Utrillo's Mother (Rutgers Press Fiction) 🔍
Sarah Baylis; Sarah Baylis
New Brunswick, N.J. : Rutgers University Press, Rutgers Press fiction, New Brunswick, N.J, New Jersey, 1989
英语 [en] · PDF · 14.1MB · 1989 · 📗 未知类型的图书 · 🚀/duxiu/ia/zlib · Save
描述
From Publishers Weekly
British novelist Baylis has re-imagined the life and consciousness of the French post-impressionist artist Suzanne Valadon (1865?-1938), whose original name was Marie-Clementine. The story, which shuttles to and fro in time, skillfully delineates the stormy relationship between Clementine and her mother Madeleine, a slatternly cleaning woman, from whose example Clementine learns about female vulnerability. Moving from the countryside to Paris, Clementine joins the circus, becomes mistress to a clown and then to a succession of men, some of them painters. Eventually, she takes up a career as an artists' model while discovering her own talent and dedication to her art. Clementine's reflections about the ways women's bodies are viewed as pure or coarse, and about the depicted female nude as a form of male sexual prey, give the novel a decidedly feminist slant. Although Clementine fulminates against the male establishment, readers may be disappointed at the scantiness of material about Valadon's experiences with painters Degas, Renoir, Toulouse-Lautrec, and about her illegitimate son, Maurice Utrillo.
British novelist Baylis has re-imagined the life and consciousness of the French post-impressionist artist Suzanne Valadon (1865?-1938), whose original name was Marie-Clementine. The story, which shuttles to and fro in time, skillfully delineates the stormy relationship between Clementine and her mother Madeleine, a slatternly cleaning woman, from whose example Clementine learns about female vulnerability. Moving from the countryside to Paris, Clementine joins the circus, becomes mistress to a clown and then to a succession of men, some of them painters. Eventually, she takes up a career as an artists' model while discovering her own talent and dedication to her art. Clementine's reflections about the ways women's bodies are viewed as pure or coarse, and about the depicted female nude as a form of male sexual prey, give the novel a decidedly feminist slant. Although Clementine fulminates against the male establishment, readers may be disappointed at the scantiness of material about Valadon's experiences with painters Degas, Renoir, Toulouse-Lautrec, and about her illegitimate son, Maurice Utrillo.
备用文件名
ia/utrillosmother00bayl.pdf
备用出版商
Rivergate Books
备用版本
Rutgers Press fiction, New Brunswick, N.J, 1989, ©1987
备用版本
Rutgers Press fiction, New Brunswick, N.J, 1989, c1987
备用版本
United States, United States of America
备用版本
Hardcover Edition, 1989-03-01
备用版本
Hardcover Edition, PS, 1989
元数据中的注释
[curator]scanner-shenzhen-leo@archive.org[/curator][date]20111125170319[/date][state]approved[/state][comment]199[/comment]
元数据中的注释
topic: Valadon, Suzanne, 1865-1938; Utrillo, Maurice, 1883-1955; Women painters; Mothers and sons
元数据中的注释
Type: 英文图书
元数据中的注释
Bookmarks:
1. (p1) 1
2. (p2) 2
3. (p3) 3
4. (p4) 4
5. (p5) 5
6. (p6) 6
7. (p7) PART TWO
7.1. (p8) 7
7.2. (p9) 8
7.3. (p10) 9
7.4. (p11) 10
8. (p12) PART THREE
8.1. (p13) 11
8.2. (p14) 12
8.3. (p15) 13
8.4. (p16) 14
8.5. (p17) 15
9. (p18) EPILOGUE
1. (p1) 1
2. (p2) 2
3. (p3) 3
4. (p4) 4
5. (p5) 5
6. (p6) 6
7. (p7) PART TWO
7.1. (p8) 7
7.2. (p9) 8
7.3. (p10) 9
7.4. (p11) 10
8. (p12) PART THREE
8.1. (p13) 11
8.2. (p14) 12
8.3. (p15) 13
8.4. (p16) 14
8.5. (p17) 15
9. (p18) EPILOGUE
元数据中的注释
theme: Valadon, Suzanne, 1865-1938; Utrillo, Maurice, 1883-1955; Women painters; Mothers and sons
开源日期
2023-06-28
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