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结果集 1-39(总计 39)
ia/takingshapecarmi0000hodg.pdf
Taking Shape - carmina figurata Hodge, Jan D., author San Jose, CA: Able Muse Press, San Jose, CA, 2015
"An eclectic mix of shapes and subjects populate Taking Shape―Jan D. Hodge’s full-length collection of carmina figurata (sometimes called shaped poems, pattern poetry, or figure poems). Hodge’s many masterpieces include depictions of a saxophone, a Madonna and Child, a combination piano/guillotine, and other silhouettes of amazing difficulty and detail. These poems are not only visually stunning, they are also sonically beautiful, and retain a transcendent freedom while conforming to both illustrative and metrical constraints. Taking Shape is a visual feast of inspired poetry." -- amazon
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英语 [en] · PDF · 2.3MB · 2015 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17481.957
ia/virtuebigassin0000osen.pdf
Virtue, Big as Sin Osen, Frank, 1954-, author San Jose, CA: Able Muse Press, San Jose, CA, 2013
Poetry. VIRTUE, BIG AS SIN is impressively wide-ranging in theme and style. It illuminates everyday vignettes with solicitous spotlights such as the bereaved son sorting the contents of his father's medicine cabinet, or the father whose son's driver's education recalls the time his own "unharnessed" Mustang went "bungeeing" around a bend; it celebrates the artist's creative highs, or reflects on the misfortunate who is forever nearing the threshold of achievement, aware that life may prove a "most inept librettist" and should thus be paired with our "strongest song." Osen's dexterity with both formal and free verse is apparent. His wit and humor prevent the serious from becoming ponderous while his intelligent insight lends depth to the lighthearted. Reading and rereading this outstanding debut collection, it is easy to see whyfrom the first poem to the lastit is a worthy winner of the 2012 Able Muse Book Award. "Frank Osen's VIRTUE, BIG AS SIN offers one witty, elegant poem after another. The rhymes are especially clever, the meter sure, the stanzas well-shaped, but this poet's sense of proportion is also reflected in wisdom (and what is wisdom but a sense of proportion?). An urbane maker of sparkling phrases like 'that genuine Ur of the ersatz,' Osen can also write plainly, movingly, about a young girl's funeral. And he reflects often on art itself, which he so rightly calls 'the conjured awe.'"Mary Jo Salter "In his talent for tragedy and comedy, and for mixing them, Osen takes his place in a distinguished line of English-language poets that runs from Chaucer and Shakespeare down to our day."Timothy Steele"Reading VIRTUE, BIG AS SIN has left me with the sense of satisfaction and enduring pleasure that really good poetry always produces, even when it also does the rest of what honest writing may confirm suspicions about ourselves we wish we could refute, bring to mind aspects of nature we'd rather forget, and deliver alarming news about the future, both public and private. Frank Osen does all of this and much more, all with grace and wit, in language that makes the messenger thoroughly 'one of us.'"Rhina P. Espaillat "Frank Osen's poems revel in beauty and pleasure, in technical dexterity and high-gloss finish. Readers who care about such things will be abundantly rewarded. But the reveling is haunted by loss, awful possibilities of failure, a nothingness glimpsed beneath the carnival. One of Osen's avowed tutelary spirits is Wallace Stevens, and his probing of his subjects can often seem like an extended, heart-wrenching commentary on Stevens's line, 'Death is the mother of Beauty.' The fragility of beauty, the omnipresence of death, and the intimate connections between them, are everywhere present in these marvelously heartening and effective poems."Dick Davis
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英语 [en] · PDF · 3.2MB · 2013 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17481.547
ia/badfamepoemsbyma0000mcgo.pdf
Bad fame : poems by Martin Mcgovern McGovern, Martin, author San Jose, CA: Able Muse Press, San Jose, CA, California, 2015
Poetry. Martin McGovern's BAD FAME muses on the perplexities and certainties of the human condition, often in soaring eulogies and searing as in "The Circle of Late Afternoon" which asks, "Isn't there an art to giving myself away slowly like wheat opening to the sun?"; or, "Processionalia," where "a bee / abandons the tea roses / and circle that black blossom of / the widow's veiled face as if her tears were / pollen and the bee could feather / its legs with grief." Be it lore set in Colorado, or farther out, the personal and regional tributes unravel the universally familiar and pertinent. McGovern's debut collection is the work of a seasoned master in command of craft and themes. "Martin McGovern's long-awaited, well- constructed first book gives itself away slowly, artfully. It is carefully considered, quietly passionate, and deeply humane."Edward Hirsch "There is an unforsaken paradise in these pages, and a lot of ungodly anxiety... Like Dubliners , BAD FAME darkens, deepens, darkens through its sections, understanding with Joyce the tidal pull of place that will never let us survive if we resist the current... the "blue snow," not of Dublin, but of memory, of Colorado... this extraordinarily unique McGovern flair for the Keatonish (Buster) aside mixed with lyrical intellection, these poetic rooms with their many blue lights, direct or indirect, for us to turn on as night comes on."David Lazar, from the Foreword "Here are exacting sentences, any number irregularly hugged into the ferocious clusters which are Mr. McGovern's poems. My likely favorite, 'If the Light Could Kill Us,' does heavy duty as a garden unfurled at dawn, the beloved 'still sleeping, / flame-pink welts our love leaves on your almost / too delicate skin, brazen in this light.' And then the assault of a very different sentence, 'Samuel Johnson is dead. And Mrs. Thrale. / And the kind cherub of a straitjacket / she kept closeted should reason fail / him thoroughly, where's that deck-coat now?' followed by other people's torments inspected so closely that this morning 'violence / lingers like the last touch of a season.' 'Only as I rise to pull the window's shade / do you wake, dusted and dazed, as from a fever.' Strong as they are, the sentences, like the centuries, are treated pitilessly, as you can hear, yet there is what the poet calls 'the shimmer of a teen movie' throughout. Resilient art, and no loitering."Richard Howard
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英语 [en] · PDF · 2.6MB · 2015 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17481.547
ia/secondrain0000hemp.pdf
Second rain : poems Elise Hempel, Hilary Plum San Jose, CA: Able Muse Press, San Jose, CA, 2016
Poetry. Finalist for the 2015 Able Muse Book Award. In SECOND RAIN, Elise Hempel gleans anecdotes of uncommon poignancy from the seemingly commonplace, and crafts them into memorable poems. Family settings and the world of nature are captured and shaped into insight through the poet's discerning here an only child in her room with a lone and captive katydid; here a feisty grandmother in the hospital; here a father fond of household projects, building two swimming pools, a basketball hoop in the driveway, and transforming the yard into a skating rink. This inspirational debut collection, charged with nostalgia and longing, is fittingly finalist in the 2015 Able Muse Book Award. "The apparently domestic poems in SECOND RAIN (poems about family, gardening, dogs, birds, and a few memorable tigers) deliver enough controlled intensity 'to shake the trees all down.' A special gift of Elise Hempel's art is to evoke and suggest passions without spelling them out; we readers get to unscramble the anagram, to find the acheand our own corresponding achebeneath the poised surface."Rachel Hadas "[Elise Hempel's] curiosity and insights singled her out as special, but her ability to shape her feelings into words remains what I find most unique... From the opening title poem on, this is a book about the often ignored, simple gifts that come to us, like 'the second rain that comes / when the first is over,' that 'gentle scattering of drops' the breeze shakes down from the trees and 'briefly blesses you.'"Bruce Guernsey "From the title poem on, Elise Hempel's SECOND RAIN matches form with feeling, delivering insights that seem at once inevitable and necessary. Her sense of the sonnetits grace and shapelends quiet force to what's remembered and observed, from a pet shop crow to memories of now-absent loved ones, mother- daughter conflicts to the ambiguities of language itself. Like the flock of geese described in one poem here, Hempel's collection succeeds in many 'different keys.'"James Scruton
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英语 [en] · PDF · 2.1MB · 2016 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17479.46
lgli/New Jersey Noir--Cape May - William Baer.epub
New Jersey Noir - Cape May: A Novel (Jack Colt Murder Mystery Novels) William Baer Able Muse Press, Jack Colt murder mystery novels, San Jose, CA, 2021
After solving the assassination case of his beloved uncle, Colt finds himself truly alone, ditched by his girlfriend. However, there's not much respite or time for introspection for him: he's called on again to solve a new murder case, along with a suspiciously related cold case. What follows is another gripping tale in the backdrop of the Garden State's sights and scenes, including its picturesque beaches, casinos, and the rural Pine Barrens. In New Jersey Noir: Cape May—Book Two of his Jack Colt Murder Mystery Novels series—William Baer continues to enchant and spellbind. PRAISE FOR NEW JERSEY NOIR: CAPE MAY: In Jack Colt, William Baer gives us a private detective perfectly suited for the Garden State: gritty, charming in spite of himself, sidesplittingly hilarious and incomparably authentic. Baer proves himself the Sinatra of Noir, the Edison of Intrigue, the Springsteen of Suspense—and a rightful heir to Hammett and Chandler. Far more fun than a night out in Atlantic City or a weekend at the Jersey Shore.. — Jacob M. Appel, author of Millard Salter's Last Day PRAISE FOR WILLIAM BAER: "New Jersey Noir introduces an ultracool hometown detective from Paterson, set perfectly in his well-detailed locales. The writing is crisp, sarcastic, wryly funny, steeped in New Jersey lore and anecdotes that add great historical and cultural dimensions to its mystery." — Robin Farrell Edmunds, Foreword Reviews (Five-star review) "A brilliant debut novel . . . precise prose, perfect pacing, stunning imagery, complex characterization, grand historical and cultural contexts, and a superb sense of place." — Hollis Seamon, author of Somebody Up There Hates You "Not since Donna Tartt's The Secret History have I read a novel as mesmerizing, engrossing, and delectable as William Baer's New Jersey Noir. In prose as fast-moving as a bullet, Baer compels the reader to keep flipping pages more and more rapidly. The writing is taut and gut-wrenching." — Terri Brown-Davidson, author of Marie, Marie, Hold On Tight "Baer evokes a cinematic chiaroscuro New Jersey—specifically Paterson—its history and politics limned over a baseline of Springsteen, doo-wop, and Whitney Houston." — Dennis Must, author of Hush Now, Don't Explain PRAISE FOR WILLIAM BAER: William Baer, a recent Guggenheim fellow, is the author of twenty-two books including New Jersey Noir; Times Square and Other Stories; One-and-Twenty Tales; Companion; The Ballad Rode into Town; Formal Salutations: New & Selected Poems; Classic American Films; and The Unfortunates (recipient of the T.S. Eliot Award). A former Fulbright in Portugal, he's also received the Jack Nicholson Screenwriting Award and a Creative Writing Fellowship in fiction from the National Endowment for the Arts.
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英语 [en] · EPUB · 1.5MB · 2021 · 📕 小说类图书 · 🚀/lgli/lgrs/zlib · Save
base score: 11065.0, final score: 17478.803
lgli/Indigenous - Jennifer Reeser.epub
Indigenous : poems Jennifer Reeser Able Muse Press, PT, 2019
Jennifer Reeser's Indigenous is, by turns, a celebration of her Native American heritage and a lamentation decrying the social injustice and tragedies endured. Through Reeser's sublime craft and formal prowess, ancestral memories and spirits—both the immediate and the historical—are visited with chants, prayers, or rituals: be it imagined, culled, or translated in the backdrop of history, myth, and lore. Reeser also immerses us in her mixed-race heritage, in the "bloody war/ Inside of me, between the Red and White." This collection is as uniquely inspirational and thought-provoking as it is fun—a collection not to be missed. PRAISE FOR INDIGENOUS The beauty of this collection of poems is the way it uses every device capable of reaching the reader. These poems go behind the familiar: Wounded Knee, the Trail of Tears, figures such as Sequoyah and Chief Joseph; past the artifacts, legends, and folkways encountered through reading and travels across America, to the intimate details of a specific family and their lives and world seen from the inside. They give, as our literature seldom does, moral weight to the real and living representatives of those nations, rather than to the romanticized or demonized figures imagined by film. In all, Indigenous is more than simply a good read, or a compelling account of events we need to know better: it's an addition to our national literature by Jennifer Reeser—an accomplished poet who knows, and understands intimately, what she is so generously sharing in her work. —Rhina P. Espaillat, author of And After All Jennifer Reeser's new book of poems, Indigenous, provokes a strange sensation in the reader: an alien yet familiar landscape peopled with recurring characters, the mingling ghosts of history haunting the here and now and reanimating the myth and lore of her folk, both tragic and comic—as inseparable from Reeser's imagination as they are from her blood. Each poem enters into dialogue with the reader even as it maintains an ongoing conversation of sound and sense with the other poems in the collection, a steady, sturdy examination of essential tensions: what it means to be a descendant of the First Nations, an heir to Christian grace, and a poet writing in modern American. Already a master of poetic forms, Reeser has reapplied her talent in what amounts to a major development in her repertoire, bringing the reader to that Native American borderland of the heart that has apparently been a major part of her life, but a part we've only seen in glimpses up to now. —Joseph O'Brien, poetry editor of the San Diego Reader ABOUT THE AUTHOR: Jennifer Reeser is the author of five collections of poetry. Her first, An Alabaster Flask, was the winner of the Word Press First Book Prize. X. J. Kennedy wrote that her debut "ought to have been a candidate for a Pulitzer." Her third, Sonnets from the Dark Lady and Other Poems, was a finalist for the Donald Justice Prize. Her fourth, The Lalaurie Horror, debuted as an Amazon bestseller in the category of Epic Poetry. Reeser's poems, reviews, and translations of Russian, French, along with the Cherokee and various Native American Indian languages, have appeared in POETRY, Rattle, the Hudson Review, Recours au Poème, LIGHT Quarterly, the Formalist, the Dark Horse, SALT, Able Muse, and elsewhere. A biracial writer of Anglo-Celtic and Native American Indian ancestry, Reeser was born in Louisiana. She studied English at McNeese State University in Lake Charles, Louisiana, and also in Tulsa, Oklahoma, her former home.
