Beyond memory : Soviet nonconformist photography and photo-related works of art ; [Exhibition Beyond Memory: Photography and Photo-Related Works of Art from the Norton and Nancy Dodge Collection of Nonconformist Art from the Soviet Union ... at the Jane Voorhees Zimmerli Art Museum at Rutgers, the State University of New Jersey, New Brunswick, September 1 - November 28, 2004 🔍
Neumaier, Diane, 1946- Jane Voorhees Zimmerli Art Museum. New Brunswick, N.J. : Jane Voorhees Zimmerli Art Museum, Rutgers : Rutgers University Press, [2004], The Dodge Soviet nonconformist art publication series, New Brunswick, NJ, c 2004
英语 [en] · PDF · 35.0MB · 2004 · 📘 非小说类图书 · 🚀/lgli/upload/zlib · Save
描述
On Soviet Nonconformist Photography and Photo-Related Art -- Painting versus Photography: A Battle of Mediums in Twentieth-Century Russian Culture / Konstantin Akinsha 31 -- Soviet Policy on Photography / Elena Barkhatova 47 -- Force of the Medium: The Soviet Amateur Photography Movement / Valery Stigneev 67 -- Closer to the Body / Alexander Borovsky 75 -- Freeze Frame: Photography and Performance in Moscow Conceptual Art / Ekaterina Bobrinskaya 91 -- Copy Is the Crime: Unofficial Art and the Appropriation of Official Photography / Ekaterina Degot 103 -- Russian Photography in the Textual Context / Boris Groys 119 -- Stretching the Limits: On Photo-Related Works of Art in the Norton and Nancy Dodge Collection / Alla Rosenfeld 131 -- Naked in the Grass: Absurdity and Play in the Ideological Field / Lev Manovich, Nick Muellner 177 -- Subversive Photography: U.S. Theory Meets Soviet Practice / Ernest Larsen 193 -- Shock of the Posthumous: Vladimir Syomin's Caucasus Project / Jason Francisco 207 -- Special Case of Baltic Experimental Photography -- Three Conversations with Photographer-Artists -- Feeling Around / Boris Mikhailov with Alla Efimova 261 -- Unusual Perspectives/Fantastic Possibilities / Igor Makarevich With Gerald Pirog 279 -- Hinting at Reality / Aleksandr Slyusarev with Mikhail Sidlin.
备用文件名
lgli/Neumaier, Diane, 1946- Jane Voorhees Zimmerli Art Museum. - Beyond memory : Soviet nonconformist photography and photo-related works of art (2004, New Brunswick, N.J. : Jane Voorhees Zimmerli Art Museum, Rutgers : Rutgers University Press, [2004]).pdf
备用文件名
zlib/Arts/Photography/Neumaier, Diane, 1946- Jane Voorhees Zimmerli Art Museum./Beyond memory : Soviet nonconformist photography and photo-related works of art_17271749.pdf
备选标题
Beyond memory : Soviet nonconformist photography and photo-related works of art ; [... with the exhibition Beyond Memory: Photography and Photo-Related Works ofArt from the Norton and Nancy Dodge Collection of Nonconformist Art from the Soviet Union ... at the Jane Voorhees Zimmerli Art Museum at Rutgers ... Sept. 1 - Nov. 28, 2004
备选标题
Beyond Memory: Soviet Nonconformist Photography And Photo-related Works Of Art (the Dodge Soviet Nonconformist Art Publication Series)
备选作者
Diane Neumaier; Exhibition Beyond Memory: Photography and Photo-Related Works of Art from the Norton and Nancy Dodge Collection of Nonconformist Art from the Soviet Union <2004, New Brunswick, NJ>; Jane Voorhees Zimmerli Art Museum
备选作者
Diane Neumaier; Jane Voorhees Zimmerli Art Museum; Exhibition Beyond Memory: Photography and Photo-Related Works of Art from the Norton and Nancy Dodge Collection of Nonconformist Art from the Soviet Union
备用出版商
Poslovna politika
备用出版商
Rivergate Books
备用版本
United States, United States of America
备用版本
First Edition, US, 2004
备用版本
September 25, 2004
备用版本
Serbia, Serbia
备用版本
1st, 2004
元数据中的注释
producers:
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备用描述
Photography Possesses A Powerful Ability To Bear Witness, Aid Remembrance, Shape, And Even Alter Recollection. In Beyond Memory: Soviet Nonconformist Photography And Photo-related Works Of Art, The General Editor, Diane Neumaier, And Twenty-two Contributors Offer A Rigorous Examination Of The Medium's Role In Late Soviet Nonconformist Art. Focusing On The Period Between The Mid-1950s And The Late 1980s, They Explore Artists' Unusually Inventive And Resourceful Uses Of Photography Within A Highly Developed Soviet Dissident Culture.