Need Backup
5.3.3. (p149) Using Autosave to recover from a crash
5.3.4. (p150) New Browser Features in 2/3
5.4. (p151) Anatomy of the Browser
5.4.1. (p152) Browser columns
5.4.2. (p153) Browser window icons
5.4.3. (p154) What Does "Not Set"Mean?
5.5. (p155) How the Browser Can Save Your Sanity
5.5.1. (p156) Selecting multiple Browser items
5.5.2. (p157) Sorting items
5.5.3. (p158) Customizing the Browser display
5.5.4. (p159) Searching for items in the Browser
5.5.5. (p160) Using the Find Results window
5.5.6. (p161) Search the Project or Search the Sequence?
5.6. (p162) Working with Bins
6. (p164) Chapter 5: Introducing the Viewer
6.1. (p165) Onscreen Controls and Displays
6.1.1. (p166) Transport controls
6.1.2. (p167) Clip-marking controls
6.1.3. (p168) Pop-up selectors
6.1.4. (p169) View selectors
6.1.5. (p170) Timecode navigation and display
6.2. (p171) Working with Clips in the Viewer
6.2.1. (p172) FCP Protocol: Saving Clip Changes
6.2.2. (p173) JKL Keys: The Way to Move
6.2.3. (p174) Other ways to move: Jogging, scrubbing, and shuttling
6.2.4. (p175) FCP Protocol: Entering Timecode Numbers
6.3. (p176) Navigating with Timecode
6.4. (p177) Working with In and Out Points
6.4.1. (p178) Other Ways to Set In and Out Points
6.5. (p179) About Subclips
6.5.1. (p180) New in 2/3: Media Manager and Subclips
6.6. (p181) Using Markers
6.6.1. (p182) Marking Shortcuts
6.7. (p183) Adjusting the Viewer Display
6.7.1. (p184) Changing magnification and window size in the Viewer or Canvas
6.8. (p185) Viewing Overlays
6.8.1. (p186) Viewing Title Safe and Action Safe boundaries
6.8.2. (p187) Viewing Timecode Overlays
6.8.3. (p188) Viewing with different backgrounds
6.8.4. (p189) Wireframes in the Viewer
6.9. (p190) Anatomy of the Audio Tab
6.9.1. (p191) Audio tab onscreen controls and displays
6.9.2. (p192) FCP's Audio Formats
6.10. (p193) Using the Viewer's Audio Tab
7. (p201) Chapter 6: Editing in Final Cut Pro
7.1. (p202) What's a Sequence?
7.1.1. (p203) Creating a new sequence
7.1.2. (p204) Time Stamp for Sequences
7.1.3. (p205) Specifying target tracks
7.1.4. (p206) FCP Protocol: Target Tracks
7.2. (p207) Basic Editing Step by Step
7.2.1. (p208) Many Ways to Make an Edit
7.2.2. (p209) FCP Protocol: Three-Point Editing
7.2.3. (p210) Moving the playhead
7.2.4. (p211) FCP Protocol: Editing Multiple Tracks in Final Cut Pro
7.3. (p212) Performing Edits in the Canvas
7.3.1. (p213) Insert edit
7.3.2. (p214) Overwrite edit
7.3.3. (p215) Replace edit
7.3.4. (p216) Fit to Fill edit
7.3.5. (p217) Superimpose edit
7.3.6. (p218) Transition edits
7.3.7. (p219) Deleting clips from a sequence
7.4. (p220) Performing Edits in the Timeline
7.5. (p221) Performing Split Edits
7.6. (p222) Setting Sequence In and Out Points
7.7. (p223) Locating a Match Frame
8. (p224) Chapter 7: Using the Timeline and the Canvas
8.1. (p225) Anatomy of the Canvas
8.1.1. (p226) Onscreen controls and displays
8.1.2. (p227) Timecode navigation and display
8.1.3. (p228) Editing controls
8.1.4. (p229) Anatomy of Canvas Edit Overlay
8.2. (p230) Using the Canvas Window
8.2.1. (p231) Creating and exporting still frames
8.2.2. (p232) Adjusting the Canvas Display
8.3. (p233) Anatomy of the Tool Palette
8.3.1. (p234) Selection tools
8.3.2. (p235) Edit tools
8.3.3. (p236) View tools
8.3.4. (p237) Image modifiers
8.3.5. (p238) Keyframe tools
8.3.6. (p239) Using the Tool palette
8.3.7. (p240) New in 2/3: Timeline Features
8.4. (p241) Anatomy of the Timeline
8.4.1. (p242) Onscreen controls and displays
8.4.2. (p243) Color coding in the Timeline
8.5. (p244) Customizing Timeline Display Options