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英语 [en] · EPUB · 3.0MB · 2019 · 📕 小说类图书 · 🚀/lgli/lgrs/zlib · Save
base score: 11065.0, final score: 17478.803
ia/terminalparkpoem0000wake.pdf
Terminal park : poems Wakefield, Richard, 1952- author San Jose, CA: Able Muse Press, San Jose, CA, 2020
Richard Wakefield's third collection of poetry, Terminal Park, bears truthful and often wryly humorous witness to a wide range of human experience. His portraits of life in rural Washington State are particularly compelling, in a way that evokes the best of Frost without sacrificing Wakefield's own distinctive voice. A showcase of given and nonce forms, Terminal Park is the work of a master craftsman, delivered with wit, empathy, and grace. PRAISE FOR TERMINAL PARK Richard Wakefield's Terminal Park is a triumph from a master of formal poetry with a bit of a Zen streak. Alternately wistful, wry, and joyous, Wakefield takes on a wide range of subjects without anger or rhetoric. My favorites were the many elegiac landscape poems, which reminded me of the some of the best poems of Robert Frost. —A.M. Juster, author of Wonder and Wrath This new volume reveals a poet whose mastery of form will amaze readers. Richard Wakefield lives deeply in his world, past and present, touching and feeling everything that surrounds him, alert to every texture, "the grain of wood, the grit of sand." He scans memory, repossessing luminous and sometimes uncanny moments from his past. A poem is, of course, a system of linked sounds, and Wakefield's ear never misses the chance for a linking echo. In fact, I love the internal and external rhyming here, done without flash, with a kind of holy decorum. The seasons course through these poems, in literal and figurative flight, but the poet asserts with good reason that "an old man at his kitchen window sees / by winter light." And it's the clarity of winter light that makes these poems shimmer. I will return to the pages of Terminal Park again to revel in their wisdom and grace notes. —Jay Parini, author of New and Collected Poems: 1975–2015 Terminal Park ranges widely and dives deep. The book's opening lines, where bleak subject matter is conveyed by lilting verse, tell us a lot about what will follow: "'Terminal Park' reads the vine-covered sign / where junkies and drunks reach the end of the line." The poet's mastery is evident throughout, whether depicting desolate rural vignettes, or vividly rendered moments of Biblical, literary, or personal history. Though many poems seem haunted by entropy, decay, suffering, and loss—"The Work of Darkness"—they are leavened by stoicism and humor. Beautifully organized and reflecting a lifetime's hard-won wisdom, the collection as a whole is not merely enjoyable. It is exhilarating. —Bruce Bennett, author of Just Another Day in Just Our Town ABOUT THE AUTHOR: Richard Wakefield earned his PhD in American literature from the University of Washington and has taught college humanities for forty-two years, thirty-five of them at Tacoma Community College. For over twenty-five years he reviewed poetry, fiction, and literary biography for the Seattle Times. His first book, Robert Frost and the Opposing Lights of the Hour (Peter Lang Publishing), was a study of Frost's poetry in the context of his life and times. His first collection of poems, East of Early Winters (University of Evansville Press), won the Richard Wilbur Award. His second collection, A Vertical Mile (Able Muse Press), was short-listed for the Poet's Prize. His poem "Petrarch" won the Howard Nemerov Sonnet Award. He and his wife, Catherine, have been married forty-eight years and have two daughters, two sons-in-law, and two grandchildren.
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英语 [en] · PDF · 3.0MB · 2020 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17478.35
ia/reassuranceinneg0000hisc.pdf
Reassurance In Negative Space: Poems Hiscox, Elizabyth, author Word Galaxy; World Galaxy Press, 2017-10-02t00:00:01z
Elizabyth A. Hiscox's Reassurance in Negative Space is a debut collection with the seasoned deftness of a master in its keen intelligence, wit, innovative diction, unflinching handling of loss and grief, and deep lyricism. Hiscox muses with revelatory insights on such wide-ranging topics as multifarious netsuke, nuclear fallout, artichokes "coming into new brilliance," the DMV line, the Zen of "the sublime [that] can spring from small things." By turns ecstatic and somber, profane and sacred, wise and whimsical, Hiscox proves she is a poet of the first order with this memorable collection. PRAISE FOR REASSURANCE IN NEGATIVE In Elizabyth Hiscox's impressive debut collection, Reassurance in Negative Space, there are poems about art and loss and ecology, reindeer moss and netsuke, the precariousness of 1950s high-heeled bedroom slippers. Her poems are tightly, urgently made. Hers is a poetry held together by ingenious double meanings and wordplay, twinnings and twinings, paradox, subtle jokes and puns, fierce and delicate ironies, a rigorous intelligence and a vigor of spirit so charged and fluent that whatever she puts before us takes on resonance and import. - Nancy Eimers, author of Oz Elizabyth Hiscox's new collection, Reassurance in Negative Space, is haunting in the way that brilliance of mind and vision encounter an almost secret vocabulary. This is the revealing intercession of one road upon another in the outskirts of Rome a hundred years past. It is also the infrared optics of ideas of negative space peering into previously unobserved, undisturbed dark matter. A few of the poems surprise utterly, have almost a pre-creation memory for us of things that startle and seem true. She is a terrific and sometimes very funny poet of the first order. - Norman Dubie, author of The Quotations of Bone There is throughout this volume a deep and humane lyric wisdom, an almost fatalistically brilliant humor. . . . Here is a debut collection bold enough to cast an eye on Truth in poems that are both narrative (storied) and innovative, necessary poetry. - Cynthia Hogue (from the foreword), author of In June the Labyrinth "All angels pant as surely as they part"-Elizabyth Hiscox's Reassurance in Negative Space studies the relationship between negative capability and communion. Between art and comfort. No rote reassurance is sought after or offered in these pages-the chocolate bunnies (better than Lent) are delicious but hollow. And after cataloguing and deeply considering the negative spaces of art-from the tiny details of a series of Japanese netsuke sculptures, to Archeology Today articles, to pieces of literature, music, architecture, painting-Hiscox breaks a tender heart with this equivocal and necessary advice for her "Fall already, beautiful." In this gorgeous and spiritually rugged ekphrastic book I do pant, I do part, and I do fall. - Sarah Vap, author of Viability ABOUT THE Elizabyth A. Hiscox is the author of Inventory from a One-Hour Room. She served as Poet-in-Residence at Durham University (UK) and is recipient of Arizona Commission on the Arts and Vermont Studio Center Grants. Selected for the Seventh Avenue Streetscape public-art initiative, her poetry was displayed on a central-Phoenix billboard for a year in conjunction with the city's First Friday art walks. Hiscox holds an MFA from Arizona State University and a PhD from Western Michigan University in Kalamazoo. She has taught writing in England, the Czech Republic, and Spain and currently instructs at Western State Colorado University where she is founding director of the Contemporary Writer Series.
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英语 [en] · PDF · 3.2MB · 2017 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17477.7
ia/ablemusewinter200000unse.pdf
Able Muse Winter 2015 Alexander Pepple, Amit Majmudar Able Muse Press, Dec 01, 2015
英语 [en] · PDF · 11.5MB · 2015 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11065.0, final score: 17471.658
ia/greedconfession0000good.pdf
Greed : a confession poems by D.R. Goodman San Jose, CA: Able Muse Press, San Jose, CA, California, 2014
Poetry. California Interest. A CONFESSION showcases D.R. Goodman's honed sensitivity to the human experience and the natural world around us. Her sensible scientific background melds with a meditative "this // is a vertebra / from a cow. // It will win no prize. / It is just the childish wonder / from which the rest derives." This collection is a wellspring of keen observations, insight and secrets of nature, freely spilling out for those greedy for knowledge and enlightenmentas in the immediacy of "a certain joy / that depends on nothing" and "wraps a tightness around your heart." Here is a masterfully crafted finalist for the 2013 Able Muse Book Awardone brimming with delight, wit and insight. "I feel incredibly fortunate to have learned of D. R. Goodman's poetry. Her technical control and powers of observation are extraordinary; diction, meter, and rhyming, superb. Writing about an egret, she details its 'mind, / a laser-focused eye, the weight of will'attributes that apply equally to the poet. In 'Autumn in a Place Without Winter,' she says, 'The season brings/ no clarity, but we're here, alive...' This poet is alive to everything. You want this book. It's terrific."Kelly Cherry "Goodman is greedy for things of this worldnot in the rapacious, bottom-line manner of plutocrats, misers, and Wall Street brokers but for the enlightenment of the senses and the enrichment of her poetry. She's sharing the wealth she accumulates."John Drury, from the Foreword "At the core of A CONFESSION are natural ironies, or disjunctures, or improbabilities replete with intrigue. The poems are frames through which we view the events. D.R. Goodman is a scientist of natural history, which, for her, includes human experience. The poet shows us how to see. The deep pleasure she takes in the process displays itself, with characteristic irony, in 'A Certain Joy.'"Clive Matson "D.R. Goodman's carefully crafted poems register a deep appreciation of the intricate meanings emanating from Nature's tangible riches. 'Depth cannot hide' from Goodman's keen eye. 'And so it flutters, sings, / Betrays itself upon the face of things.' From the sudden appearance of a hundred tiny, freshly metamorphosed frogs, to ginkgo leaves' brilliant, moonlit gold that 'spurs imagination to those old/ heroic, dangerous quests of greed and sin,' the wondrous wealth of existence evokes joy that compels the poet to confess her 'greed' in the presence of such good fortune. Even the blithe partake of a 'certain joy' particular and definitethat is not attained or stumbled upon; it simply isthe gift of 'There is a certain joy / that depends on nothing. / One inhabits it. / It is there in the day / when you walk out, whether chill and gray / or magnified by light, and you inhale it.' Complex yet accessible, these formal and free-verse poems gift us with abundant insights to enjoy."Beth Houston
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英语 [en] · PDF · 2.8MB · 2014 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17467.543
ia/ablemusewinter200000pepp.pdf
Able Muse, Winter 2017 (No. 24 - print edition): a review of poetry, prose & art (Able Muse, Print Edition) Alexander Pepple, Jacqueline Osherow; [edited by] Alexander Pepple San Jose, CA: Able Muse Press, Able Mmuse, print edition -- 24, San Jose, CA, California, 2017
pages cm
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英语 [en] · PDF · 10.4MB · 2017 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17467.537
lgli/Saint Worm - Hailey Leithauser.epub
Saint Worm: Poems Hailey Leithauser Able Muse Press, San Jose, CA, 2019
<p><em>Saint Worm</em>, Hailey Leithauser&rsquo;s second poetry collection, collects—sometimes warmly, sometime wickedly—glowworm, bookworm, earthworm, and other earthly and unearthly creatures, including human beings. Leithauser&rsquo;s sparklingly inimitable style mates the serious with the playful, yielding a treasury of quirkiness, inventive turns of phrase, wordplay, and expansive diction, making&nbsp;<em>Saint Worm</em>&nbsp;a collection unlike any other.</p> <p><strong>PRAISE FOR <em>SAINT WORM</em></strong></p> <p>Surprise is what I treasure most in my reaction to art, and Hailey Leithauser&rsquo;s <em>Saint Worm</em> surprises. Alternately funny and sad, creepy and comfy, disturbing and insightful, the book demands attention. Quirky as Stevie Smith and smart as Marianne Moore, what you hold in your hands is a masterpiece. <br> &emsp;&emsp;—Spencer Reece <p><strong>PRAISE FOR HAILEY LEITHAUSER</strong></p> <p>&ldquo;Meticulously crafted . . . Leithauser has style to spare, but also substance, and yes, playful, in the best sense of the word, pleasurable and pleasure-seeking . . . This is the trick Leithauser does so well, marrying delightful, silvery rhyme to darker content.&rdquo;—<em>Los Angles Review of Books</em></p> <p>&ldquo;The talent and craft exhibited here is cause for sheer glee . . . Leithauser&rsquo;s agility of expression and biting sense of humor shine through . . . Here&rsquo;s hoping this confident and deft collection will be the first of many from a powerful wordsmith.&rdquo;—<em>Shelf Awareness</em></p> <p> &ldquo;. . . In its playfulness, its confections of wordplay . . . Delightful.&rdquo;—<em>Boston Review</em></p> <p>&ldquo;A frantic argument in favor of obvious beauty, of ornament, and of elaborate jokes, as barriers against something like despair.&rdquo;—<em>Publishers Weekly</em></p> <p>&ldquo;Possessed of an unnatural ability with the language, preternatural grace in form, and an extraordinary capacity to be dead serious with killer humor.&rdquo;—<em>Women&rsquo;s Voice for Change</em></p> <p>&ldquo;Hailey Leithauser&rsquo;s intoxicating first collection, understands the physical nature of words and sounds. Her poems bounce along several registers, surprising us with their diction and resulting music . . . <em>Swoop</em> stands out as one of the most interesting books of this past year.&rdquo;—<em>32 Poems</em></p> <p><strong>ABOUT THE AUTHOR:</strong></p> <p>Hailey Leithauser&rsquo;s debut collection, <em>Swoop</em>, won the Poetry Foundation&rsquo;s Emily Dickinson First Book Award and the Towson Prize for Literature. Her poems appear in <em>Agni</em>, the <em>Gettysburg Review, Poetry</em>, the <em>Yale Review</em>, and numerous other periodicals, and have been selected three times for <em>The Best American Poetry</em> anthology. She is a recipient of the Discovery/the <em>Nation</em> Prize, the <em>River Styx</em> International Poetry Award, the Elizabeth Matchett Stover Award, and two Individual Artist Grants from the Maryland State Arts Council. She lives quite lazily at the edge of a precipitous wooded ravine a...
