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A new history of Japanese cinema : a century of narrative film 🔍
Isolde Standish Continuum International Publishing Group, Incorporated, New York, London, United States, 2005
英语 [en] · PDF · 24.8MB · 2005 · 📘 非小说类图书 · 🚀/lgli/lgrs/nexusstc/upload/zlib · Save
描述
Cinema, which first arrived in Japan in 1896 with the Kinetoscope prototype, came at the very time that Japan was transforming its economic base and society into that of a major international power. The first cinema, the Asakusa Denkikan, was opened in Tokyo in 1903 and within thirteen years three hundred cinemas had sprung up throughout the country.
In A New History of Japanese Cinema: A Century of Narrative Film, Isolde Standish focuses on the historical development of Japanese film. She details an industry and an art form shaped by the competing and merging forces of traditional culture and of economic and technological innovation. Adopting a thematic, exploratory approach, Standish links the concept of Japanese cinema as a system of communication with some of the central discourses of the twentieth century: modernism, nationalism, humanism, resistance, and gender.
After an introduction outlining the earliest years of cinema in Japan, Standish demonstrates cinema's symbolic position in Japanese society in the 1930s—as both a metaphor and a motor of modernity. Moving into the late thirties and early forties, Standish analyses cinema's relationship with the state-focusing in particular on the war and occupation periods. The book's coverage of the post-occupation period looks at "romance" films in particular. Avant-garde directors came to the fore during the 1960s and early seventies, and their work is discussed in depth. The book concludes with an investigation of genre and gender in mainstream films of recent years.
In grappling with Japanese film history and criticism, most western commentators have concentrated on offering interpretations of what have come to be considered "classic" films. A New History of Japanese Cinema takes a genuinely innovative approach to the subject, and should prove an essential resource for many years to come.
Includes an 8-page color plate section and an 8-page black and white plate section.
备用文件名
upload/newsarch_ebooks_2025_10/2022/03/20/0826417094_New.pdf
备用文件名
nexusstc/New History of Japanese Cinema: A Century of Narrative Film/62969432ac8879d1c2449f407b4b2934.pdf
备用文件名
lgli/A New History of Japanese Cinema. A Century of Narrative Film.pdf
备用文件名
lgrsnf/A New History of Japanese Cinema. A Century of Narrative Film.pdf
备用文件名
zlib/Arts/Film/Isolde Standish/New History of Japanese Cinema: A Century of Narrative Film_2473785.pdf
备选标题
9780826417909.pdf
备选作者
Acrobat 5.0 Paper Capture Plug-in for Windows
备选作者
Standish, Isolde.
备用出版商
Continuum International Publishing Group, Limited
备用出版商
Bloomsbury Academic; Bloomsbury
备用版本
United States, United States of America
备用版本
Bloomsbury USA, New York, 2006
备用版本
New York, New York State, 2005
备用版本
PT, 2006
备用版本
1, 2006
元数据中的注释
0
元数据中的注释
lg1300005
元数据中的注释
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元数据中的注释
Filmography: p. 365-386.
Includes bibliographical references (p. 387-395) and index.
元数据中的注释
Фильмогр.: с. 437-458
Библиогр.: с. 459-470
元数据中的注释
РГБ
元数据中的注释
Russian State Library [rgb] MARC:
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备用描述
"In A New History of Japanese Cinema Isolde Standish focuses on the historical development of Japanese film. She details an industry and an art form shaped by the competing and merging forces of traditional culture and of economic and technological innovation. Adopting a thematic, exploratory approach, Standish links the concept of Japanese cinema as a system of communication with some of the central discourses of the twentieth century: modernism, nationalism, humanism, resistance, and gender. After an introduction outlining the earliest years of cinema in Japan, Standish demonstrates cinema's symbolic position in Japanese society in the 1930s--as both a metaphor and a motor of modernity. Moving into the late thirties and early forties, Standish analyses cinema's relationship with the state-focusing in particular on the war and occupation periods. The book's coverage of the post-occupation period looks at "romance" films in particular. Avant-garde directors came to the fore during the 1960s and early seventies, and their work is discussed in depth. The book concludes with an investigation of genre and gender in mainstream films of recent years. In grappling with Japanese film history and criticism, most western commentators have concentrated on offering interpretations of what have come to be considered "classic" films. A New History of Japanese Cinema takes a genuinely innovative approach to the subject, and should prove an essential resource for many years to come."--Bloomsbury Publishing.
备用描述
<br>
In A New History of Japanese Cinema Isolde Standish focuses on the historical development of Japanese film. She details an industry and an art form shaped by the competing and merging forces of traditional culture and of economic and technological innovation. Adopting a thematic, exploratory approach, Standish links the concept of Japanese cinema as a system of communication with some of the central discourses of the twentieth century: modernism, nationalism, humanism, resistance, and gender.
<p>After an introduction outlining the earliest years of cinema in Japan, Standish demonstrates cinema's symbolic position in Japanese society in the 1930s - as both a metaphor and a motor of modernity. Moving into the late thirties and early forties, Standish analyses cinema's relationship with the state-focusing in particular on the war and occupation periods. The book's coverage of the post-occupation period looks at "romance" films in particular. Avant-garde directors came to the fore during the 1960s and early seventies, and their work is discussed in depth. The book concludes with an investigation of genre and gender in mainstream films of recent years.</p>
<p>In grappling with Japanese film history and criticism, most western commentators have concentrated on offering interpretations of what have come to be considered "classic" films. A New History of Japanese Cinema takes a genuinely innovative approach to the subject, and should prove an essential resource for many years to come.</p>
备用描述
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Contents 8
Preface and Acknowledgments 10
Notes on Translation 12
Introduction: Towards a Politics of Cinema 14
1 Cinema, Modernity and the Shochiku Tokyo Studios 30
2 Cinema, Nationalism and Empire 81
3 Cinema and the State 134
4 Cinema and Humanism 175
5 Cinema and Transgression 221
6 Genres and Gender 271
Reflections 328
Notes 344
Select Filmography 366
Select Bibliography 388
Index 398
A 398
B 399
C 399
D 400
E 401
F 401
G 402
H 402
I 403
J 404
K 404
L 405
M 406
N 407
O 408
P 408
R 409
S 410
T 412
U 413
V 413
W 414
Y 414
Z 415
备用描述
This volume addresses the historical development of Japanese cinema, and the confluence of traditional arts, sociopolitical trends, and Western technology. Previous studies of Japanese cinema concentrated on stylistic development, or on a particular era; but Standish (film studies, School of Oriental and African Studies, U. of London) discusses the subject in terms of modernity and the Shochiku Tokyo Studios, nationalism and empire, the state, humanism, transgression, and genres and
开源日期
2014-12-06
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