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The Indignant Generation : A Narrative History of African American Writers and Critics, 1934-1960 🔍
Lawrence Patrick Jackson Princeton University Press, Princeton, NJ, 2021
英语 [en] · PDF · 51.3MB · 2021 · 📘 非小说类图书 · 🚀/lgli/lgrs/nexusstc/upload/zlib · Save
描述
The __Indignant Generation__ is the first narrative history of the neglected but essential period of African American literature between the Harlem Renaissance and the civil rights era. The years between these two indispensable epochs saw the communal rise of Richard Wright, Gwendolyn Brooks, Ralph Ellison, Lorraine Hansberry, James Baldwin, and many other influential black writers. While these individuals have been duly celebrated, little attention has been paid to the political and artistic milieu in which they produced their greatest works. With this commanding study, Lawrence Jackson recalls the lost history of a crucial era.
Looking at the tumultuous decades surrounding World War II, Jackson restores the "indignant" quality to a generation of African American writers shaped by Jim Crow segregation, the Great Depression, the growth of American communism, and an international wave of decolonization. He also reveals how artistic collectives in New York, Chicago, and Washington fostered a sense of destiny and belonging among diverse and disenchanted peoples. As Jackson shows through contemporary documents, the years that brought us __Their Eyes Were Watching God__, __Native Son__, and __Invisible Man__ also saw the rise of African American literary criticism--by both black and white critics.
Fully exploring the cadre of key African American writers who triumphed in spite of segregation, The Indignant Generation paints a vivid portrait of American intellectual and artistic life in the mid-twentieth century.
备用文件名
nexusstc/The Indignant Generation: A Narrative History of African American Writers and Critics, 1934-1960/0b09ccfc04a867a7cb26c1011a9abdd9.pdf
备用文件名
lgli/10.1515_9781400836239.pdf
备用文件名
lgrsnf/10.1515_9781400836239.pdf
备用文件名
zlib/no-category/Lawrence P. Jackson/The Indignant Generation: A Narrative History of African American Writers and Critics, 1934-1960_25974763.pdf
备选作者
Jackson, Lawrence P.
备用出版商
Princeton University, Department of Art & Archaeology
备用出版商
Princeton Electronic
备用版本
Princeton University Press, Princeton, 2010
备用版本
First Printing, Princeton, New Jersey, 2011
备用版本
United States, United States of America
备用版本
Princeton, New Jersey, 2010
备用版本
Illustrated, 2010-11-28
备用版本
55797th, PT, 2010
备用版本
1, 2021
元数据中的注释
degruyter.com
元数据中的注释
producers:
PDFium
元数据中的注释
{"isbns":["0691141355","1400836239","9780691141350","9781400836239"],"last_page":600,"publisher":"Princeton University Press"}
元数据中的注释
Includes bibliographical references and index.
备用描述
Recovering the lost history of a crucial era in African American literature
The Indignant Generation is the first narrative history of the neglected but essential period of African American literature between the Harlem Renaissance and the civil rights era. The years between these two indispensable epochs saw the communal rise of Richard Wright, Gwendolyn Brooks, Ralph Ellison, Lorraine Hansberry, James Baldwin, and many other influential black writers. While these individuals have been duly celebrated, little attention has been paid to the political and artistic milieu in which they produced their greatest works. With this commanding study, Lawrence Jackson recalls the lost history of a crucial era.
Looking at the tumultuous decades surrounding World War II, Jackson restores the "indignant" quality to a generation of African American writers shaped by Jim Crow segregation, the Great Depression, the growth of American communism, and an international wave of decolonization. He also reveals how artistic collectives in New York, Chicago, and Washington fostered a sense of destiny and belonging among diverse and disenchanted peoples. As Jackson shows through contemporary documents, the years that brought us Their Eyes Were Watching God , Native Son , and Invisible Man also saw the rise of African American literary criticism—by both black and white critics.
Fully exploring the cadre of key African American writers who triumphed in spite of segregation, The Indignant Generation paints a vivid portrait of American intellectual and artistic life in the mid-twentieth century.
备用描述
This the first narrative history of the neglected but essential period of African American literature between the Harlem Renaissance and the civil rights era. The years between these two indispensable epochs saw the communal rise of Richard Wright, Gwendolyn Brooks, Ralph Ellison, Lorraine Hansberry, James Baldwin, and many other influential black writers. While these individuals have been duly celebrated, little attention has been paid to the political and artistic milieu in which they produced their greatest works. With this study, the author recalls the lost history of a crucial era. Looking at the tumultuous decades surrounding World War II, Jackson restores the "indignant" quality to a generation of African American writers shaped by Jim Crow segregation, the Great Depression, the growth of American communism, and an international wave of decolonization. He also reveals how artistic collectives in New York, Chicago, and Washington fostered a sense of destiny and belonging among diverse and disenchanted peoples. As he shows, through contemporary documents, the years that brought us Their Eyes Were Watching God, Native Son, and Invisible Man also saw the rise of African American literary criticism by both black and white critics. Fully exploring the cadre of key African American writers who triumphed in spite of segregation, this work paints a portrait of American intellectual and artistic life in the mid-twentieth century.
备用描述
Three swinging sisters: Harlem, Howard and the South Side (1934-1936)
The Black avant-garde between Left and Right (1935-1939)
A new kind of challenge (1936-1939)
The triumph of Chicago realism (1938-1940)
Bigger Thomas among the liberals (1940-1943)
Friends in need of Negroes: Bucklin Moon and Thomas Sancton (1942-1945)
"Beating that boy": white writers, critics, editors, and the Liberal Arts Coalition (1944-1949)
Afroliberals and the end of World War II (1945-1946)
Black futilitarianists and the welcome table (1945-1947)
The peril of something new, or, the decline of social realism (1947-1948)
The Negro new liberal critic and the big little magazine (1948-1949)
The Communist dream of African American modernism (1947-1950)
The insinuating poetics of the mainstream (1949-1950)
Still looking for freedom (1949-1954)
The expatriation: the price of brown & the new Bohemians (1952-1955)
Liberal friends no more: the rubble of white patronage (1956-1958)
The end of the Negro writer (1955-1960)
The reformation of Black new liberals (1958-1960)
Prometheus unbound (1958-1960).
备用描述
Offers a narrative history of the neglected but essential period of African American literature between the Harlem Renaissance and the civil rights era. This title reveals how artistic collectives in New York, Chicago, and Washington fostered a sense of destiny and belonging among diverse and disenchanted peoples.
备用描述
At the tail end of May 1934, thirty-five-year-old Malcolm Crowley, the young man-on-the-scene of the American literary radicals, published his first and best known book, Exiles Retirn.
开源日期
2023-08-24
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