--book Jacket. Painting Versus Photography : A Battle Of Mediums In Twentieth-century Russian Culture / Konstantin Akinsha -- Soviet Policy On Photography / Elena Barkhatova -- The Force Of The Medium : The Soviet Amateur Photography Movement / Valery Stigneev -- Closer To The Body / Alexander Borovsky -- Freeze Frame : Photography And Performance In Moscow Conceptual Art / Ekaterina Bobrinskaya -- The Copy Is The Crime : Unofficial Art And The Appropriation Of Official Photography / Ekaterina Degot -- Russian Photography In The Textual Context / Boris Groys -- Stretching The Limits : On Photo-related Works Of Art In The Norton And Nancy Dodge Collection / Alla Rosenfeld -- Naked In The Grass : Absurdity And Play In The Ideological Field / Lev Manovich And Nick Muellner -- Subversive Photography : U.s. Theory Meets Soviet Practice / Ernest Larsen -- The Shock Of The Posthumous : Vladimir Syomin's Caucasus Project / Jason Francisco -- The Special Case Of Baltic Experimental Photography. Uses Of Photography In Estonian Visual Art / Sirje Helme ; On The Verge Of Snapping : Latvian Nonconformist Artists And Photography / Mark Allen Svede ; Reclaiming The Salt Of The Earth : Lithuanian Photography Reconsidered / Raminta Jurenaite -- Feeling Around / Boris Mikhailov With Alla Efimova -- Unusual Perspectives/fantastic Possibilities / Igor Makarevich With Gerald Pirog -- Hinting At Reality / Aleksandr Slyusarev With Mikhail Sidlin. Diane Neumaier, General Editor. Published In Conjunction With An Exhibition, Beyond Memory: Photography And Photo-related Works Of Art From The Norton And Nancy Dodge Collection Of Nonconformist Art From The Soviet Union, Held At The Jane Voorhees Zimmerli Art Museum, Rutgers, The State University Of New Jersey, New Brunswick, Sept. 1-nov. 28, 2004. Includes Bibliographical References (p. 311-316) And Index.
备用描述
Photography possesses a powerful ability to bear witness, aid remembrance, shape, and even alter recollection. In Beyond Soviet Nonconformist Photography and Photo-Related Works of Art , the general editor, Diane Neumaier, and twenty-three contributors offer a rigorous examination of the medium's role in late Soviet unofficial art. Focusing on the period between the mid-1950s and the late 1980s, they explore artists' unusually inventive and resourceful uses of photography within a highly developed Soviet dissident culture. During this time, lack of high-quality photographic materials, complimented by tremendous creative impulses, prompted artists to explore experimental photo-processes such as camera and darkroom manipulations, photomontage, and hand-coloring. Photography also took on a provocative array of forms including photo installation, artist-made samizdat (self-published) books, photo-realist painting, and many other surprising applications of the flexible medium. Beyond Memory shows how innovative conceptual moves and approaches to form and content-echoes of Soviet society's coded communication and a Russian sense of absurdity-were common in the Soviet cultural underground. Collectively, the works in this anthology demonstrate how late-Soviet artists employed irony and invention to make positive use of difficult circumstances. In the process, the volume illuminates the multiple characters of photography itself and highlights the leading role that the medium has come to play in the international art world today. Beyond Memory stands on its own as a rigorous examination of photography's place in late Soviet unofficial art, while also serving as a supplement to the traveling exhibition of the same title.
备用描述
<p>In this diverse collection of essays, writers consider issues of photography, aesthetics, and politics of late Soviet Culture. Neumaier (photography, Mason Gross School of the Arts, Rutgers U.) presents 14 papers that examine such topics as Soviet policy on photography, photography and performance in Moscow conceptual art, the appropriation of official photography, and the "special case" of Baltic experimental photography. Also included are three interviews with photographer-artists from the former Soviet Union. As one might expect of a book on photography, the text is profusely illustrated with color and black and white images. Annotation &copy;2004 Book News, Inc., Portland, OR</p>
备用描述
Photography possesses a powerful ability to bear witness, aid remembrance, shape, and even alter recollection. Contributors here offer a rigorous examination of the medium's role in late Soviet unofficial art. between the mid-1950s and the late 1980s.
开源日期
2021-09-10
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