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英语 [en] · EPUB · 1.0MB · 2019 · 📕 小说类图书 · 🚀/lgli/lgrs/zlib · Save
base score: 11060.0, final score: 17467.436
ia/corporealitystor0000seam.pdf
Corporeality : stories by Hollis Seamon San Jose, CA: Able Muse Press, San Jose, CA, California, 2013
In Corporeality, Hollis Seamon's latest fiction collection, we meet the cat lady, the professor dealing with a plagiarist while coping with personal hardships, sibling rivalry of the unnaturally cursed kind, the dog that goes beyond everyday dog sense and scent to protect its owners. These are some of the eclectic characters and settings that make Corporeality irresistible and difficult to put down once you've started reading. Like her preceding collection Body Work and mystery novel Flesh, this book is a testament to Seamon's ample gifts as a storyteller.
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英语 [en] · PDF · 8.1MB · 2013 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17467.246
ia/nakedforteapoems0000trom.pdf
Naked for tea : poems Trommer, Rosemerry Wahtola, author San Jose, CA: Able Muse Press, San Jose, CA, 2018
Naked for Tea, a finalist in the Able Muse Book Award, is a uniquely uplifting and inspirational collection. Rosemerry Wahtola Trommer's poems are at times humorously surreal, at times touchingly real, as they explore the ways in which our own brokenness can open us to new possibilities in a beautifully imperfect world. Naked for Teaproves that poems that are disarmingly witty on the surface can have surprising depths of wisdom. This is a collection not to be missed. PRAISE FOR NAKED FOR TEA Most anyone can make lemonade out of lemons. However, Rosemerry Wahtola Trommer's welcoming voice, receptive heart, artistic mastery, and empathic vision become an alchemy of being. Out of mudslides, misunderstandings, the exploits of Wild Rose, deep loss, and chocolate cake that sinks in the center, she makes courage, care, joy, and compassion. When "what's the use" breaks down the back door, she is there, her great good soul encouraging us to sigh, laugh, renew our attention, and feel grateful for and delighted by any cake that sinks in the center. — Jack Ridl, author of Practicing to Walk Like a Heron and Saint Peter and the Goldfinch Heart-thawingly honest, deliriously sexy, and compassionate down to the fingertips. A book of kindness and bewilderment and delight from one of our best poets. — Teddy Macker, author of This World There is still rich ore in the Colorado San Juans. Rosemerry Wahtola Trommer is a treasure. In an era of seeming nonstop, subject-matterless, first person mirror dancing at the Temple of Narcissus incomprehension, it is a delight to find a poet who can tell a crackling story laced with gorgeous imagery and euphony that will appeal to the ancient seats of learning: the heart, belly, and brain. These are poems Sappho and Horace would love: they delight and instruct. They can be read and sung, and they will echo from the proverbial Colorado mountaintops through the archetypal red rock canyons of your mind. Prepare thyself to be smitten and to fall in love. — David Lee, Utah State Poet Laureate emeritus, author of Last Call and A Legacy of Shadows Reading Rosemerry Wahtola Trommer is to float upon a never-ending waterfall of wonder . . . Pay attention. The elegance of her simplicity will blind you to her mastery. Then, she will let you fall, head over heels, in Love. With everything. — Wayne Muller (from the foreword), author of Sabbath and Legacy of the Heart ABOUT THE AUTHOR: Rosemerry Wahtola Trommer lives in southwest Colorado and is the author of eleven collections of poetry. Her poems have appeared in O Magazine, Rattle.com, TEDx, in back alleys, on A Prairie Home Companion, and on river rocks she leaves around town. She's taught poetry for Think 360, Craig Hospital, Ah Haa School for the Arts, Weehawken Creative Arts, Camp Coca-Cola, meditation retreats, twelve-step recovery programs, hospice, and many other organizations. She's won the Fischer Prize, Rattle's Ekphrastic Challenge, the Dwell Press Solstice Prize, the Writer's Studio Literary Contest, and was a finalist for the Colorado Book Award. As Colorado's Western Slope Poet Laureate (2015–2017), she created and curates Heard of Poets, an interactive poetry map. She earned her MA in English Language & Linguistics at UW-Madison. Since 2006, she's written a poem a day. One-word mantra: Adjust. Naked for Tea was a finalist for the 2017 Able Muse Book Award.
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英语 [en] · PDF · 3.1MB · 2018 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17467.078
ia/causeforconcern0000ship.pdf
Cause For Concern (able Muse Book Award For Poetry) Shipers, Carrie, author San Jose, CA: Able Muse Press, San Jose, CA, 2015
Poetry. Carrie Shipers' CAUSE FOR CONCERN traverses a landscape of assorted disasterssuch as overwork and layoffs, the ill-fated explorer, circus mishaps, nuclear disaster and radiationbut at its heart is the personal disaster of spousal illness. While a spouse might avow faith in the sentiment of love in sickness and in health, the practice of such faith might come undone when faced with the reality of the ravages of illness on the stricken body of the beloved, alongside the caregiving mate who "could love/ [her] husband but distrust his body,/ expect betrayal at every turn." Full of incisive meditations on frailties and fortitude often delivered with visceral honesty, CAUSE FOR CONCERN is spellbinding from start to finish and, deservedly, the winner of the 2014 Able Muse Book Award for Poetry. "Carrie Shipers's magnificent endeavor aims to control the uncontrollable. In her splendid collection CAUSE FOR CONCERN she gives us her spirited poemssubversively satisfying in our era of cool wordplay. Both her comfort with ambiguity and her sassy candor aid the poet as she writes of a wife who is hoodwinked into a necessary patienceone she both chafes from and rebels against after her husband falls seriously ill. In rhythms that alternate between hope and defeat, the poems track the illness, but also punctuate the couple's changed world with quirky observations and a scrappy spirituality. (Not to mention a canine companion.) Her poet's craft, palpable in every arresting line, makes the subtlest turns of vulnerability with enviable poise."Molly Peacock "Only a poet of unquestionable bravery and technical acuity could rehearse the quotidian details of a middle class, middle aged existence with such exquisite, irresistible and terrifying honesty."Kwame Dawes "If illness is a country inhospitable to guests, then Carrie Shipers' second poetry collection, CAUSE FOR CONCERN, is our guidebook, preparing us for what we will find in the waiting room, by the bedside, in the bathroom, or on the skin when the gauze is lifted. These are naked, open poems. They say things that make us wince, as when we look at an incision still puckered and red. Shipers reminds us that our lives must first be prodded and cauterized, if the injured parts are ever to heal."Jehanne Dubrow
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英语 [en] · PDF · 3.2MB · 2015 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17467.021
ia/housemusic0000kauf.pdf
House music : poems Kaufman, Ellen, author San Jose, CA: Able Muse Press, San Jose, Calif, 2014
Poetry. In Ellen Kaufman's HOUSE MUSIC, which was a finalist for the 2012 Able Muse Book Award, the everyday is remade into a luminous tapestry of intricate wordplay, delightful sound effects, and transcendent moments. Her observational skill about the commonplace is revelatory, with fresh insights on such wide-ranging subjects as construction work, native and exotic flora and fauna, a sewing machine and a piano handed down through generations, and a momentous visit to the doctor's office. HOUSE MUSIC is a wonderful debut collection from a uniquely inspired poet. "Ellen Kaufman is a master of sight; her explorations encourage us to see the ordinary beauty in homely scenes. Equally important for any poet worth her salt, she is also a master of sounds. She fills her poems with mouth-watering phrases like 'dollops / and fillips of tulips,' and delicious appreciations of domestic details. Her sly and understated villanelle, 'A Flemish Still Life,' epitomizes Kaufman's ars poetica as well as her observational skill. 'No effort's wasted if you aim to please,' it begins. It ends with the gentle command 'Aim to please.' Kaufman and her poems aim to please, and succeed in doing so."Willard Spiegelman "I've been reading Ellen Kaufman's poetry for many years now. There's no other experience quite like it. Her language is taut and her aim her poems fly straight and true. Part of this has to do with technical mastery. She is a virtuoso of meter and rhyme, and her deep understanding of how structure works in a sonnet or a villanelle, for example, results in poems that combine pattern or repetition with an astonishingly singular vision."Jennifer Barber, from the Foreword "The intelligence behind Ellen Kaufman's wonderfully realized HOUSE MUSIC is poised and observant, its reflections unfolding in sinuous sentences that are effortlessly elegant and deceptively plainspoken. The subjects and themes of her poems are variousthe family romance, an encounter with a panhandler, the first moon landingoften taking the form of enigmatic vignettes and fables like 'Sonatina' and 'Thirteenth Night,' pervaded by a sense of the fragile contingency of life. HOUSE MUSIC is a brilliant and powerful debut."John Koethe "Ellen Kaufman's distinguished poems achieve their purposes by modulating a powerful self- containment, a powerful and wise human awareness, by means of a chorus of exquisite and luxurious local effects. They are astonishing acts of balance, intelligence, precision, eloquence, vision, imagination, and grace."Vijay Seshadri
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英语 [en] · PDF · 2.8MB · 2014 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17466.588
ia/cosmicpurrpoems0000pooc.pdf
The cosmic purr : poems Aaron Poochigian; Charles Martin San Jose, CA: Able Muse Press, San Jose, CA, 2012
The Cosmic Purr is the first collection of original poetry from Aaron Poochigian, well-known for his translations of Sappho, Aeschylus, Aratus and Apollonius of Rhodes. From the mythical to everyday themes, from the landscape of North Dakota to scenes in a bar, at a marriage ceremony, before birth or before death, Poochigian's verse is enlightened by uncommonly fresh wisdom, and deployed in the delightfully masterful, elegant and naturally-flowing metrical forms his translations are known for. PRAISE FOR THE COSMIC PURR: Aaron Poochigian 's technique is masterly, the tone tends to be tart, disillusioned, cryptic, and elegant, and it 's easy to be beguiled by these poems wit and bravura. But the pyrotechnics are used to serious ends, and the scenes that are fitfully illuminated, whether they occur in landscapes as quotidian as contemporary North Dakota or as otherworldly as mythical Greece, whether they are chilling or exhilarating, are always immediate in their reality, and they speak to the reader with a compelling cogency. - Dick Davis Aaron Poochigian is both a classicist and a neo-classical poet. By this I mean that he prefers as subjects the common occasions of our lives and articulates them uncommonly, in verse rich with the kind of detail that becomes a style passed on in an act of friendship between him and the poets of the past who have served as his mentors. - Charles Martin (from the "Foreword") It is a delight to have some of Aaron Poochigian 's modern New York replies to famous Sappho poems. Reading them is like eavesdropping on a New York wise guy discussing the night before with a classical scholar: sexy, witty, learned, and moving. Worth hearing, worth re-reading, too. - Diana Der-Hovanessian What is the cosmic purr? Pussycat poet Aaron Poochigian is the one to show us in his ebullient lines. He returns where he started to the northern plains then spins on a dime to the wider world where life was all night long / drinking and dancing, bursting into song. In The Parlor he nods ironically to his Armenian heritage, and a few pages later he lights an elegiac candle for a dying friend. A major translator from classical Greek, Poochigian offers in his own poetry a hip formality, a timeless sense of the contemporary, and when he brings the classics into this scene they live again as freshly as ever. - David Mason ABOUT THE AUTHOR: Aaron Poochigian was born in 1973. He attended Moorhead State University from 1991 to 1996 where he studied under the poets Tim Murphy, Dave Mason and Alan Sullivan. He entered graduate school for Classics in 1997 at the University of Minnesota. After traveling and doing research in Greece on fellowship from 2003 to 2004, he earned a Ph.D. in Classics in 2006, and now lives and writes in New York City. His translations, with introduction and notes, of Sappho 's poems andfragments were published by Penguin Classics in 2009. His translations of Aeschylus, Aratus and Apollonius of Rhodes appeared in the Norton Anthology of Greek Literature in Translation in the spring of 2009, and Johns Hopkins University Press published his edition of Aratus astronomical poem, The Phaenomena, with his introduction and notes, in the spring of 2010. His poetry has appeared in numerous journals, including Arion, The Dark Horse, Poetry and Smartish Pace.
