Contemporary Arts as Political Practice in Singapore 🔍
Wernmei Yong Ade, Lim Lee Ching (eds.) Palgrave Macmillan US : Imprint : Palgrave Macmillan, 1st ed. 2016, New York, 2016
英语 [en] · PDF · 3.0MB · 2016 · 📘 非小说类图书 · 🚀/lgli/lgrs/nexusstc/scihub/upload/zlib · Save
描述
This timely collection examines the contemporary arts as political practice, offering critical insight into some of the more controversial talking points that have shaped Singapore’s identity as a nation. Focusing on the role played by contemporary arts in shaping Singapore’s political landscape as the country celebrated 50 years of independence in 2015, the authors consider how politics is often perceived as that which limits the flourishing of the arts. Contending that all art is political, and that all art form is a form of political practice, this collection examines ways in which the practice of art in Singapore redraws the boundaries that conventionally separate arts from politics. It critically examines the tenuous relationship between the arts and politics and offers a timely reevaluation of the relationship between the arts and politics. In doing so, it opens a dialogue between artistic practice and political practice that reinforces the mutuality of both, rather than their exclusivity, and redefines the concept of the political to demonstrate that political involvement is not a simple matter of partisan politics, but has an inherently aesthetic dimension, and aesthetics an inherently political one.
Erscheinungsdatum: 10.01.2017
备用文件名
motw/Contemporary Arts as Political - Wernmei Yong Ade.pdf
备用文件名
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备用文件名
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nexusstc/Contemporary Arts as Political Practice in Singapore/61e43d3c20fc52e4ebe4b0e6bd14edd7.pdf
备用文件名
scihub/10.1057/978-1-137-57344-5.pdf
备用文件名
zlib/Society, Politics & Philosophy/Social Sciences/Wernmei Yong Ade, Lim Lee Ching (eds.)/Contemporary Arts as Political Practice in Singapore_2921788.pdf
备选标题
Queenship in the Mediterranean Negotiating the Role of the Queen in the Medieval and Early Modern Eras
备选作者
Ade, Wernmei Yong; Ching, Lim Lee
备选作者
Adobe InDesign CC 2015 (Windows)
备选作者
Wernmei Yong Ade; Lee Ching Lim
备选作者
Author
备用出版商
Macmillan Education UK
备用出版商
Springer Nature
备用出版商
Red Globe Press
备用版本
United Kingdom and Ireland, United Kingdom
备用版本
Springer Nature, New York, NY, 2016
备用版本
New York, NY, U.S.A, 2016
备用版本
1st ed. 2016, FR, 2017
备用版本
Jan 10, 2017
备用版本
2, 20170110
元数据中的注释
sm63545888
元数据中的注释
producers:
Adobe PDF Library 15.0
元数据中的注释
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元数据中的注释
Memory of the World Librarian: Slowrotation
备用描述
Contents 5
List of Figures 7
Chapter 1: Introduction 8
Chapter 2: Waxing on Wagers 20
The Flop 20
The Turn 26
The River 32
Chapter 3: Loo Zihan and the Body Confessional 35
Body 36
Bodies 42
Chapter 4: Kiasipolitics: Sagas, Scandals and Suicides in Johann S. Lee’s Peculiar Chris 51
Three Types of Necrographies 53
Kiasipolitics in the Necrocolony 58
Kiasipolitics in Peculiar Chris 60
Conclusion 66
Chapter 5: The Mosaic Body: Interpreting Disability in Performance 68
Tyranny of Neutral 72
Scrutinizing Gaze 74
Interpreting Disability in Performance 78
Chapter 6: Embodying Multiplicity on the Singapore Stage: Plays of Difference 86
Multiplicity in Society: A Workshop for Open Culture 89
Tell Me When to Laugh and When to Cry: Embodying Multiplicity Within the Self 94
The Perfection of Ten: Performing Multiplicity Across Spaces 99
Chapter 7: Becoming Ellen Toh: The Politics of Visibility in Invitation to Treat: The Eleanor Wong Trilogy 106
The Politics of Visibility and Personhood 110
Doing Gay, Becoming Person: The Case of Ellen Toh 115
Chapter 8: “Neighbors”: A Tiong Bahru Series 124
Project Findings and Demographics 129
Why Portraits? 134
Architecture and Heritage 136
Concluding Thoughts 138
Chapter 9: The Substation at 25: On Institutional Memory and Forgetting 141
Introduction 142
Part 1: The Substation as Cultural Infrastructure 143
Part 2: The Substation’s Archive—Infrastructure Has No In-Built Memory 145
Institutional Memory and People 148
Part 3: The Substation’s Archive: Misplaced Knowledge, Misplaced Sentiment 149
Part 4: Institutional Basis for Art 152
Part 5: The Role of Forgetting in Institutional Learning 154
Index 155
备用描述
"This pivot examines the contemporary arts as political practice in Singapore. Singapore marked 50 years of Independence in 2015 and this timely collection on the topic of contemporary arts as political practice in Singapore offers critical insight into some of the more controversial talking points that have shaped Singapore's identity as a nation. Focusing on the role played by contemporary arts in shaping Singapore's political landscape, the authors consider how Politics is often perceived as that which limits the flourishing of the arts. Contending that all art is political, and that all art form is a form of political practice, this collections examines ways in which the practice of art in Singapore redraws the boundaries that conventionally separate arts from politics. It critically examines the tenuous relationship between the arts and politics and offers a timely reevaluation of the relationship between the arts and politics. In doing so, this collection opens a dialogue between artistic practice and political practice that reinforces the mutuality of both, rather than their exclusivity and redefines the concept of the political to demonstrate that political involvement is not a simple matter of partisan politics, but has an inherently aesthetic dimension, and aesthetics an inherently political one. ."--Font no determinada
备用描述
Front Matter....Pages i-vii
Introduction....Pages 1-12
Waxing on Wagers....Pages 13-27
Loo Zihan and the Body Confessional....Pages 29-44
Kiasipolitics: Sagas, Scandals and Suicides in Johann S. Lee’s Peculiar Chris ....Pages 45-61
The Mosaic Body: Interpreting Disability in Performance....Pages 63-80
Embodying Multiplicity on the Singapore Stage: Plays of Difference....Pages 81-100
Becoming Ellen Toh: The Politics of Visibility in Invitation to Treat: The Eleanor Wong Trilogy ....Pages 101-118
“Neighbors”: A Tiong Bahru Series....Pages 119-135
The Substation at 25: On Institutional Memory and Forgetting....Pages 137-150
Back Matter....Pages 151-165
备用描述
Wernmei Yong Ade, Lim Lee Ching, Editors. Includes Bibliographical References And Index.
开源日期
2017-04-19
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