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Waltzing with Bashir: Perpetrator Trauma and Cinema (International Library of the Moving Image) 🔍
Raya Morag I. B. Tauris, Bloomsbury UK, London, 2013
英语 [en] · PDF · 10.3MB · 2013 · 📘 非小说类图书 · 🚀/lgli/lgrs/nexusstc/zlib · Save
描述
Waltzing with Bashir proposes a new paradigm for cinema trauma studies – the trauma of the perpetrator. Recognizing a current shift in interest from the trauma suffered by victims to that suffered by perpetrators, the book seeks to theorize this yet under-theorized field. Taking as a point of departure the distinction between testimony given by the victim and confession made by the perpetrator, this pioneering work ventures to define and analyze perpetrator trauma in scholarly, representational, literary, and societal contexts.
Driven by the emergence of a new wave of Israeli documentary cinema, the book analyzes Israeli post- second-Intifada films and literature. As Ari Folman's Waltz with Bashir and other new wave films demonstrate, Israeli cinema, attached on one side to the legacy of the Holocaust and on the other to the Israeli Occupation, is a highly relevant case for probing the limits of both victim and perpetrator traumas.
备用文件名
lgli/MORAG_Prelims.indd - Harshith.pdf
备用文件名
lgrsnf/MORAG_Prelims.indd - Harshith.pdf
备用文件名
zlib/Arts/Film/Raya Morag/Waltzing with Bashir: Perpetrator Trauma and Cinema_19310382.pdf
备选作者
Morag, Raya
备用出版商
Bloomsbury Publishing PLC
备用出版商
I.B. Tauris; Bloomsbury
备用出版商
I.B. Tauris & Co. Ltd.
备用出版商
Taylor & Francis Ltd
备用版本
International library of the moving image, 11, London, 2013
备用版本
International library of the moving image, London, 2012
备用版本
United Kingdom and Ireland, United Kingdom
元数据中的注释
{"isbns":["178076264X","9781780762647"],"last_page":288,"publisher":"I.B. Tauris"}
备用描述
Waltzing with Bashir proposes a new paradigm for cinema trauma studies - the trauma of the perpetrator. Recognizing a current shift in interest from the trauma suffered by victims to that suffered by perpetrators, the book seeks to theorize this still under-studied field thus breaking the repression of this concept and phenomenon in psychoanalysis and in cinema literature. Taking as a point of departure the distinction between testimony given by the victim and confession made by the perpetrator, this pioneering work ventures to define and analyze perpetrator trauma in scholarly, representational, literary, and societal contexts. In contrast to the twentieth-century definition of the perpetrator based on modern wars and totalitarian regimes,Morag defines the perpetrator in the context of the twenty-first century's new wars and democratic regimes. The direct result of a drastic transformation in the very nature of war, made manifest by the lethal clash between soldier and civilian in a battlefield newly defined in bodily terms, the new trauma paradigm stages the trauma of the soldier turned perpetrator, thus offering a novel perspective on issues of responsibility and guilt.Such theoretical insights demonstrate that the epistemology of the post-witness era requires breaking deep-seated psychological and psychiatric, as well as cultural and political, repression. Driven by the emergence of a new wave of Israeli documentary cinema, Waltzing with Bashir analyzes the Israeli film and literature produced in the aftermath of the second Intifada. As Ari Folman's Waltz with Bashir and other new wave films demonstrate, Israeli cinema, attached on one side to the legacy of the Holocaust and on the other to the Israeli Occupation, is a highly relevant case for probing the limits of both victim and perpetrator traumas, and for revisiting and recontextualizing the crucial moment in which the victim/perpetrator cultural symbiosis is dismantled.
备用描述
This title proposes a new paradigm for cinema trauma studies - the trauma of the perpetrator. Recognizing a current shift in interest from the trauma suffered by victims to that suffered by perpetrators, the book seeks to theorize this as yet undertheorized field. Taking as a point of departure the distinction between testimony given by the victim and confession made by the perpetrator, this pioneering work ventures to define and analyze perpetrator trauma in scholarly, representational, literary and societal context
备用描述
CONTENTS
ACKNOWLEDGMENTS
LIST OF ILLUSTRATIONS
PREFACE
INTRODUCTION: FROM VICTIM TO PERPETRATOR TRAUMA
PART I. VICTIM TRAUMA
1. THE BODY AS THE BATTLEFIELD
2. CHRONIC VICTIM TRAUMA AND TERROR
3. QUEERNESS, ETHNICITY, AND TERROR
PART II. PERPETRATOR TRAUMA
4. THE NEW WAVE OF DOCUMENTARY CINEMA: THE MALE PERPETRATOR
5. THE NEW WAVE OF DOCUMENTARY CINEMA: THE FEMALE PERPETRATOR
6. THE NEW WAVE OF DOCUMENTARY LITERATURE
CONCLUSION: THE PERPETRATOR COMPLEX
NOTES
WORKS CITED
FURTHER READING
FILMOGRAPHY
INDEX
备用描述
__Waltzing with Bashir____Waltz with Bashir__
开源日期
2022-03-07
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