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英语 [en] · PDF · 2.9MB · 2012 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17466.537
ia/bardscheherazade0000hodg.pdf
The Bard & Scheherazade Keep Company: Poems Hodge, Jan D., author San Jose, CA: Able Muse Press, San Jose, CA, 2017
In The Bard and Scheherazade Keep Company, Jan D. Hodge shows impressive formal dexterity, and inventive use of the double dactyl. He turns the difficult form on its head as it transforms into a narrative vehicle, retelling the great classics-the plays of Shakespeare, the One Thousand and One Nights stories from the Islamic Golden Age (as recounted by the legendary Scheherazade to the sultan Shahrayar), and the series of medieval European folktales about the trickster, Reynard the Fox. Hodge's versification of these classic masterpieces manages to liberate this restrictive form and yet sustain its strict rules. This delightfully witty, quirky, playful collection reads naturally, while remaining lexicographically bounteous. PRAISE FOR THE BARD AND SCHEHERAZADE KEEP Jan D. Hodge has given us an astonishing book-as remarkable a tour de force as ever I've seen. I wouldn't have thought that witty verse form, the double dactyl, could be used to tell a story, but modifying the pattern only slightly, Hodge retells some celebrated stories in enjoyable style-Shakespeare plays, six tales from the Arabian Nights, and the popular medieval legend of Reynard the Fox. You don't have to admire poetic ingenuity to read them with pleasure, but I'm all dumb doglike admiration at Hodge's spectacular triumph. --X.J. Kennedy Jan D. Hodge's mastery of the double dactyl is nothing short of stunning. Open this book at random, and you will find the form perfectly used, the language both natural and original, and the wit a delight. From Romeo to Reynard, you're going to love these poems. --Gail White Jan D. Hodge has renovated the most challenging of light verse forms and transformed it into a vehicle for poems that revisit classic works of literature. Hodge's deft handling of meter and intermittent quirky notes create a sense of intimacy between the reader and the poet that is both enjoyable and rare in today's poetry. --A.M. Juster ABOUT THE Jan D. Hodge grew up in a letterpress printing shop in small town Michigan, and received his BA and MA degrees from the University of Michigan and his PhD from the University of New Mexico, where he wrote his dissertation on Charles Dickens. He taught at Rockford (Illinois) College and at Morningside College in Sioux City, Iowa. His poems have appeared in many print and online journals and anthologies, and his book Taking Shape, a collection of carmina figurata, was published in 2015 by Able Muse Press.
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英语 [en] · PDF · 3.5MB · 2017 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17466.531
zlib/no-category/Maryann Corbett/Credo for the Checkout Line in Winter_119953336.pdf
Credo for the checkout line in winter : poems by Maryann Corbett San Jose, CA: Able Muse Press, San Jose, CA, California, 2013
Poetry. Maryann Corbett's second full-length collection, CREDO FOR THE CHECKOUT LINE IN WINTER, draws on profound experience of deep winter in the lived environment, while keeping alive faith that the thaw will come and bring with it the bloom of "uncountable rows of petals." The themes of this finalist for the 2011 Able Muse Book Award range from the quotidian to the metaphysical. Corbett's keen eye brings to focus uncommon detail. Her masterful technical repertoire spans received forms, metrical inventiveness, and free verse. This is poetry that amply rewards the reader with its boundless imagination, insight and visionary delight. "The crafted poems in Maryann Corbett's new book are vibrant. She is a newborn Robert Frost, with a wicked eye for contemporary life. Each poem surprises. Read her poems and feel the howling snow, the mud, and the jubilance of the first warm fertile spring days." Willis Barnstone "What makes Maryann Corbett such a rare, excellent writer must be her talent for weaving together various artistic impulses, so that her poems often sound both traditional and brand new, both humorous and serious, both worldly-wise and, as John Keats once put it, 'capable of being in uncertainties.' She] remains a poet of the first order, and her poems are cause for gratitude, and deep enjoyment." Peter Campion, from the Foreword "Corbett is as comfortable and affecting within the tight confines of the Old English alliterative meter ('Cold Case') and the Sapphic stanza ('Paint Store') as she is with her supple blank verse and terza rima. Yet never does her rigorous craft interfere with the thoughtful, insightful content of these poems. A stunning collection, from one of America's most gifted contemporary poets." Marilyn L. Taylor
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英语 [en] · PDF · 2.8MB · 2013 · 📗 未知类型的图书 · 🚀/ia/zlib · Save
base score: 11068.0, final score: 17466.096
ia/underdarkwaterss0000evan.pdf
Under Dark Waters: Surviving The Titanic Poems. Selections Evans, Anna M. (author.) San Jose, CA: Able Muse Press, San Jose, CA, 2018
In Under Dark Waters: Surviving The Titanic, Anna M. Evans Juxtaposes The Recent Loss Of Her Mother With Comparable Elements And Incidents From The 1912 Disaster. Evans Traces An Intricate Trajectory From Glory To Grief By Means Of Vividly Imagined Details About The People And Animals On Board The Ill-fated Ship, Along With Evidence That The Operators' Blunders Were Avoidable. This Is Poetry Of Impressive Artistry And Formal Mastery, With Evans In Complete Command Of Theme And Craft. Under Dark Waters Is A Unique And Spellbinding Collection, And Deservedly, The Runner-up For The 2017 Able Muse Book Award. Praise For Under Dark Waters: Surviving The Titanic: Anna M. Evans Is One Of The Best Practitioners Of The Sonnet And The Sonnet Series. Her Series On The Titanic Is One Of The Most Memorable I Have Ever Read. The Technical Difficulty Of The Poem Is Noteworthy, But It Is The Construction Of The Book, Based On That Poem As A Centerpiece, That Is Genius. - Kim Bridgford, Author Of Undone An Earlier Feminist Poet Went Diving Into The Wreck Of Personal Experience And Gender Politics. Now Comes Anna M. Evans, Diving Into The Wreck Of The Titanic To Illuminate Both Personal Experience And The Politics Of Social Class. Working At The Height Of Her Remarkable Poetic Powers, Evans Fuses The Historical Voyage Of The Doomed Luxury Liner With The Personal (her Mother's Fatal Illness) And The Political (class Inequality, Resonating With Our Own Disastrous Era). The Result Is One Of The Best, Most Unforgettable Books I Have Read In Years. - Julie Kane, Author Of Paper Bullets Despite The Great Accomplishment Of [evans's] Technical Tours De Force, It Is Not Admiration For Technique That Is The Main Feeling That Stays With A Reader Once The Book Is Finished, Rather It Is The Undeniably Powerful Emotional Force Of What Is Being Said. - Dick Davis (from The Foreword), Author Of Love In Another Language About The Author: Anna M. Evans' Poems Have Appeared In The Harvard Review, Atlanta Review, Rattle, American Arts Quarterly, And 32 Poems. She Gained Her Mfa From Bennington College, And Is The Editor Of The Raintown Review. Recipient Of Fellowships From The Macdowell Artists' Colony And The Virginia Center For The Creative Arts, And Winner Of The 2012 Rattle Poetry Prize Readers' Choice Award, She Currently Teaches At West Windsor Art Center And Rowan College At Burlington County. Under Dark Waters: Surviving The Titanic Was The Runner-up For The 2017 Able Muse Book Award.
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英语 [en] · PDF · 2.3MB · 2018 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17466.088
lgli/New_Jersey_Noir__The_Jack_Colt_-_William_Baer.epub
New Jersey Noir : The Jack Colt Murder Mystery Novels, Book One William Baer Able Muse Press, Jack Colt, 1, 2018
On the bridge over Paterson's Great Falls, a retired state trooper is murdered by a girl in a grammar school uniform. The victim was the beloved uncle of Jack Colt, a private investigator descended from the inventor of the revolver. While investigating his uncle’s murder, Colt realizes that it is intertwined with two other cases of his. These involve the family secrets of extremely powerful New Jersey figures, including the governor, a judge, and a mob boss. In New Jersey Noir, William Baer reinvigorates the detective genre while exploring the Garden State's rich cultural history, glamor, and gore. Baer's novel is fast-paced and utterly gripping, brimming with intrigue and suspense. PRAISE FOR NEW JERSEY NOIR: An accomplished poet, playwright, and short-story writer, William Baer has turned to crime, creating a brilliant debut novel, the hard-boiled whodunit New Jersey Noir. If you’re looking for classic noir elements, you’ll find them here, in spades. And you’ll find fine literary elements here, as well: precise prose, perfect pacing, stunning imagery, complex characterization, grand historical and cultural contexts, and a superb sense of place. More than anything else, New Jersey Noir is a loving tribute to the Garden State by a writer who appreciates its grime as much as its glory. - Hollis Seamon (Jersey girl, born and raised), author of Somebody Up There Hates You Not since Donna Tartt’s The Secret History have I read a novel as mesmerizing, engrossing, and delectable as William Baer’s New Jersey Noir-a book so compelling that I was forced to drop everything and commit myself for several hours to experiencing, vicariously, the strange and haunted darkness that is the shadow world of this novel. In prose as fast-moving as a bullet, Baer compels the reader to keep flipping pages more and more rapidly. Baer’s writing is taut and gut-wrenching. New Jersey Noir and Baer’s talent presage a brilliant career for this wonderfully gifted writer. - Terri Brown-Davidson, author of Marie, Marie, Hold On Tight Jack Colt, the private investigator in William Baer’s New Jersey Noir, romances the genre to the suspenseful effect that JJ “Jake” Gittes achieves in Roman Polanski’s acclaimed Chinatown. In place of technicolor LA, however, Baer evokes a cinematic chiaroscuro New Jersey, specifically Paterson, its history and politics limned over a baseline of Springsteen, doo-wop, and Whitney Houston. In the early pages of this compelling mystery when Colt muses that his fellow detective, Luca Salerno, “was tough all right, but not tough enough to look into the heart of darkness,” the allusion to Joseph Conrad alerts us that we are in for a more trenchant narrative than a gumshoe and dames thriller. Baer fulfills by deftly executing the universal themes of incest, adultery, madness, and undisguised evil rising out of the swamps of the Meadowlands and beyond. - Dennis Must, author of Hush Now, Don’t Explain ABOUT THE AUTHOR: William Baer, a recent Guggenheim fellow, is the author of twenty-two books including Times Square and Other Stories, Classic American Films, Luís de Camões: Selected Sonnets, and The Unfortunates (recipient of the T. S. Eliot Award). A former Fulbright in Portugal, he’s also received the Jack Nicholson Screenwriting Award and a Creative Writing Fellowship in fiction from the National Endowment for the Arts. For more information, visit him at williambaer.net.