8.5.1. (p245) Timeline scaling and scrolling
8.5.2. (p246) Best Zoom Shortcuts
8.6. (p247) Navigating in the Timeline
8.6.1. (p248) Positioning the playhead in a sequence
8.6.2. (p249) Navigating with timecode in the Timeline
8.6.3. (p250) About snapping in the Timeline
8.6.4. (p251) About markers in the Timeline and Canvas
8.7. (p252) Working with Timeline Tracks
8.7.1. (p253) FCP Protocol: Lock vs. Target
8.7.2. (p254) Making a Timeline track invisible
8.7.3. (p255) Using the track selection tools
8.8. (p256) Working with Items in the Timeline
8.8.1. (p257) Selecting items in the Timeline
8.8.2. (p258) Linking clips
8.8.3. (p259) FCP Protocol: Linked Clips
8.8.4. (p260) Using linked selection
8.8.5. (p261) Moving Timeline clips
8.8.6. (p262) Finding and closing gaps
8.8.7. (p263) FCP Protocol: Gaps and Track Gaps
8.8.8. (p264) FCP Protocol: Deleting Items in the Timeline
8.8.9. (p265) Copying and pasting clip attributes
8.8.10. (p266) Making multiclip adjustments
8.8.11. (p267) Changing the playback speed of a clip
8.8.12. (p268) Using offline clips
8.9. (p269) Working with Keyframes in the Timeline
8.10. (p270) Searching for Items in the Timeline
9. (p271) Chapter 8: Fine Cut: Trimming Edits
9.1. (p272) Types of Trimming Operations
9.2. (p273) Selecting an Edit for Trimming
9.2.1. (p274) Tips on Tools
9.2.2. (p275) Quick Navigation Keys
9.2.3. (p276) All Keys: Mouse-less Trimming in FCP
9.3. (p277) Anatomy of the Trim Edit Window
9.4. (p278) Using the Trim Edit Window
9.4.1. (p279) FCP Protocol: Trimming Error Messages
9.5. (p280) Trimming Edits in the Timeline
9.5.1. (p281) About Through edits
9.6. (p282) Trimming Edits in the Viewer
9.7. (p283) Correcting Out-of-Sync Clips
10. (p284) Chapter 9: Creating Transitions
10.1. (p285) Adding Transition Effects
10.1.1. (p286) FCP Protocol: Transitions
10.1.2. (p287) FCP Protocol: Saving Changes to Modified Transitions
10.2. (p288) Working with Default and Favorite Transitions
10.2.1. (p289) About transition edits
10.3. (p290) Editing Video Transitions
11. (p297) Chapter 10: Rendering
12. (p340) Chapter 11: At Last: Creating Final Output
13. (p375) Chapter 12: Big Picture: Managing Complex Projects
14. (p416) Chapter 13: Compositing and Special Effects
15. (p490) Chapter 14: FCP 3 and Mac OS X
16. (p506) Appendix A: Online Resources
17. (p513) Appendix B: Keyboard Shortcuts
18. (p514) Index

theme: Final cut (Electronic resource); Digital video; Video tapes; Video recording; Macintosh (Computer)

Great information about famous people that can illustrate the humanity in all folks. Illustrated. Author of How to Win Friends and Influence People and many other best selling books, Dale Carnegie presented this volume of anecdotes to people that attended his sessions. Rare and unusual hardcover, with dust jacket. Includes stories about Greta Garbo, Thomas Edison, Lenin, O. Henry, Walt Disney, Mozart, Robert Ripley, Josephine, Brigham Young, Cleopatra, George Gershwin, Carrie Nation, F. W. Woolworth, Upton Sinclair, Mary Todd Lincoln, and 33 others.

Bringing visual learning to Final Cut Pro 3, this text teaches students the core techniques they need to produce digital video, whether their projects will be delivered via videotape, film, multimedia CD-ROM, or streamed across the Web. It is useful for intermediate to advanced courses in digital video editing or production using Final Cut Pro 3.

An overview of the digital editing application for Macs that has been updated for integration with OS X explains how to prepare film clips, work with timelines, and add transitions and special effects to tape and video clips.

2023-06-28