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英语 [en] · EPUB · 1.0MB · 2018 · 📕 小说类图书 · 🚀/lgli/lgrs/zlib · Save
base score: 11060.0, final score: 17466.04
lgli/Murder in Times Square - William Baer.epub
Murder in Times Square: A Novel (A Deirdre Mystery, Book One) William Baer Able Muse Press, A Deirdre Mystery #1, 2023
Many Words Press-and imprint of Able Muse Press-is proud to introduce Murder in Times Square , a Deirdre Mystery, initiating a new series by the author of the popular Jack Colt mystery series: When a young woman in a red designer dress falls twenty-five stories from the roof of Times Square One, the well-known New York fashion model known as Deirdre resolves to unravel the mystery. Capable and determined, Deirdre is relentless in her drive to unravel the mystery and find justice for the victim, while protecting those she loves from looming threats. Baer, who has worked in the New York City's fashion district, showcases not only his depth of knowledge of the fashion industry, but also of New York City and its landmarks and history. He weaves an intricate, fast-paced, and spellbinding narrative that takes us through New York City, Atlantic City, the Jersey Shore, and the Caribbean. In Murder in Times Square , Baer once again proves he is a master of suspense and intrigue. PRAISE FOR WILLIAM BAER'S JACK COLT MURDER MYSTERY SERIES: "William Baer brilliantly mixes all the human emotions. . . . The layers, the depth, the characters, the intrigue, and the references to local settings all captivate and draw the reader in. I love books like this! A rarity! Five stars!" - Robert Leon Davis, Reader Views (Five-star review) "A brilliant debut novel . . . precise prose, perfect pacing, stunning imagery, complex characterization, grand historical and cultural contexts, and a superb sense of place." - Hollis Seamon, author of Somebody Up There Hates You "Not since Donna Tartt's The Secret History have I read a novel as mesmerizing, engrossing, and delectable as William Baer's New Jersey Noir. In prose as fast-moving as a bullet, Baer compels the reader to keep flipping pages more and more rapidly. The writing is taut and gut-wrenching." - Terri Brown-Davidson, author of Marie, Marie, Hold On Tight "With a head for crime and his own set of scruples, Jack moves effortlessly through the seamy underbelly of the state he loves. . . . [T]his is a can't-put-it-down thrill ride." - Publishers Weekly (Starred review) Writing is crisp, sarcastic, and wryly funny. . . . Characters are authentic and realistic. Dialogue is brisk and to the point. - Robin Farrell Edmunds, Forward Reviews (Five-star review) ABOUT THE AUTHOR: William Baer worked briefly in New York City's fashion district after high school. He's now the award-winning author of twenty-five books, including the first three novels in the popular New Jersey Noir mystery series. He's a graduate of NYU, Rutgers, South Carolina, Johns Hopkins, and USC's School of Cinema, where he received the Jack Nicholson Screenwriting Award. He's also been the recipient of a Fulbright, a Guggenheim, and a Creative Writing Fellowship in fiction from the National Endowment for the Arts.
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英语 [en] · EPUB · 1.4MB · 2023 · 📕 小说类图书 · 🚀/lgli/lgrs/zlib · Save
base score: 11065.0, final score: 17465.926
ia/rememberinglethe0000culh.pdf
Remembering lethe : poems Culhane, Brian, author San Jose, CA: Able Muse Press, San Jose, CA, 2021
With remarkable erudition, Brian Culhane's Remembering Lethe provides apropos morals and metaphors for our own times through its clear-eyed exposition of history, myths, and legends from Latin, Sumerian, Saxon, and Greek among others. The character and might of the word, even in the midst of repression and censorship, is a pervading theme. This insightful and masterfully crafted collection is a worthy finalist for the 2020 Able Muse Book Award. PRAISE FOR REMEMBERING LETHE Brian Culhane is a poet whose work leaps across classical myths and World War II history; across poetic forms that shimmer with innovation; across loss and love and the deep river of Lethe, the river in Hades that causes forgetfulness. In our culture, in this time, we forget a lot of things. "You'll perhaps cross the abyss / Between words, though no margin of safety's promised us," Culhane writes, and the journey of Remembering Lethe is one into a language and imagination so alive and generous that it beckons to, and then surprises and engages, every reader. This book is a consolation and an inspiration. —Frances McCue, author of The Bled Brian Culhane's poetry is a form of knowledge, and its truth and beauty as art would be recognizable at any time, in any era. The title Remembering Lethepresents us with the riddle of poetry itself. Lethe, the classical river of forgetfulness, may erase the memory of everything except the very poetry that created it. Reflecting a lifetime of reading, teaching, and writing, the poems in this book merge with their subjects in classical proportions, formed by a lyric impulse the poet calls in one poem "two parts darkness, one part song." Darkness may sometimes shadow these poems, but joy illuminates each of them in the end. —Mark Jarman, author of The Heronry In "A Crack in the Amphora," just one of the many formally masterful, richly probing, and movingly resonant poems in Remembering Lethe, Brian Culhane enjoins the reader to "squeeze your eyes through / Past the dry outer world of painted clay," to find "a corridor leading away / From light," into the interior the sculptor's "palm knew / As wet, before any votive oil splashed in." Here, in a manner exemplary of this poet's ingenious imaginative powers, the poem opens to a world vital with allusion and pervasively attuned both to "the core of darkness" and to the world at hand with which, as he says elsewhere, "the longhand of thought" also must contend. Culhane's poems are unapologetically literate, inclusive in their pursuit of emotional and intellectual truth, and rare in their responsiveness to what is most necessary for the art. —Daniel Tobin, author of Blood Labors ABOUT THE AUTHOR: Brian Culhane's The King's Question (Graywolf Press, 2008) won the Poetry Foundation's Emily Dickinson Award for a first book by an author over fifty. His poems have appeared widely in such journals as the Hudson Review, the New Criterion, the New Republic, and the Paris Review. After getting his MFA at Columbia University, he received a PhD in English literature from the University of Washington, where he focused on epic literature and the history of criticism. The recipient of fellowships from Washington State's Artist Trust, MacDowell, and the Virginia Center for the Creative Arts, he now divides his time between New York's Catskills and Seattle.
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英语 [en] · PDF · 2.4MB · 2021 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17465.926
ia/figuringinfigure0000berm.pdf
Figuring in the figure : poems Berman, Ben (Poet), author San Jose, CA: Able Muse Press, San Jose, CA, 2017
Poetry. In Ben Berman's second full- length collection, FIGURING IN THE FIGURE, poems laden with aphorisms, puns, and witticisms meditate on shapes, angles, thinking about thinking, marriage, and the joys and trials of bringing a daughter into the world, among others. Sometimes with a Frostian spirit, sometimes with a touch of Zen, the known is questioned and wisdom gleaned from daily experience. This is a book that challenges us to reimagine the familiar, both physical and spiritual, while reminding us not to "wander through this world without wonder." "'Because design, alone, doesn't hold weight,' Ben Berman writes in his remarkable second collection of poems, 'we need concrete material-the image / of a bridge over the sound of water.' In FIGURING IN THE FIGURE, Berman explores the nature of form in its deepest most complex sense. His luminous details evoke a world of mutable forms and shapes that suggest the fragility of our lives. The book culminates with a moving, realistic yet lyrical sequence of poems about the birth of his daughter. This is a quietly beautiful book that deserves attention and recognition."Jeff Friedman "FIGURING IN THE FIGURE is a self-portrait of a man becoming a father. Ben Berman writes inside a modified terza rima that makes a virtue out of clarity and discernment. The influence here of Frost returns us to Frost's these poems make points and have a point of view. Like Frost, Berman is unsparing in his introspection. He offers us an ongoing when faced with the pain and contradiction of everyday life, 'to delay judgment and contemplate . . . incompatible thoughts.'"Rodger Kamenetz "Ben Berman's nimble terza rima is the perfect vehicle for the poems of FIGURING IN THE FIGURE. Both expansive and structured, the interwoven stanzas allow him to form and reform probing questions of identity without ever forsaking a deep musicality. We watch the speaker ponder mouse droppings, hit the wall in a marathon, describe the great molasses flood of 1919, diaper a doll in a birthing class, then try to manage his 'tiny fascist' of a toddler who wouldn't stop until 'every bookshelf toppled / like a / failed coup.' His observations are enriched with various kinds of humor- aphorisms, riddles, word plays, and puns. This book is wise and wonderful."Beth Ann Fennelly "Ben Berman's fine, clever poems are never merely clever. Their frisky formal play is finally and importantly about the finding of forms that might adequately contain our feelings. As his title, FIGURING IN THE FIGURE, suggests, Berman is fond of double meanings; indeed, he is in love with all the twists and turns of language, as well as all the structures that display the pleasures of thinking. If invention is his inclination, order is his learned yet sly companion, 'a partner,' he writes, 'the type / that coyly invites chaos to dance.'" Lawrence Raab
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英语 [en] · PDF · 2.2MB · 2017 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17465.795
ia/lifeinsecondcirc0000cant.pdf
Life in the second circle : poems Michael Cantor; Deborah Warren San Jose, CA: Able Muse Press, San Jose, CA, California, 2012
This Volume Is The First Collection From The Author, Finalist In The 2011 Able Muse Book Award. His Poetry Globe-trots In Time And Place. It Teems With Such Culturally Diverse Characters And Scenes As Genghis Khan And Muhammad Ali; A Pithy Mise-en-scene Of A Venice Travelogue; Brighton Beach In Florida And Its Natives Or Turistas; And What Can Happen In Japan On Tatami Mats Or Behind Shoji Screens, Whether You Are A Geisha Or Samurai Or Gaijin. His Themes Span The Mystical To The Hard-edged And Badass, Fluently Deployed In Formal Poems In Received Or Nonce Forms And Free Verse. From The Narrative To The Imagistic And Even The Surreal, His Versecraft Is Eclectic, Brimming With Wit And Wisdom, And Realized With The Craft Of A Master Storyteller. He Has Created A Collection Of Unique Pleasures. The Young Men In Their Beauty. For Harry, Who Had Three Passports ; The Man Who Painted Women ; Box Men ; Jump-cut ; Japanese For Beginners: Ronin ; The Book Of Five Rings ; The Journalist ; The Man Who Caught The Pass ; The Rabbi's Son ; The Sugar Man ; Freshly Shaved And Barbered Well ; Solo ; The Zealot Tries On A Burka ; The Unidentified Speaks ; The Pundit. -- Encounter At The Hotel Moskva. In The District Of The Translators ; Antwerp ; Venetian Aubade ; The Book Of Tea ; Katachi ; An Incident Of Honor At Bar Manos In Akasaka ; Travel Memoir ; Ceremonies ; Christina's Fantasy ; Paul Delvaux's Women ; Variation On A Theme By Marc Chagall ; Hexagram ; Sketches From Route 1 ; Still Life ; Overheard At Park And Fifty-third ; Navajo Country ; Two Love Stories ; Awaiting Departure ; Prologue. -- Buying Sneakers. Penelope Lunches With Friends ; Buster And Etta ; Retired, Living In Seclusion Near Las Vegas, Khan Reflects ; Caveat Emptor ; Her Latest Girlfriend Stole The Silk Tabriz And Left A Cat Behind ; Dinner At The Inn Of The Anasazi ; A Brighton Beach Princess Remembers The Past ; Jane ; Where Are The Negligees Of Anthony? -- There Was A Woman Once. Never Mind ; Crossing Brooklyn Bridge At Night ; Summer Island ; Pretty Gaijin Boys Have Often Been Her Weakness ; Two Tales From The East ; In The Spring Of 1978 ; For Trudy, In New York On Business ; Looking Back ; The Performer ; A Game Of Go -- Life In The Second Circle. What Would The Wind Drive? ; Aubadergine ; Renate ; Because She Fell Out Of Her Yoga Pose ; Watchfulwaiting ; At The Crafts Museum At Asheville ; Watching Reruns ; Muhammad Ali Entered My Dream Just To Say Hello ; The River Children Come Of Age ; Death Watch. By Michael Cantor.
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英语 [en] · PDF · 4.1MB · 2012 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17465.676
ia/walkinginonpeopl0000balm.pdf
Walking in on People (Able Muse Book Award for Poetry) by Melissa Balmain San Jose, CA: Able Muse Press, San Jose, CA, California, 2014
In Melissa Balmain's "Walking in on People, " the serious is lightened with a generous serving of wit and humor, and the lighthearted is enriched with abundant wisdom. She shows us how poetry can be fun yet grounded in everyday challenges and triumphs, with subjects ranging from the current and hip ("Facebook" posts, online dating, layoffs, retail therapy, cell-phone apps, trans fat), to the traditional and time-tested (marriage, child-rearing, love, death). Through it all, her craft is masterful, with a formal dexterity deployed with precision in a showcase of forms such as the villanelle, ballad, triolet, nonce, and the sonnet. It is little wonder then that "Walking in on People" is the winner of the 2013 Able Muse Book Award, as selected by the final judge, X.J. Kennedy. This is a collection that will not only entertain thoroughly, but also enlighten and reward the reader. PRAISE FOR WALKING IN ON PEOPLE: "Walking in on People" grabbed me with its very title, and it never let go. Poetry these days is rarely so entertaining, so beautifully crafted, so sharp of eye, yet so wise and warm of heart. Melissa Balmain keenly perceives faults in people and in our popular culture, with piercing wit but never bitterness. Don't miss the wonderful "Lament," on what it takes to write a best seller, or "The Marital Bed," a love poem with naturalistic detail. She really commands her art. Indeed, I think any poet who rhymes "lobsters" and "Jersey mobsters" deserves to have an equestrian statue of herself erected in Bangor or Newark or both. X.J. Kennedy (Judge, 2013 Able Muse Book Award) Melissa Balmain's poems add to the rhythmic bounce of light verse a darker, more cutting humor. The result is an infectious, often hilarious blend of the sweet and the lethal, the charming and the acidic. Billy Collins So many of the poems in Melissa Balmain's triumphant debut lodge themselves in that Frostian zone where they are hard to get rid of. They recur in the mind in moments of hilarity and pathos, of exaltation and mortification, and they never let us go. David Yezzi (from the foreword) Accessible and entertaining poetry doesn't often prevail over the grim personal memoir in poetry contests, but this time the judges were smart. They went for Melissa Balmain's stylish and always metrically perfect wit. You can relate to this poetry if you have ever: longed to save the restaurant lobsters from their fate, lost your lover to his electronic devices, faced the fact that babies are ugly and toddlers suppress your genius, or (of course) walked in on people in all the wrong places. With diverse forms, inventive rhymes, the right word always chosen and a sense of humor always in evidence you really have no excuse not to buy this book. Gail White ABOUT THE AUTHOR: Melissa Balmain is a humorist, journalist, and teacher, and the editor of "Light." Her poems have been published in the anthologies "The Iron Book of New Humorous Verse" and "Killer Verse, " and in "American Arts Quarterly, Lighten Up Online, Measure, Mezzo Cammin, The Spectator (UK), The Washington Post, " and elsewhere. Her prose has appeared in "The New Yorker, The New York Times, McSweeney's, Details, " and many other magazines and newspapers. She is a columnist for "Success" magazine and the author of a memoir, "Just Us: Adventures of a Mother and Daughter" (Faber and Faber). Balmain has won national journalism honors and been a finalist for the Donald Justice Poetry Prize, the Howard Nemerov Sonnet Award, and the X.J. Kennedy Parody Award. She teaches at the University of Rochester and lives nearby with her husband and two children. "Walking in on People, " the winner of the 2013 Able Muse Book Award, is her first full-length poetry collection."
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英语 [en] · PDF · 3.0MB · 2014 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17465.676
ia/someboregifts0000harm.pdf
Some bore gifts : stories A. G. Harmon, Kristine Morris Able Muse Press / Word Galaxy, 1st, First Edition, PS, 2017
A.G. Harmon's Some Bore Gifts is an eclectic collection of stories spanning the traditional to the satirical, with a kaleidoscope of viewpoints and characters that includes tree cutters, department store pianists, museum guides, physicians, florists, actresses, bank managers, junk salesmen, personal trainers, and English professors. Harmon is as spellbinding in his depiction of the disenfranchised as of the socially poised, with vivid scenes of both the quotidian and the aberrant and startling. This captivating book challenges and entertains from start to finish. PRAISE FOR SOME BORE A.G. Harmon is a writer of the first order. These are elegant and humble and ruminative stories of people reaching their worldly ends in one way or another, and their encounters there with grace and a hard-wrought hope. Some Bore Gifts is in itself a gift, and A.G. Harmon a writer who blesses us with his art. - Bret Lott, author of Dead Low Tide A.G. Harmon is that rare thing, a writer who loves his characters without idolizing them. In prose that is alternately crystalline and gritty, he shows how a heart in hiding can be brought back to life through a chance encounter with another. Some Bore Gifts are stories that track the movement from despair to hope, loss to restitution, the seemingly random steps we take along the road of grace. Harmon's consummate storytelling makes us believe in, not only the resilience, but also the essential grandeur of the human spirit. - Suzanne M. Wolfe, author of The Confessions of X In these stories, Harmon takes you-lyrically, sometimes brusquely, always with good humor-through a gallery of lives. Some full and wise, others shallow and self-concerned, still others stunted or misunderstood-a stunning human spectrum. I laughed out loud, flipped pages in worry, even felt a knife slice through my palm. But most visceral-and this is Harmon's gift-I felt myself disappear in moments of true, transcendent beauty. - Samuel Thomas Martin, author of A Blessed Snarl A.G. Harmon's new collection of stories, Some Bore Gifts, is stunningly diverse, displaying a vast range of characters and the skill to draw them that enchants his reader. From the glimpse of a migrant worker as he begins his story, "the impression he left upon the listener was that of a tune hummed from a porch step, during the long liquid hours of the first, floating dusk," to the voice of a wounded piano tuner who "leans into the memory, his gaze fastened to what he must see," Harmon creates a span of characters-an aging movie star, a college English professor-and falls into none of the possible and dangerous pitfalls. Readers are, indeed, invited to listen on the front porch. Their reward is seeing the redemptive moment of understanding that Harmon's characters discover. - Margaret-Love Denman, author of Daily, Before Your Eyes ABOUT THE A.G. Harmon 's fiction, essays, and reviews have appeared in Triquarterly, the Antioch Review, Shenandoah, the Bellingham Review, St. Katherine Review, Image, and Commonweal, among others. His fiction won the 2001 Peter Taylor Prize ( A House All Stilled, University of Tennessee Press, 2002) and was the runner-up for the 2007 William Faulkner Prize for the Novel. His academic work, Eternal Bonds, True Law and Nature in Shakespeare's Problem Plays was published by SUNY Press. He was a 2003 Walter Dakin fellow at the Sewanee Writers' Conference. He grew up on horse-and-cattle farms in Mississippi and Tennessee. Currently, he teaches at The Catholic University of America in Washington, DC.
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英语 [en] · PDF · 9.6MB · 2017 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17465.309
ia/thisbedourbodies0000lind.pdf
This bed our bodies shaped : poems by April Lindner San Jose, CA: Able Muse Press, San Jose, CA, California, 2012
<br> Poetry. THIS BED OUR BODIES SHAPED from April Lindner is a finalist in the 2011 Able Muse Book Award. This collection is a celebration of the universal human experience—childhood, puberty, parenthood, aging—from a uniquely personal and sensual perspective. Linder's craft, which finds masterful and original expression in metrical and free verse, enlivens each experience until we seem part of the scene. Eavesdropping on this engagingly narrated life gives us startling new insights into our own. <p>"April Lindner's THIS BED OUR BODIES SHAPED is a beautifully intimate and domestic book about the culture of family—what we bring to each other, boldly or tentatively, and what can never be known. Lindner pauses at the imprints we leave, what is buried under sand and snow, what returns to us again and again. Her poems are tender and fierce, startling in their excavations."—Denise Duhamel</p> <p>"April Lindner's sublimely intelligent and compassionate poems make THIS BED OUR BODIES SHAPED the kind of book that becomes your friend on a bedside table. Here is a poet you can always trust. She never sacrifices complex layers of emotion for a simple treatise. This slender volume follows the pilgrim's progress of girl into woman into lover into mother into maturity, in poems that both mark those thresholds and illuminate them with the brilliant specifics of a lived life. And the poet accomplishes all of this with the precision of a practiced harpist on the huge gold instrument of craft. April Lindner's poems work with a muscular silkiness. Reading them is like discerning a bicep through a transparent sleeve."—Molly Peacock</p> <p>"There are beautiful collisions in these poems, collisions between vulnerability and unflinching looks at our human condition, its truths and contradictions. There is an earned strength here and this book's amplitude is heightened by terrific formal control (she knows her craft) and wild music."—Thomas Lux</p> <p>"All the pleasures and pains of domestic life, of marriage and parenthood, love and loss, dailiness and major rites of passage, find their textures and music in the poems of April Lindner's new collection. Her subtle mastery demonstrates again and again that the body itself creates the form of the poem, as surely as the bodies of the lovers shape their bed. The craft of these beautifully made verses is both seamless and palpable."—Mark Jarman</p>
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英语 [en] · PDF · 2.7MB · 2012 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17465.285
ia/manhattanitepoem0000pooc.pdf
Manhattanite (able muse book award for poetry) Poochigian, Aaron , 1973- (author.) San José, CA: Able Muse Press, Place of publication not identified, 2017
Poetry. Aaron Poochigian's prizewinning second collection of poetry, MANHATTANITE, is by turns frenzied and focused. It examines New York's juxtaposed symbols of towering achievement and monumental desolation, and then traverses the country to California's Central Valley, where the poet reclaims his grandparents' home. Poochigian consistently entertains, whether his theme is lamentation or celebration--a grizzled urban pigeon (scavenging for "the sort of faith / that holds for here and now and vibes like song") or an Ohio wind turbine (an "ungatherable / iron flower" seen "juggling... / three arms' worth / of gale-force wind"). MANHATTANITE is, deservedly, the winner of the 2016 Able Muse Book Award. "In MANHATTANITE, Aaron Poochigian takes on the role of American flneur for the twenty-first century, drifting through the frenetic metropolis at a dreamer's planetary pace. This collection is a celebration of exuberant melancholy, or melancholy exuberance, slick lyric cum urbane pastoral."--A. E. Stallings, 2016 Able Muse Book Award judge "MANHATTANITE gives us the Manhattan of speed chess players in the park, tipsy tipplers tipping off the rooftops, the night sky bright with city light, tenants, tenements and supers. Aaron Poochigian is the poet in New York seeking a holy aura in the song of gunshots and spiral sirens, picking like a grizzled pigeon through stray newspapers, bottles, bags, and candy wrappers for a scrap of religion. Each poem is a tower growing out of our human filth and scraping the sky with sky-lines, and together they build a city of words. Put New York in your pocket. It's inside this book."--Tony Barnstone "Reading Aaron Poochigian's MANHATTANITE is a dynamic, kinetic experience. These poems travel at a fast clip, pulling you along through cityscapes, wastelands, and other vistas. Some of the poems tunnel downward, plumbing depths of mood and memory. Whichever way they move, Poochigian's poems perform with such panache and brio that it's hard to know whether to laugh or cry. I'd say do both--and keep reading. But be this isn't a feel-good book. It's a fearless book."--Rachel Hadas "Thoreau once boasted that he had traveled widely in Concord; Aaron Poochigian's title indicates that he has traveled widely elsewhere--in the one borough worth experiencing, through western deserts, aboard 'an ultra-modern train / lisping through French or German woods,' and in a Paris of naked bulbs and seedy cabarets. In all of these settings, he deftly choreographs his cast of nameless characters. The concluding lines of ' Go and Do It' claim, 'I'll still swear / we could be happy anywhere.' One sure location of that 'anywhere' exists between the covers of Manhattanite."--R. S. Gwynn
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英语 [en] · PDF · 2.5MB · 2017 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17465.273
ia/pearltranslatedf0000unse.pdf
Pearl : translated from the Middle English by the anonymous author of Sir Gawain and the Green knight, fourteenth century, from the Cotton Nero A.x manuscript book in the British library John Ridland; Maryann Corbett Able Muse Pr; Able Muse Press, Place of publication not identified, 2018
Pearl is an intricate fourteenth-century poem written by one of the greatest Middle English poets—the anonymous artist who also gave us Sir Gawain and the Green Knight. This medieval masterpiece presents the meditative Dream Vision of a father (the Dreamer) mourning the loss of a young daughter (his Pearl). Having recently translated Sir Gawain and the Green Knight to critical acclaim, John Ridland now tackles the even more challenging Pearl. He succeeds in giving us another innovative and pleasurable translation that retains line-by-line fidelity with the source material, while bringing the fourteenth-century Northwest Midland dialect into an unstrained contemporary idiom. Ridland's inventive meter and rhyme convey the sonic beauty of the original. Moreover, his preface provides a comprehensive background and analysis of Pearl, points out the techniques deployed by the original poet, and explains Ridland's own approach to translating the poem. This translation will delight and reward the reader. PRAISE FOR JOHN RIDLAND'S TRANSLATION OF PEARL: John Ridland's translation of Sir Gawain and the Green Knight made that fourteenth-century chivalric romance not only accessible but alive to our twenty-first century sensibilities. Now his translation Pearl, also by the anonymous Gawain Poet, does the same for that poignant dream vision. The poem's formal complexities are still here, mutatis mutandis, but they enhance rather than obscure the story of a grieving father's dream vision of his lost daughter in paradise. Six hundred years vanish, and the reader feels an intimate, profound emotional connection with the universal human experiences of loss, grief, and hope. —Richard Wakefield, author of A Vertical Mile An attractively readable translation, which makes a real attempt to convey the metrical beauty and intricacy of the original. —Ad Putter and Myra Stokes, editors of The Works of the Gawain Poet After reading John Ridland's translation of Sir Gawain and the Green Knight some time ago, I thought, "Well, he's done it now: doomed himself to never achieving anything as remarkable as this again, because it's impossible." But I was wrong: his new translation of Pearl—an even more challenging work by the same anonymous fourteenth-century Gawain Poet—is equally musical and moves with the same charmed pace in the telling that is perfect for what is being told. —Rhina P. Espaillat, author of Her Place in These Designs John Ridland's translation offers us, in accessible, contemporary English, all the dazzling complexity and beauty of Pearl's structures, rhythms, and rhymes. —Maryann Corbett, winner, Willis Barnstone Translation Prize; author of Street View ABOUT THE TRANSLATOR: John Ridland, PhD, taught English at the University of California, Santa Barbara, for forty-three years. His recent book of translation is the Middle English anonymous poet's masterpiece, Sir Gawain and the Green Knight (Able Muse Press, 2016). His other publications include A Brahms Card Ballad, first published in Hungarian translation, Happy in an Ordinary Thing, and a book-length translation of Petöfi's John the Valiant. With Dr. Peter Czipott, Dr. Ridland has translated several other Hungarian poets, including Sándor Márai's The Withering World (Alma Classics, 2013) and Miklos Rádnoti's All That Still Matters at All (New American Press, 2014). In 2014 Askew Publications issued his epic poem, A. Lincolniad.
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英语 [en] · PDF · 4.0MB · 2018 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17465.082
ia/frozencharlotte0000sola.pdf
Frozen Charlotte: Poems Susan de Sola San Jose, CA: Able Muse Press, San Jose, CA, 2019
<p>Susan de Sola&rsquo;s <em>Frozen Charlotte</em> spans the breadth of human experience-from celebration to lamentation, from gravity to lightheartedness, from domestic and quotidian scenarios to historic upheavals and their aftermaths, both European and American. She skillfully deploys an impressive range of formal styles and free verse in her debut collection. De Sola&#39;s <em>Frozen Charlotte</em> manifests all the hallmarks of a seasoned poet in surefootedness, wit, and depth of empathy.</p> <p><strong>PRAISE FOR <em>FROZEN CHARLOTTE</em></strong></p> <p>The breadth of Susan de Sola&rsquo;s poetry, by turns gossamer light and solemnly elegiac, offers a pleasurable aesthetic surprise from poem to poem-from &ldquo;sun-starved Dutchmen&rdquo; to immigrant Jews in Manhattan, from tulips to the life of a friend whose actual name she never knew, from the imagined language of rocks to a war widow&rsquo;s cedar closet, from the death of an infant to conjugal love. Susan de Sola evinces wit and knowingness, a dexterity with verse, a way with form. The pleasure of de Sola&rsquo;s poetry is to be in the presence of virtuosity and insight, of a poet who knows what it means to be human, and when to be serious and when to be light.<br /> &emsp;&emsp;-Mark Jarman, author of <em>The Heronry</em></p> <p>When I read Susan de Sola&rsquo;s uncanny title poem &ldquo;Frozen Charlotte&rdquo; for the first time, I couldn&rsquo;t stop thinking about it. I feel the same about the book as a whole, a virtuoso grouping of form and topic, a book that is haunting, yet which also sparkles with a sense of humor that I much enjoyed. Susan de Sola, it seems, can write in any form. While this book is her first full-length collection, it is the work of a master craftsperson.<br /> &emsp;&emsp;-Kim Bridgford, author of <em>Undone</em></p> <p>Whether their subject is a painting by Sargent, a gathering at the site of a Holocaust deportation center, or the bestial appearance of ATM machines, Susan de Sola&rsquo;s poems seem animate with her vision: the poems breathe on the page. Part of de Sola&rsquo;s power lies in her formal acumen. Every word here seems carefully sieved from the welter of English, and each poem&rsquo;s form is perfectly matched to its ambition and music. De Sola&rsquo;s tonal range is equally rich-she is by turns funny and dark, pensive and sly, her voice resounding in the reader&rsquo;s head long after a poem&rsquo;s final line. Like its memorable title poem, <em>Frozen Charlotte</em> intrigues, goes deep, surprises. It is a book rich with the pleasures the best poetry provides.<br /> &emsp;&emsp;-Clare Rossini, author of <em>Lingo</em></p> <p>This book has many moods and many messages for any reader who pays the poems collected here the attention they deserve. At times it seems a fairground, at times a graveyard, and neither cancels the other out. It is a mark of Susan de Sola&rsquo;s always persuasive rhetoric that we see that both characterizations are somehow, simultaneously, true, and that despite their exhilarating variety these poems are of a piece and come from one complex, sophisticated, supremely alert sensibility.<br /> &emsp;&emsp;-Dick Davis (from the foreword), author of <em>Love in Another Language</em></p> <p><strong>ABOUT THE AUTHOR:</strong></p> <p>Susan de Sola&rsquo;s poems have appeared...
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英语 [en] · PDF · 3.6MB · 2019 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17465.027
lgli/Leaving Camustianavaig - John Beaton.epub
Leaving Camustianavaig: Poems John Beaton World Galaxy Press, an imprint of Able Muse Press, 2022
John Beaton's Leaving Camustianavaig celebrates nature and coexistence and harmony with it, be it in his childhood Scotland, or his adopted homeland of Vancouver Island, with musings distilling the very essence of headwaters, wilderness, forest, mountains, the sea. Beaton's masterfully crafted metrical poetry is deployed with linguistic prowess in a showcase of given and nonce forms—sonnet, sestina, triolet, villanelle, and others. The accounts of home and community, of the outdoors, or of eking a living from land and river are heartwarming and memorable. Along with its lyrical elegies of belonging, uprootedness, and reminiscences, this is a rapturous debut collection not to be missed. PRAISE FOR LEAVING CAMUSTIANAVAIG: John Beaton has a gift for writing formal poetry so well composed that the meter and rhyme are subsumed in the poems. This collection spans a life, starting with a childhood set in the Scottish Highlands where he was raised, and imbues the setting with irresistible vitality. Beginning with family, mortality, legacy, and loss, the poems then journey throughout a land passionately loved and gloriously brought to life. Poems about his adopted homeland in Vancouver Island maintain this unity and involvement in the natural world. The viewpoint may be human, but the land is a sentient thing. Its creatures act out their deepest impulses and are woven into the human experience until it becomes impossible to separate our existence from the cycles of nature. If you share a passion for, or even just a fascination with, the outdoors, the call of the wild, and the natural world as an extension of living and loving, you will treasure this book. — Vera Ignatowitsch, editor-in-chief of Better Than Starbucks From the Isle of Raasay with its "spray-sodden Hebrideans" to Vancouver Island half a world west, where salmon silver the rivers and wolves "tear savage furrows down the nightscape," Beaton brings readers into an unforgettable world where past and present weave together like tapestry. — James R. Babb, former editor of Gray's Sporting Journal I want to hold this book high and broadcast its power. It is to be reread and savoured. John Beaton's words loup out of the mythic river, combining and recombining in the rainbowed spray of it; questioning, celebrating, lamenting and informing in myriad ways as they twist and birl, howl and skirl, laugh and greet, shedding light and love on the human condition through the prism of Scotland's ancient past and its present—to which I resonate as a Scottish fiddler who is fortunate enough to stumble into certain universal truths through the lens of the Scottish condition. Maybe I could undertake to compose an equivalent piece of music—a symphony, a suite, a thousand fiddle tunes—but any such attempt would come short because a master poet is at work here, on a large canvas. Herein lies an efficacious, loving, joyous use of language that transcends depth. This collection of poetry is the soaring song cycle of a bard in top form and it will accompany me on my journey from this point on. — Alasdair Fraser, Scottish fiddler and composer ABOUT THE AUTHOR: John Beaton's poetry is metrical and has been widely published in media as diverse as Able Muse and Gray's Sporting Journal. He wrote a monthly poetry page for several years for the magazine Eyes on BC and served for four years as moderator of one of the internet's most reputable poetry workshops, Eratosphere. He recites his poems from memory as a spoken word performer and a poet member of the band Celtic Chaos. His poetry has won several awards, including the 2015 String Poet Prize and the 2012...
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英语 [en] · EPUB · 1.6MB · 2022 · 📕 小说类图书 · 🚀/lgli/lgrs/zlib · Save
base score: 11065.0, final score: 17465.027
ia/darkgnuotherpoem0000vide.pdf
The Dark Gnu and Other Poems: Deluxe Edition Videlock, Wendy, author, illustrator San Jose, CA: Able Muse Press, Illustrated, PS, 2013
<p>This Deluxe Edition of <em>The Dark Gnu and Other Poems</em> by Wendy Videlock, in addition to the hardcover and dustjacket, uses premium glossy stock and special ink, resulting in vibrant color images and print, and overall luxurious feel. The difference is clearly noticeable when compared to the standard, paperback edition of this book.</p><p><strong>Wendy Videlock</strong>’s <em>The Dark Gnu and Other Poems</em> plays, jokes, teaches, admonishes, yields to the ecstatic, and strays into the shadowy where 'If not for the dark, / no / spark.' All of this is heightened by striking full-color illustrations from the author herself. There are stories that come and go in a couple of blinks, and stories that linger and juggle their way from hut to the market, to the fair, on a 'swaying dappled mare,' to get to all the good to be had or done. Mother Goose, myth, folklore, chants, lyrics and narratives are well-represented. Like <em>Nevertheless,</em> Videlock’s first collection also from Able Muse Press, <em>The Dark Gnu</em> abounds with fun, quirks, wit, and wisdom, but this time to enchant and enlighten children of all ages.</p><p><strong>PRAISE FOR THE DARK GNU AND OTHER POEMS:</strong></p><p>Wendy Videlock’s poems contain laughing pears, rhyming coyotes, and jaded wind. In reading this book, I found myself laughing and gasping in equal measures. And cursing, as well, because Videlock is so damn good and I’m so damn jealous of her talent. She is one of my very favorite poets.</p><p>-Sherman Alexie</p><p>Reminiscent in some ways of Shel Silverstein’s classic collections, Videlock’s new book, <em>The Dark Gnu and Other Poems,</em> supplements sly whimsy with mystery and a hint of tragedy. These poems remind readers 'of all inconceivable ages' that not all problems have solutions and that some narratives end in mystery rather than in resolution.</p><p>The Dark Gnu is enhanced by the author’s illustrations that deepen the allure of the poems.</p><p>The voice is unmistakably Videlock’s, but in this new collection we hear the echoes of Lewis Carroll and Edward Gorey.</p><p>These are the sorts of poems that children will demand to hear again and again and that parents will want to recite to each other and to their friends.</p><p>-Jeremy Telman</p><p><strong>ABOUT THE AUTHOR:</strong></p><p><strong>Wendy Videlock</strong> lives on the Western Slope of the Colorado Rockies. Her full-length book of poems, <em>Nevertheless,</em> was released in 2011, and her chapbook, <em>What’s That Supposed to Mean,</em> appeared in 2009. Her poems have been published widely in literary journals, most notably in <em>Poetry</em> and <em>The New York Times.</em></p>
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英语 [en] · PDF · 3.4MB · 2013 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17464.92
lgli/R:\!fiction\0day\eng\_IRC\2021\2021-n030\William Baer - [New Jersey Noir - Jack Colt 02] - Cape May (retail) (epub).epub
New Jersey Noir - Cape May: A Novel (Jack Colt Murder Mystery Novels) William Baer Able Muse Press, New Jersey Noir&Jack Colt 2, 2021
After solving the assassination case of his beloved uncle, Colt finds himself truly alone, ditched by his girlfriend. However, there's not much respite or time for introspection for him: he's called on again to solve a new murder case, along with a suspiciously related cold case. What follows is another gripping tale in the backdrop of the Garden State's sights and scenes, including its picturesque beaches, casinos, and the rural Pine Barrens. In New Jersey Noir: Cape May—Book Two of his Jack Colt Murder Mystery Novels series—William Baer continues to enchant and spellbind. PRAISE FOR NEW JERSEY NOIR: CAPE MAY: In Jack Colt, William Baer gives us a private detective perfectly suited for the Garden State: gritty, charming in spite of himself, sidesplittingly hilarious and incomparably authentic. Baer proves himself the Sinatra of Noir, the Edison of Intrigue, the Springsteen of Suspense—and a rightful heir to Hammett and Chandler. Far more fun than a night out in Atlantic City or a weekend at the Jersey Shore. — Jacob M. Appel, author of Millard Salter's Last Day PRAISE FOR WILLIAM BAER: "New Jersey Noir introduces an ultracool hometown detective from Paterson, set perfectly in his well-detailed locales. The writing is crisp, sarcastic, wryly funny, steeped in New Jersey lore and anecdotes that add great historical and cultural dimensions to its mystery." — Robin Farrell Edmunds, Foreword Reviews (Five-star review) "A brilliant debut novel . . . precise prose, perfect pacing, stunning imagery, complex characterization, grand historical and cultural contexts, and a superb sense of place." — Hollis Seamon, author of Somebody Up There Hates You "Not since Donna Tartt's The Secret History have I read a novel as mesmerizing, engrossing, and delectable as William Baer's New Jersey Noir. In prose as fast-moving as a bullet, Baer compels the reader to keep flipping pages more and more rapidly. The writing is taut and gut-wrenching." — Terri Brown-Davidson, author of Marie, Marie, Hold On Tight "Baer evokes a cinematic chiaroscuro New Jersey—specifically Paterson—its history and politics limned over a baseline of Springsteen, doo-wop, and Whitney Houston." — Dennis Must, author of Hush Now, Don't Explain PRAISE FOR WILLIAM BAER: William Baer, a recent Guggenheim fellow, is the author of twenty-two books including New Jersey Noir; Times Square and Other Stories; One-and-Twenty Tales; Companion; The Ballad Rode into Town; Formal Salutations: New & Selected Poems; Classic American Films; and The Unfortunates (recipient of the T.S. Eliot Award). A former Fulbright in Portugal, he's also received the Jack Nicholson Screenwriting Award and a Creative Writing Fellowship in fiction from the National Endowment for the Arts.
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英语 [en] · EPUB · 1.5MB · 2021 · 📕 小说类图书 · 🚀/lgli/zlib · Save
base score: 11065.0, final score: 17463.959
ia/sailingtobabylon0000poll.pdf
Sailing to Babylon : Poems Pollock, James San Jose, CA: Able Muse Press, First Edition, FR, 2012
<br> Poetry. SAILING TO BABYLON is the first full-length collection from James Pollock. These are poems of exploration and discovery of the self and the universal. Closer to home, there is the schoolboy fascination with the English teacher; the grandmother's old Bible; a Dantean-style extended account of a hiking adventure with a young son, fully realized in terza rima. Further out in time and geography, Pollock muses on figures from Canadian history—explorers Henry Hudson, David Thompson, and John Franklin; pioneering literary theorist Northrop Frye; and pianist Glenn Gould. Each of these quests has accompanying trials or triumphs. This is a collection full of surprises and pleasures, with a treasure-chest mapped for discovery in "an image of the world / made small enough to hold inside the mind." A book that has the power to take you "to the place / exactly where you always meant to go." <p>"The metaphysics of the pause, the transition, the image: James Pollock has the Tranströmer instinct, but he plays the music in his very own key. These are haunting, deeply digested, nearly always surprising poems"—Sven Birkerts</p>
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英语 [en] · PDF · 2.8MB · 2012 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17463.752
ia/strangeborderlan0000berm.pdf
Strange borderlands : poems by Ben Berman San Jose, CA: Able Muse Press, San Jose, CA, California, 2013
Ben Berman's Wonderful First Book, Strange Borderlands, Is A Masterful Study In The Power And Limits Of Empathy, Of Respect For Difference In Tension With The Urgent Need For Common Ground. Beyond His Formal And Stylistic Range, Linguistic Flexibility, Eye For Detail, Irrepressible Wit And Powerful Feeling, What's Most Impressive About This Terrific Book Is Berman's Inclusive Generous Spirit, The Dealy Serious Imaginative Play He Exercises In Every Line Of Every Poem...these Are Poems That Weigh, Consider, And Restore Some Flesh-and-blood Meaning To The Experience Of Multiculturalism...ben Berman's Lyric Poems Mostly Set In Zimbabwe Dig Deep Into The Casual And The Casualty Of Daily Life: The Hammer Striking The Sheep's Head, The Sustenance That Follws; Disciplinary Beatings That Students, Giggly And Protesting, Could Count And Count On To Fade. Unassuming But Wise, Compassionate Yet Wildly, Unpredictably Funny At Times, Berman Delivers To Us Escalating Hardships That Somehow Elevated Us Toward The Sacred; The Pathetic Harvest And Sweetness That Comes From The Least Likely Of Places. This Least Likely Of Places Is Where Berman Thrives, Calling On Closely Observed Facts To Chronicle The Perimeters Of Tenderness And Cruelty...strange Borderlans, Chronicles In Startling And Ungorgettable Poems His Sojourn In Zimbabwe And His Immersion In A Culture That Both Embraces And Exiles Him, Attracts And Reproaches, Changing Him Forever. Using A Variety Of Poetic Approaches: Rhymed Couplets, Prose Paragraphs, Sonnets, Free Verse--he Gives Us A Multi-tonal Description Of Landscapes That Are As Elusive As They Are Inviting, As Unfamiliar To Most Of Us As They Are Intuitively Recognizable....--back Cover. Interruptions -- Endings -- Learning Shona -- Way -- Passing Three Goats In A Field, The Ropes Around Their Necks Tied To Tall Grass -- Killing The Chicken With A Dull Knife -- Beatings -- To The Safety Of Goats -- Street Kid Fights To Keep The Bread I Gave Him -- Playing Word Bingo At Meetings, The Week Before They Sent Us Home -- Footing And The Solid Ground -- Moving On -- Koan -- Obsessions -- On Detachmetn And Delicacies -- Panther -- Fragile Balance -- Crowded -- What You Can't Explain Once -- Quicksand -- Nisha Questions My Need For A Dehydrator -- Parallel Parking -- Pluots -- Seven Pictures (riding Yemama; Shooting The Veiled Women; You Say Callage, I Say Collision; Slap Happy; Views From The Overlooking; Nuggets; Tale Of Two Kitties) -- Unseasoned -- Thirds (world; Door; Person) -- Close To Closure -- On Sex And Insects -- Good Grief -- Gallery Walk. By Ben Berman.
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英语 [en] · PDF · 2.7MB · 2013 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17463.664
lgli/AndafterAllPoems9781773490199.epub
And after all : poems Rhina Polonia Espaillat Able Muse Press, Toronto, 2019
Rhina P. Espaillat's And after All meditates on the passage of time. The perspective sweeps from the panorama of foreign landmarks to the close view of a lover's feet in failing health, held and cared for. And after All displays the wit, wisdom, subtle voice, and supple mastery of forms that have established Espaillat as a contemporary master. This long-awaited collection from Espaillat is a treat not to be missed. PRAISE FOR AND AFTER ALL Rhina P. Espaillat's And After All combines the formal fluency of Richard Wilbur, the precision of Elizabeth Bishop, and the easy conversational tones of Frank O'Hara, and yet her poems speak in a voice that is distinctively her own. They address the loss of loved ones and loved things of the world, but their extraordinary empathy and gentle wit keep them from becoming depressing or sentimental. Savor this book and share it with people you love. —A. M. Juster, author of Sleaze & Slander: New and Selected Comic Verse, 1995–2015 Rhina P. Espaillat, more than any living poet in English, gives ordinary language the glow of the sacred. Workaday words, trite with custom like thin coins, accrue new resonance and weight; plain objects are haloed with aureoles like figures in gold mosaics. Saints with their visions used to do this: wave away the veils that separate our shallow perceptions from a deeper reality. But not everyone is granted visions. How much harder it is to use the same words we all use and misuse, the same objects we all touch and ignore, common experiences we dismiss, and, by using words with precision, using the serendipity of rhyme, and the convention of metrical patterns, to give the reader the experience of revelation. Craft is not the opposite of inspiration, Espaillat reminds us, it is the only way to it. —A. E. Stallings, author of Olives For most of its poems And After All is, as the title indicates, deeply elegiac in tone. There are many poignant evocations of the past in the book, rich with quotidian surface detail but always suffused with undemonstrative but palpably real emotion. A poem about the poet's grandmother, a tough no-nonsense farmer's wife who described how cows inarticulately but unmistakably grieved when they realized their calves were to be slaughtered, ends with the line, "She told it simply, but she faltered there." In its quiet pathos the line seems to sum up much of the book; exactness, no fuss, unforced fidelity to the anecdote, but the tremor of poignant empathy always present. A very eloquent collection of beautifully crafted poems, and one that it is hard to read dry-eyed. —Dick Davis, author of Love in Another Language ABOUT THE AUTHOR: Rhina P. Espaillat has published ten full-length books and three chapbooks, comprising poetry, essays, and short stories, in both English and her native Spanish, and translations from and into both languages. Her national and international awards include the T. S. Eliot Prize in Poetry, the Richard Wilbur Award, the Howard Nemerov Prize, the May Sarton Award, the Robert Frost "Tree at My Window" Prize for translation, several honors from the New England Poetry Club, the Poetry Society of America, the Ministry of Culture of the Dominican Republic, and a Lifetime Achievement Award from Salem State College. She is a frequent reader, speaker, and workshop leader, and is active with the Powow River Poets, a literary group she cofounded in 1992.
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英语 [en] · EPUB · 0.6MB · 2019 · 📕 小说类图书 · 🚀/lgli/lgrs/zlib · Save
base score: 11055.0, final score: 17463.121
ia/powowriverpoetsa0000unse.pdf
The Powow River Poets Anthology II Turco, Paulette Demers, Espaillat, Rhina P., Warren, Deborah, Juster, A.M. San Jose, CA: Able Muse Press, San Jose, CA, 2020
The Powow River Poets Anthology II continues the tradition of memorable poetry from the Powow River Poets. This group of uniquely talented, award-winning writers is centered in Newburyport, Massachusetts, but includes members from the Boston area and from as far away as New York and Maine. Twenty-seven poets are represented in this volume of the anthology, including Rhina P. Espaillat, A.M. Juster, and Deborah Warren. Here, find masterful poems in form and free verse, on an eclectic range of subjects spanning the domestic to the global, celebrations to mourning, the whimsical to the heartbreaking. It is especially a showcase of the formal prowess of these accomplished poets. The dazzling array of given and nonce forms, including blank verse, triolet, abecedarian, sonnet, villanelle, sestina, and more will inspire with many examples of craftsmanship heightening emotional engagement and insight. PRAISE FOR THE POWOW RIVER POETS ANTHOLOGY II: Dedicated to the late Powow River Poet, David Berman, The Powow River Poets Anthology II continues in the splendid tradition of the group's previous tome, published in 2006. Twenty-seven poets touch on themes ranging from the simple joys of friendship, nature, and art, to the complex issues of faith and doubt, love and loss. Guffaw-inducing humor and biting wit abound, as well as solemn reflections on suicide, domestic violence, social injustice, betrayal, illness, aging, and death. In Rhina P. Espaillat's beautiful villanelle, "Guidelines," included in this collection, the poet wisely urges us to find something to love, perhaps "a line of verse . . . that feels like the world's heart since time began." Beyond question, the poems in The Powow River Poets Anthology II echo the world's heart. —Catherine Chandler, author of Pointing Home It might be far-fetched to suggest that the Muses have sprinkled a generous share of their gifts into the waters of the Powow River . . . [near] the historic town of Newburyport . . . where the Powow River Poets established their home base three decades ago—but how else to explain the lyric fluency, robust talent, and refreshing wit that consistently distinguish this group? —Leslie Monsour (from the introduction), author of The House Sitter The Powow River Poets are a group known for their concern with the craftsmanship of verse, and for the formal dexterity and precision of their poems—qualities profusely exemplified in this new collection. As might be expected, there are tricky forms in abundance here—sonnets, villanelles, triolets, a sestina—but what is so memorable about so many of the poems is their continual precision of observation and depth of nuanced feeling. To paraphrase Pope, come for the flow of reason, stay for the feast of soul. This is a really delightfully various and moving collection, one to browse happily in and return to often. —Dick Davis, author of Faces of Love: Hafez and the Poets of Shiraz ABOUT THE AUTHOR: The Powow River Poets are a gathering of widely published, award-winning New England poets, centered in Newburyport, Massachusetts, but including members from the Boston area and from as far away as New York and Maine. More about the Powow River Poets can be found at powowriverpoets.com.
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英语 [en] · PDF · 5.3MB · 2020 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17463.121
ia/sirgawaingreenkn0000unse_w3n1.pdf
Sir gawain and the green knight (a new verse translation in modern english): a new verse translation in modern english John Ridland; Maryann Corbett; Stephen Luke [San Jose, CA]: Able Muse Press, San Jose, CA, 2016
A Poetic Translation Of The Classic Arthurian Story Is An Edition In Alliterative Language And Rhyme Of The Epic Confrontation Between A Young Round Table Hero And A Green-clad Stranger Who Compels Him To Meet His Destiny At The Green Chapel. A New Verse Translation In Modern English, With An Introduction And Notes, By John Ridland ; With A Foreword By Maryann Corbett. Illustrations By Stephen Luke. Includes Bibliographical References.
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英语 [en] · PDF · 6.9MB · 2016 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17460.584
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